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Jonathan Franzen

Jonathan Franzen is the author of The Corrections, winner of the 2001 National Book Award for fiction; the novels The Twenty-Seventh City and Strong Motion; and two works of nonfiction, How to Be Alone and The Discomfort Zone, all published by FSG. His fourth novel, Freedom, was published in the fall of 2010.

Franzen's other honors include a 1988 Whiting Writers' Award, Granta's Best Of Young American Novelists (1996), the Salon Book Award (2001), the New York Times Best Books of the Year (2001), and the James Tait Black Memorial Prize (2002).

http://us.macmillan.com/author/jonath...


“I think the iPod is the true face of Republican politics, and I’m in favor of the music industry … standing up proud and saying it out loud: We in the Chiclet-manufacturing business are not about social justice, …we’re not about a coherent set of national ideals, we’re not about wisdom. We’re about choosing what WE want to listen to and ignoring everything else…. We’re about giving ourselves a mindless feel-good treat every five minutes. …We’re about persuading ten-year-old children to spend twenty-five dollars on a cool little silicone iPod case that costs a licensed Apple Computer subsidiary thirty-nine cents to manufacture.”
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“THE CORRECTION, when it finally came, was not an overnight bursting of a bubble but a much more gentle letdown, a year-long leakage of value from key financial markets, a contraction too gradual to generate headlines and too predictable to seriously hurt anybody but fools and the working poor.”
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“The personality susceptible to the dream of limitless freedom is a personality also prone, should the dream ever sour, to misanthropy and rage.”
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“Remind me again what's wrong with Dave Matthews?""Basically everything, except technical proficiency," Walter said."Right.""But maybe especially the banality of the lyrics. 'Gotta be free, so free, yeah, yeah, yeah. Can't live without my freedom, yeah yeah.' That's pretty much every song.”
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“You're either reading a book or you're not.”
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“Every good writer I know needs to go into some deep, quiet place to do work that is fully imagined. And what the Internet brings is lots of vulgar data. It is the antithesis of the imagination. It leaves nothing to the imagination.”
Jonathan Franzen
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“It took hours to turn the clock back 30 seconds.”
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“The more you pursue distractions, the less effective any particular distraction is, and so I'd had to up various dosages, until, before I knew it, I was checking my e-mail every ten minutes, and my plugs of tobacco were getting ever larger, and my two drinks a night had worsened to four, and I'd achieved such deep mastery of computer solitaire that my goal was no longer to win a game but to win two or more games in a row--a kind of meta-solitaire whose fascination consisted not in playing the cards but in surfing the streaks of wins and losses.”
Jonathan Franzen
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“...advancing through my schedule without volition, feeling more and more like the graphical lozenge on a media player's progress bar.”
Jonathan Franzen
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“It's healthy to say uncle when your bone's about to break.”
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“I admire your capacity for admiring.”
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“It was clear to everyone that day, and in the months that followed, that Patty’s greatest warming influence was on Walter himself. Now, instead of speeding by his neighbors in his angry Prius, he stopped to lower his window and say hello. On weekends, he brought Patty over to the patch of clear ice that the neighborhood kids maintained for hockey and instructed her in skating, which, in a remarkably short time, she became rather good at.”
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“As she left her parents' neighborhood, the houses got newer and bigger and boxier. Through windows with no mullions or fake plastic mullions she could see luminous screens, some giant, some miniature. Evidently every hour of the year, including this one, was a good hour for staring at a screen.”
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“She told herself a story about a daughter in a family so hungry for a daughter that it would have eaten her alive if she hadn't run away.”
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“Gary had hoped to find her more cooperative. He already had one "alternative" sibling and he didn't need another. It frustrated him that people could so happily drop out of the world of conventional expectations; it felt like a unilateral rewriting, to his disadvantage, of the rules of life.”
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“Without privacy there was no point in being an individual.”
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“It offended his sense of proportion and economy to throw away a ninety-percent serviceable string of lights. It offended his sense of himself, because he was an individual from an age of individuals, and a string of lights was, like him, an individual thing. No matter how little the thing had cost, to throw it away was to deny its value and, by extension, the value of individuals generally: to willfully designate as trash an object that you knew wasn't trash.”
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“For the next two hours Denise mainly paid attention to her hand, which she'd laid on the sofa cushion within easy reach of Robin's. The hand wasn't comfortable there, it wanted to be retracted, but she didn't want to give up hard-won territory.When the movie ended they watched TV, and then they were silent for an impossibly long time, five minutes or a year, and still Robin didn't take the warm, five-fingered bait. Denise would have welcomed some pushy male sexuality right around now.”
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“Robin turned and looked straight into her. "What's life for?""I don't know.""I don't either. But I don't think it's about winning.”
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“He had a happy canine way of seeking approval without seeming insecure.”
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“Life, in her experience, had a kind of velvet luster. You looked at yourself from one perspective and all you saw was weirdness. Move your head a little bit, though, and everything looked reasonably normal.”
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“Local politicians of color said children and tomorrow. They said digital and democracy and history.”
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“Being dead's only a problem if you know you're dead, which you never do because you're dead!”
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“Eager, perhaps, to repay the favor of listening, Sylvia nodded with encouragement. But suddenly she reminded Enid of Katharine Hepburn. In Hepburn's eyes there had been a blank unconsciousness of privilege that made a once-poor woman like Enid want to kick her patrician shins with the hardest-toed pumps at her disposal. It would be a mistake, she felt, to confess anything to this woman.”
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“I saw it all of a sudden. That whether I liked it or not, the survivor and the artist was me, not her. We're all conditioned to think of our children as more important than us, you know, and to live vicariously through them. All of a sudden I was sick of that kind of thinking. I may be dead tomorrow, I said to myself, but I'm alive now. And I can live deliberately. I've paid the price, I've done the work, and I have nothing to be ashamed of.”
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“It rankled her that people richer than she were so often less worthy and attractive. More slobbish and louty. Comfort could be found in being poorer than people who were smart and beautiful. But to be less affluent than these T-shirted, joke-cracking fatsos-”
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“His tiredness hurt so much it kept him awake.”
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“And if you sat at the dinner table long enough, whether in punishment or in refusal or simply in boredom, you never stopped sitting there. Some part of you sat there all your life.”
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“Whether anybody was home meant everything to a house. It was more than a major fact: it was the only fact.The family was the house's soul.”
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“Chipper intuited that this feeling of futility would be a fixture in his life. A dull waiting and then a broken promise, a panicked realization of how late it was.This futility had let's call it a flavor.”
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“Every night after dinner he honed this skill of enduring a dull thing that brought a parent pleasure. It seemed to him a lifesaving skill. He believed that terrible harm would come to him when he could no longer preserve his mother's illusions.”
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“There was something almost tasty and almost sexy in letting the annoying boy be punished by her husband. In standing blamelessly aside while the boy suffered for having hurt her.What you discovered about yourself in raising children wasn't always agreeable or attractive.”
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“You encountered a misery near the end of the day and it took a while to gauge its full extent. Some miseries had sharp curvature and could be negotiated readily. Others had almost no curvature and you knew you'd be spending hours turning the corner. Great whopping-big planet-sized miseries.”
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“It was true that Al had asked her to move the jars and magazines, and there was probably a word for the way she'd stepped around those jars and magazines for the last eleven days, often nearly stumbling on them; maybe a psychiatric word with many syllables or maybe a simple word like "spite." But it seemed to her that he'd asked her to do more than "one thing" while he was gone. He'd also asked her to make the boys three meals a day, and clothe them and read to them and nurse them in sickness, and scrub the kitchen floor and wash the sheets and iron his shirts, and do it all without a husband's kisses or kind words. If she tried to get credit for these labors of hers, however, Al simply asked her whose labors had paid for the house and food and linens? Never mind that his work so satisfied him that he didn't need her love, while her chores so bored her that she needed his love doubly. In any rational accounting, his work canceled her work.”
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“although in truth her passivity was calculated, because she knew passivity inflamed him. He had her, and to some extent she wanted to be had, like an animal: in a mute mutual privacy of violence.”
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“Oh, misanthropy and sourness. Gary wanted to enjoy being a man of wealth and leisure, but the country was making it none too easy. All around him, millions of newly minted American millionaires were engaged in the identical pursuit of feeling extraordinary - of buying the perfect Victorian, of skiing the virgin slope, of knowing the chef personally, of locating the beach that had no footprints. There were further tens of millions of young Americans who didn't have money but were nonetheless chasing the Perfect Cool. And meanwhile the sad truth was that not everyone could be extraordinary, not everyone could be extremely cool; because whom would this leave to be ordinary? Who would perform the thankless work of being comparatively uncool?”
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“He had shining dark eyes and an oboe voice and mink-soft hair and could seem, even to Gary, more sentient animal than little boy.”
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“He cursed a little, not so much because he cared about the photographs as because he wanted to preserve his good spirits, his serotonin-rich mood, and to do this he needed a modicum of cooperation from the world of objects.”
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“What made drugs perpetually so sexy was the opportunity to be other. Years after he'd figured out that pot only made him paranoid and sleepless, he still got hard-ons at the thought of smoking it. Still lusted for that jailbreak.”
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“The problem was money and the indignities of life without it. Every stroller, cell phone, Yankees cap, and SUV he saw was a torment. He wasn't covetous, he wasn't envious. But without money he was hardly a man.”
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“Then she waited, with parted lips and a saucy challenge in her eyes, to see how her presence -- the drama of being her -- was registering. In the way of such chicks, she seemed convinced of the originality of her provocation.”
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“He watched a catbird hopping around in an azalea that was readying itself to bloom; he envied the bird for knowing nothing of what he knew; he would have swapped souls with it in a heartbeat. And then to take wing, to know the air's buoyancy even for an hour: the trad was a no-brainer, and the catbird, with its lively indifference to him, its sureness of physical selfhood, seemed well aware of how preferable it was to be the bird.”
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“Although he, like all people, secretely enjoyed the smell of his own farts, the smell of his shit was somethig else. It was so bad as to seem evil in a moral way.”
Jonathan Franzen
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“The pain was quite extraordinary. And yet also weirdly welcome and restorative, bringing him news of his aliveness and his caughtness in a story larger than himself.”
Jonathan Franzen
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“I had a nightmare about the Averys’ sweet-tempered German shepherd, Ina. In the dream, as I was sitting on the floor in the Averys’ living room, the dog walked up to me and began to insult me. She said I was a frivolous, cynical, attention-seeking “fag” whose entire life had been phony. I answered her frivolously and cynically and chucked her under the chin. She grinned at me with malice, as if to make clear that she understood me to the core. Then she sank her teeth into my arm. As I fell over backward, she went for my throat.”
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“The guiding principle of Martin’s personality, the sum of his interior existence, was the desire to be left alone. If all those years he’d sought attention, even novelty, and if he still relished them, then that was because attention proved him different and solitude begins in difference.”
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“Her very difficulty created friction, and friction led to satisfaction...”
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“I think there's a real hunger for people speaking truth to power. Like, there's a little minority now that's saying you sounded like an asshole and a whiner. But that's just the player-hating fringe. I wouldn't worry about it.”
Jonathan Franzen
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“Integrity's a neutral value. Hyenas have integrity, too. They're pure hyena.”
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“There seemed to be almost nothing left of Lalitha; she was breaking up on him the way dead songbirds did in the wild-they were impossibly light to begin with, and as soon as their little hearts stopped beating they were barely more than bits of fluff and hollow bone, easily scatterd in the wind-but this only made him more determined to hold onto what little of her he still had.”
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