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John Steinbeck

John Ernst Steinbeck Jr. (1902-1968) was an American writer. He wrote the Pulitzer Prize-winning novel, The Grapes of Wrath, published in 1939, and the novella, Of Mice and Men, published in 1937. In all, he wrote twenty-five books, including sixteen novels, six non-fiction books and several collections of short stories.

In 1962, Steinbeck received the Nobel Prize for Literature.

Steinbeck grew up in the Salinas Valley region of California, a culturally diverse place of rich migratory and immigrant history. This upbringing imparted a regionalistic flavor to his writing, giving many of his works a distinct sense of place.

Steinbeck moved briefly to New York City, but soon returned home to California to begin his career as a writer. Most of his earlier work dealt with subjects familiar to him from his formative years. An exception was his first novel Cup of Gold which concerns the pirate Henry Morgan, whose adventures had captured Steinbeck's imagination as a child.

In his subsequent novels, Steinbeck found a more authentic voice by drawing upon direct memories of his life in California. Later, he used real historical conditions and events in the first half of 20th century America, which he had experienced first-hand as a reporter.

Steinbeck often populated his stories with struggling characters; his works examined the lives of the working class and migrant workers during the Dust Bowl and the Great Depression. His later body of work reflected his wide range of interests, including marine biology, politics, religion, history, and mythology.

One of his last published works was Travels with Charley, a travelogue of a road trip he took in 1960 to rediscover America. He died in 1968 in New York of a heart attack, and his ashes are interred in Salinas.

Seventeen of his works, including The Grapes of Wrath (1940), Cannery Row (1945), The Pearl (1947), and East of Eden (1952), went on to become Hollywood films, and Steinbeck also achieved success as a Hollywood writer, receiving an Academy Award nomination for Best Story in 1944 for Alfred Hitchcock's Lifeboat.


“For the world was changing, and sweetness was gone, and virtue too. Worry had crept on a corroding world, and what was lost- good manners, ease and beauty? Ladies were not ladies anymore, and you couldn't trust a gentleman's word.”
John Steinbeck
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“When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch. When years described me as mature, the remedy prescribed was middle age.In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships's whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, once a bum always a bum. I fear this disease incurable. I set this matter down not to instruct others but to inform myself....A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we not take a trip; a trip takes us.”
John Steinbeck
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“I seen hundreds of men come by on the road an’ on the ranches, with their bindles on their back an’ that same damn thing in their heads . . . every damn one of ’em’s got a little piece of land in his head. An’ never a God damn one of ’em ever gets it. Just like heaven. Ever’body wants a little piece of lan’. I read plenty of books out here. Nobody never gets to heaven, and nobody gets no land.”
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“The Western States nervous under the beginning change.Texas and Oklahoma, Kansas and Arkansas, New Mexico,Arizona, California. A single family moved from the land.Pa borrowed money from the bank, and now the bank wantsthe land. The land company--that's the bank when it has land--wants tractors, not families on the land. Is a tractor bad? Isthe power that turns the long furrows wrong? If this tractorwere ours it would be good--not mine, but ours. If our tractorturned the long furrows of our land, it would be good.Not my land, but ours. We could love that tractor then aswe have loved this land when it was ours. But the tractordoes two things--it turns the land and turns us off the land.There is little difference between this tractor and a tank.The people are driven, intimidated, hurt by both. We must thinkabout this.One man, one family driven from the land; this rusty carcreaking along the highway to the west. I lost my land, asingle tractor took my land. I am alone and bewildered.And in the night one family camps in a ditch and anotherfamily pulls in and the tents come out. The two men squaton their hams and the women and children listen. Here is thenode, you who hate change and fear revolution. Keep thesetwo squatting men apart; make them hate, fear, suspect eachother. Here is the anlarge of the thing you fear. This is thezygote. For here "I lost my land" is changed; a cell is splitand from its splitting grows the thing you hate--"We lost ourland." The danger is here, for two men are not as lonely andperplexed as one. And from this first "we" there grows a stillmore dangerous thing: "I have a little food" plus "I havenone." If from this problem the sum is "We have a littlefood," the thing is on its way, the movement has direction.Only a little multiplication now, and this land, this tractor areours. The two men squatting in a ditch, the little fire, the side-meat stewing in a single pot, the silent, stone-eyed women;behind, the children listening with their souls to words theirminds do not understand. The night draws down. The babyhas a cold. Here, take this blanket. It's wool. It was my mother'sblanket--take it for the baby. This is the thing to bomb.This is the beginning--from "I" to "we."If you who own the things people must have could understandthis, you might preserve yourself. If you could separatecauses from results, if you could know Paine, Marx,Jefferson, Lenin, were results, not causes, you might survive.But that you cannot know. For the quality of owning freezesyou forever into "I," and cuts you off forever from the "we."The Western States are nervous under the beginingchange. Need is the stimulus to concept, concept to action.A half-million people moving over the country; a millionmore restive, ready to move; ten million more feeling thefirst nervousness.And tractors turning the multiple furrows in the vacant land.”
John Steinbeck
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“Sometimes a man wants to be stupid if it lets him do a thing his cleverness forbids.”
John Steinbeck
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“It is argued that because they believed thoroughly in a just, moral God they could put there faith there and let the smaller insecurities take care of themselves. But I think that because they trusted themselves and respected themselves as individuals, because they knew beyond doubt that they were valuable and potential moral units- because of this they could give God their own courage and dignity and then receive it back. Such things have disappeared perhaps because men do not trust themselves anymore, and when that happens there is nothing left except perhaps to find some strong sure man, even though he may be wrong, and to dangle from his coat-tails.”
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“I have no choice of living or dying, you see, sir--but I do have a choice of how I do it. If I tell them not to fight, they will be sorry, but they will fight. If I tell them to fight, they will be glad, and I who am not a very brave man will have made them a little braver.”
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“Free men cannot start a war, but once it is started, they can fight on in defeat. Herd men, followers of a leader, cannot do that, and so it is always the herd men who win battles and the free men who win wars.”
John Steinbeck
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“Time is more complex near the sea than in any other place, for in addition to the circling of the sun and the turning of the seasons, the waves beat out the passage of time on the rocks and the tides rise and fall as a great clepsydra.”
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“[...] it is a strange thing that most of the feeling we call religious, most of the mystical outcrying which is one of the most prized and used and desired reactions of our species, is really the understanding and the attempt to say that man is related to the whole thing, related inextricably to all reality, known and unknowable. This is a simple thing to say, but the profound feeling of it made a Jesus, a St. Augustine, a St. Francis, a Roger Bacon, a Charles Darwin, and an Einstein. Each of them in his own tempo and with his own voice discovered and reaffirmed with astonishment the knowledge that all things are one thing and that one thing is all things—plankton, a shimmering phosphorescence on the sea and the spinning planets and an expanding universe, all bound together by the elastic string of time. It is advisable to look from the tide pool to the stars and then back to the tide pool again.”
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“On'y way you gonna get me to go is whup me.' She moved the jack handle gently again. 'An' I'll shame you, Pa. I won't take no whuppin', cryin' an' a-beggin'. I'll light into you. An' you ain't so sure you can whup me anyways. An' if ya do get me, I swear to God I'll wait till you got your back turned, or you're settin' down, an' I'll knock you belly-up with a bucket. I swear to Holy Jesus' sake I will.”
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“She wasn't happy, but then she wasn't unhappy. She wasn't anything. But I don't believe anyone is a nothing. There has to be something inside, if only to keep the skin from collapsing. This vacant eye, listless hand, this damask cheek dusted like a doughnut with plastic powder, had to have a memory or a dream.”
John Steinbeck
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“chuckling—the sound he made when any force in the world defeated him. He had an idea that even when beaten he could steal a little victory by laughing at defeat.”
John Steinbeck
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“The fields were fruitful, and starving men moved on the roads.”
John Steinbeck
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“It is astounding to find that the belly of every black and evil thing is as white as snow. And it is saddening to discover how the concealed parts of angels are leporous.”
John Steinbeck
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“Do you know that i paid two dollars for [Doxocology] thirty-three years ago? Everything was wrong with him, hoofs like flapjacks, a hock so thick and short and straight there seems no joint at all. he's hammerheaded and swaybacked. He has a pinched chest and a big behind. He has an iron mouth and he still fights the upper. with a saddle he feels as thought you were riding a sled over a gravel pit. He can't trot and he stumbles over his feet when he walks. I have never in thirty-three years fond one good thing about him. He even has an ugly disposition. He is selfish and quarrelsome and mean and disobedient. to this day I don't dare walk behind him because he will surely take a kick at me. when I feed him mush he tries to bite my hand. And I love him.”
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“There's more beauty in truth, even if it is dreadful beauty.”
John Steinbeck
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“I will go so far as to say that the writer who is not scared is happily unaware of the remote and tantalizing majesty of the medium.”
John Steinbeck
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“She gathered some brown seaweed and made a flat damp poultice of it, and this she applied to the baby's swollen shoulder, which was as good a remedy as any and probably better than the doctor could have done. But the remedy lacked his authority because it was simple and didn't cost anything.”
John Steinbeck
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“All great and precious things are lonely.”
John Steinbeck
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“People like you to be something, preferably what they are.”
John Steinbeck
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“My imagination will get me a passport to hell one day.”
John Steinbeck
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“You stay out here a little while, an' if you smell any roses, you come let me smell, too.”
John Steinbeck
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“But you must give him some sign, some sign that you love him... or he'll never be a man. All his life he'll feel guilty and alone unless you release him.”
John Steinbeck
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“..it's awful not to be loved. It's the worst thing in the world...It makes you mean, and violent, and cruel.”
John Steinbeck
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“Man has a choice and it's a choice that makes him a man.”
John Steinbeck
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“People need responsibility. They resist assuming it, but they cannot get along without it.”
John Steinbeck
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“It is a time of quiet joy, the sunny morning. When the glittery dew is on the mallow weeds, each leaf holds a jewel which is beautiful if not valuable. This is no time for hurry or for bustle. Thoughts are slow and deep and golden in the morning.”
John Steinbeck
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“We all have that heritage, no matter what old land our fathers left. All colors and blends of Americans have somewhat the same tendencies. It's a breed - selected out by accident. And so we're overbrave and overfearful - we're kind and cruel as children. We're overfriendly and at the same time frightened of strangers. We boast and are impressed. We're oversentimental and realistic. We are mundane and materialistic - and do you know of any other nation that acts for ideals? We eat too much. We have no taste, no sense of proportion. We throw our energy about like waste. In the old lands they say of us that we go from barbarism to decadence without an intervening culture. Can it be that our critics have not the key or the language of our culture?”
John Steinbeck
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“There would come a time in our poverty when we needed a party.”
John Steinbeck
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“Within that frame he went a long way and burned a deep scar.”
John Steinbeck
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“It would be good to live in a perpetual state of leave-taking, never to go nor to stay, but to remain suspended in that golden emotion of love and longing; to be loved without satiety.”
John Steinbeck
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“He can kill anything for need but he could not even hurt a feeling for pleasure.”
John Steinbeck
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“A journey is a person in itself; no two are alike.An all plans, safeguards, policies and coercion are fruitless.We find after years of struggle that we do not take a trip; a trip takes us.”
John Steinbeck
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“But you can't start over, Only a baby can start over. You and me, Why, we're all that's been.”
John Steinbeck
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“An answer is invariably the parent of a whole family of new questions.”
John Steinbeck
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“How can you frighten a man whose hunger is not only in his own cramped stomach but in the wretched bellies of his children? You can't scare him--he has known a fear beyond every other.”
John Steinbeck
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“It was a day as different from other days as dogs are from cats and both of them from chrysanthemums or tidal waves or scarlet fever.”
John Steinbeck
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“The compass simply represents the ideal, present but unachievable, and sight-steering a compromise with perfection which allows your boat to exist at all.”
John Steinbeck
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“They walked side by side along the dark beach toward Monterey, where the lights hung, necklace above necklace against the hill. The sand dunes crouched along the back of the beach like tired hounds, resting: and the waves gently practiced at striking, and hissed a little. The night was cold and aloof, and its warm life was withdrawn, so that it was full of bitter warnings to man that he is alone in the world, and alone among his fellows; that he has no comfort owing him from anywhere.”
John Steinbeck
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“Look at them. There are your true philosophers. I think that Mack and the boys know everything that has ever happened in the world and possibly everything that will happen. I think they survive in this particular world better than other people. In a time when people tear themselves to pieces with ambition and nervousness and covetousness, they are relaxed. All of our so-called successful men are sick men, with bad stomachs, and bad souls, but Mack and the boys are healthy and curiously clean. They can do what they want. They can satisfy their appetites without calling them something else.”
John Steinbeck
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“Up ahead they's a thousan' lives we might live, but when it comes it'll on'y be one.”
John Steinbeck
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“There are two kinds of people in the world, observers and non-observers...”
John Steinbeck
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“Remember that the most beautiful things in the world are the most useless; peacocks and lilies for instance.”
John Steinbeck
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“And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed.”
John Steinbeck
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“She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt or fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build laughter out of inadequate materials....She seemed to know that if she swayed the family shook, and if she ever deeply wavered or despaired the family would fall.”
John Steinbeck
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“It was her habit to build up laughter out of inadequate materials.”
John Steinbeck
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“Evening of a hot day started the little wind to moving among the leaves. The shade climbed up the hills toward the top. On the sand banks the rabbits sat as quietly as little gray, sculptured stones.”
John Steinbeck
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“I know this … a man got to do what he got to do.”
John Steinbeck
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“It takes great courage to back truth unacceptable to our times. There's a punishment for it and it's usually crucifixion.”
John Steinbeck
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