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Jonathan Franzen

Jonathan Franzen is the author of The Corrections, winner of the 2001 National Book Award for fiction; the novels The Twenty-Seventh City and Strong Motion; and two works of nonfiction, How to Be Alone and The Discomfort Zone, all published by FSG. His fourth novel, Freedom, was published in the fall of 2010.

Franzen's other honors include a 1988 Whiting Writers' Award, Granta's Best Of Young American Novelists (1996), the Salon Book Award (2001), the New York Times Best Books of the Year (2001), and the James Tait Black Memorial Prize (2002).

http://us.macmillan.com/author/jonath...


“...She felt that nothing could kill her hope now, nothing. She was seventy-five and she was going to make some changes in her life.”
Jonathan Franzen
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“He became another data point in the American experiment of self-government, an experiment statistically skewed from the outset, because it wasn't the people with sociable genes who fled the crowded Old World for the new continent; it was the people who didn't get along well with others.”
Jonathan Franzen
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“Here was a torture that Greek inventors of the Feast and the Stone had omitted from their Hades: the Blanket of Self-Deception. A lovely warm blanket as far as it covered the soul in torment, but it never quite covered everything.”
Jonathan Franzen
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“What you discovered about yourself in raising children wasn't always agreeable or attractive.”
Jonathan Franzen
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“You may be poor, but the one thing nobody can take away from you is the freedom to fuck up your life whatever way you want to.”
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“She wondered: How could people respond to these images if images didn't secretly enjoy the same status as real things? Not that images were so powerful, but that the world was so weak. It could be read, certainly, in its weakness, as on days when the sun baked fallen apples in orchards and the valley smelled like cider, and cold nights when Jordan had driven Chadds Ford for dinner and the tires of her Chevrolet had crunched on the gravel driveway; but the world was fungible only as images. Nothing got inside the head without becoming pictures.”
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“Sounded to me like he had a pretty good idea what he was saying," Van replied, with surprisingly little anger. "It's a pity he had to overintellectualize like that. He did such good work, and then he had to go and intellectualize it.”
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“Katz had read extensively in popular sociobiology, and his understanding of the depressive personality type and its seemingly perverse persistence in the human gene pool was that depression was successful adaptation to ceaseless pain and hardship. Pessimism, feelings of worthlessness and lack of entitlement, inability to derive satisfaction from pleasure, a tormenting awareness of the world's general crappiness: for Katz Jewish paternal forebears, who'd been driven from shtetl to shtetl by implacable anti-Semites, as for the old Angles and Saxons on his mother's side, who'd labored to grow rye and barley in the poor soils and short summers of northern Europe, feeling bad all the time and expecting the worse had been natural ways of equilibriating themselves with the lousiness of their circumstances. Few things gratified depressives, after all, more than really bad news. This obviously wasn't an optimal way to live, but it had its evolutionary advantages.”
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“Each new thing he encountered in life impelled him in a direction that fully convinced him of its rightness, but then the next new thing loomed up and impelled him in the opposite direction, which also felt right. There was no controlling narrative: he seemed to himself a purely reactive pinball in a game whose only object was to stay alive for staying alive's sake.”
Jonathan Franzen
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“she was so much a personality and so little anything else that even staring straight at her he had no idea what she really looked like.”
Jonathan Franzen
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“Brooklyn was like Philadelphia made better by its proximity to Manhattan.”
Jonathan Franzen
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“Deploring other people--their lack of perfection--had always been our sport.”
Jonathan Franzen
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“Birds were like dinosaurs' better selves. They had short lives and long summers. We all should be so lucky as to leave behind such heirs.”
Jonathan Franzen
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“Even then, when the hike was perfect, I would wonder, 'Now what?' And take a picture. Take another picture. Like a man with a photogenic girlfriend he didn't love.”
Jonathan Franzen
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“Imagine that human existence is defined by an Ache: the Ache of our not being, each of us, the center of the universe; of our desires forever outnumbering our means of satisfying them.”
Jonathan Franzen
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“At forty-five, I feel grateful almost daily to be the adult I wished I could be when I was seventeen. I work on my arm strength at the gym; I've become pretty good with tools. At the same time, almost daily, I lose battles with the seventeen-year-old who's still inside me. I eat half a box of Oreos for lunch, I binge on TV, I make sweeping moral judgments. I run around in torn jeans, I drink martinis on a Tuesday night, I stare at beer-commercial cleavage. I define as uncool any group to which I can't belong. I feel the urge to key Range Rovers and slash their tires; I pretend I'm never going to die. You never stop waiting for the real story to start, because the only real story, in the end, is that you die.”
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“Over the balustrade I could see the dark trees of Webster Groves and the more distant TV-tower lights that marked the boundaries of my childhood. A night wind coming across the football practice field carried the smell of thawed winter earth, the great sorrowful world-smell of being alive beneath a sky.”
Jonathan Franzen
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“Part of why kids like this scared me was that they seemed authentic.”
Jonathan Franzen
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“Her house was the heavy (but not indefinitely heavy) and sturdy (but not everlasting) God that she'd loved and served and been sustained by.”
Jonathan Franzen
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“My first hero was Thomas Edison, whose adult life had consisted entirely of free time.”
Jonathan Franzen
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“--he could feel the outside world closing in on him, demanding his consideration, but as long as he stayed by himself in the woods he was able to remain true to his refusal. He came from a long line of refusers, he had the constitution for it. There seemed to be almost nothing left of Lalitha; she was breaking up on him the way dead songbirds did in the wild--they were impossibly light to begin with, and as soon as their little hearts stopped beating they were barely more than bits of fluff and hollow bone, easily scattered in the wind--but this only made him more determined to hold on to what little of her he still had.”
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“Everything he did was at least partial and often total bullshit” (402).”
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“He wanted this someone to see how much he hurt.”
Jonathan Franzen
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“Nothing got inside the head without becoming pictures.”
Jonathan Franzen
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“Depression presents itself as a realism regarding the rottenness of the world in general and the rottenness of your life in particular. But the realism is merely a mask for depression's actual essence, which is an overwhelming estrangement from humanity. The more persuaded you are of your unique access to the rottenness, the more afraid you become of engaging with the world; and the less you engage with the world, the more perfidiously happy-faced the rest of humanity seems for continuing to engage with it.”
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“I can't stomach any kind of notion that serious fiction is good for us, because I don't believe that everything that's wrong with the world has a cure.”
Jonathan Franzen
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“It offended his sense of himself, because he was an individual from an age of individuals, and a string of lights was, like him, an individual thing. No matter how little the thing had cost, to throw it away was to deny its value...”
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“And meanwhile the sad truth was that not everyone could be extraordinary, not everyone could be extremely cool; because whom would this leave to be ordinary?”
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“After Gary had given the enlargements their sour baths, he raised the lights and discovered that both prints were webbed over with peculiar yellow blotches. He cursed a little, not so much because he cared about the prints as because he wanted to preserve his good spirits, his serotonin-rich mood, and to do this he needed... cooperation from the world of objects.”
Jonathan Franzen
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“[Patty's] Copernican wish to the be sun around which all things revolved”
Jonathan Franzen
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“It's doubtful that anyone with an internet connection at his workplace is writing good fiction.”
Jonathan Franzen
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“But the first lesson reading teaches is how to be alone.”
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“Her eyes weren't blinking. There was still something almost dead in them, something very far away. She seemed to be seeing all the way through to the back of him and beyond, out into the cold space of the future in which they would both soon be dead, out into the nothingness that Lalitha and his mother and his father had already passed into, and yet she was looking straight into his eyes, and he could feel her getting warmer by the minute. And so he stopped looking at her eyes and started looking into them, returning their look before it was too late, before this connection between life and what came after life was lost, and let her see all the vileness inside him, all the hatreds of two thousand solitary nights, while the two of them were still with the void in which the sum of everything they'd ever said or done, every pain they'd inflicted, every joy they'd shared, would weigh less than the smallest feather on the wind.”
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“The father was dry-eyed but the mother kept erupting, like loudly, unprovoked, in a keening foreign wail that was almost like song; it sounded strangely ceremonial and impersonal, like a lament for an idea. Walter went alone to the morgue, without any idea. His love was resting beneath a sheet on a gurney of an awkward height, too high to be knelt by. Her hair was as ever, silky and black and thick, as ever, but there was something wrong with her jaw, some outrageously cruel and unforgivable injury, and her forehead, when he kissed it, was colder than any just universe could have allowed such a young person's forehead to be. The coldness entered him through his lips and didn't leave. What was over was over. His delight in the world had died, and there was no point in anything.”
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“And when the event, the big change in your life, is simply an insight—isn't that a strange thing? That absolutely nothing changes except that you see things differently and you're less fearful and less anxious and generally stronger as a result: isn't it amazing that a completely invisible thing in your head can feel realer than anything you've experienced before? You see things more clearly and you know that you're seeing them more clearly. And it comes to you that this is what it means to love life, this is all anybody who talks seriously about God is ever talking about. Moments like this.”
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“It was a way of recognizing places of enchantment: people falling asleep like this.”
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“She was one of the few stay-at-home moms in Ramsey Hill and was famously averse to speaking well of herself or ill of anybody else. She said that she expected to be “beheaded” someday by one of the windows whose sash chains she’d replaced. Her children were “probably” dying of trichinosis from pork she’d undercooked. She wondered if her “addiction” to paint-stripper fumes might be related to her “never” reading books anymore. She confided that she’d been “forbidden” to fertilize Walter’s flowers after what had happened “last time.”
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“In the earliest years, when you could still drive a Volvo 240 without feeling self-conscious, the collective task in Ramsey Hill was to relearn certain life skills that your own parents had fled to the suburbs specifically to unlearn, like how to interest the local cops in actually doing their job, and how to protect a bike from a highly motivated thief, and when to bother rousting a drunk from your lawn furniture, and how to encourage feral cats to shit in somebody else’s children’s sandbox, and how to determine whether a public school sucked too much to bother trying to fix it.”
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“The human species was given dominion over the earth and took the opportunity to exterminate other species and warm the atmosphere and generally ruin things in its own image, but it paid this price for its privileges: that the finite and specific animal body of this species contained a brain capable of conceiving the infinite and wishing to be infinite itself.”
Jonathan Franzen
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“Yeah, well, we're all grieving in our own way, obviously. It's just I heard this crazy rumor about your having inherited twenty-two million dollars." He tried to meet her eyes, but she'd turned away, squeezing her thumbs, fists balled. "Crazy, huh? But getting back to this lunch, let's see, Mr. Aldren and whatever his name is, Tweedledum, they had steak, right? And Mr. Stoorhuys--" He snapped his fingers. "Rabbit. Half a rabbit, grilled. Or what do you call it? Braised.”
Jonathan Franzen
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“So, what, you got cigarette burns, too?" Gitanes said. Chip showed his palm, "It's nothing." "Self-inflicted. You pathetic American.""Different kind of prison" Chip said.”
Jonathan Franzen
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“There's a hazardous sadness to the first sounds of someone else's work in the morning; it's as if stillness experiences pain in being broken.”
Jonathan Franzen
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“She has embarrassingly inquired, of her children, whether there's a woman in his life, and has rejoiced at hearing no. Not because she doesn't want him to be happy, not because she has any right or even much inclination to be jealous anymore, but because it means there's some shadow of a chance that he still thinks, as she does more than ever, that they were not just the worst thing that ever happened to each other, they were also the best thing.”
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“This wasn't the person he'd thought he was, or would have chosen to be if he'd been free to choose, but there was something comforting and liberating about being an actual definite someone, rather than a collection of contradictory potential someones.”
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“Mr. Franzen said he and Mr. Wallace, over years of letters and conversations about the ethical role of the novelist, had come to the joint conclusion that the purpose of writing fiction was “a way out of loneliness.”(NY Times article on the memorial service of David Foster Wallace.) ”
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“It’s all circling around the same problem of personal liberties,” Walter said. “People came to this country for either money or freedom. If you don’t have money, you cling to your freedoms all the more angrily. Even if smoking kills you, even if you can’t afford to feed your kids, even if your kids are getting shot down by maniacs with assault rifles. You may be poor, but the one thing nobody can take away from you is the freedom to fuck up your life whatever way you want to.”
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“The reason this system can’t be overthrown in this country,” Walter said, “is all about freedom. The reason the free market in Europe is tempered by socialism is that they’re not so hung up on personal liberties there. They also have lower population growth rates, despite comparable income levels. The Europans are all-around more rational, basically. And the conversation about rights in this country isn’t rational. It’s taking place on the level of emotion, and class resentments, which is why the right is so good at exploiting it.”
Jonathan Franzen
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“How wrong to have been so negative, how wrong to have been so gloomy, how wrong to have run away from life, how wrong to have said no, again and again, instead of yes.”
Jonathan Franzen
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“I had a Viking sense of entitlement to whatever provisions I could plunder.”
Jonathan Franzen
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“I find it a huge strain to be responsible for my tastes and be known and defined by them.”
Jonathan Franzen
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