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Jonathan Maberry

JONATHAN MABERRY is a New York Times best-seller and Audible #1 bestseller, five-time Bram Stoker Award-winner, anthology editor, comic book writer, executive producer, magazine feature writer, playwright, and writing teacher/lecturer. He is the editor of WEIRD TALES Magazine and president of the International Association of Media Tie-in Writers. He is the recipient of the Inkpot Award, three Scribe Awards, and was named one of the Today’s Top Ten Horror Writers. His books have been sold to more than thirty countries. He writes in several genres including thriller, horror, science fiction, epic fantasy, and mystery; and he writes for adults, middle grade, and young adult.

Jonathan is the creator, editor and co-author of V-WARS, a shared-world vampire anthology from IDW Publishing that was adapted into a NETFLIX series starring Ian Somerhalder (LOST, VAMPIRE DIARIES).

His young adult fiction includes ROT & RUIN (2011; was named in Booklist’s Ten Best Horror Novels for Young Adults, an American Library Association Top Pick, a Bram Stoker and Pennsylvania Keystone to Reading winner; winner of several state Teen Book Awards including the Cricket, Nutmeg and MASL; winner of the Cybils Award, the Eva Perry Mock Printz medal, Dead Letter Best Novel Award, and four Melinda Awards); DUST & DECAY (winner of the 2011 Bram Stoker Award; FLESH & BONE (winner of the Bram Stoker Award; 2012; and FIRE & ASH (August 2013). BROKEN LANDS, the first of a new spin-off series, debuted in 2018 and was followed by LOST ROADS in fall 2020. ROT & RUIN is in development for film by ALCON ENTERTAINMENT and was adapted as a WEBTOON (a serialized comic formatted for cell phones), becoming their #1 horror comic.

His novels include the enormously popular Joe Ledger series from St. Martin’s Griffin (PATIENT ZERO, 2009, winner of the Black Quill and a Bram Stoker Award finalist for Best Novel) and eleven other volumes, most recently RELENTLESS. His middle grade novel, THE NIGHTSIDERS BOOK 1: THE ORPHAN ARMY (Simon & Schuster) was named one the 100 Best Books for Children 2015. His standalone novels include MARS ONE, GLIMPSE, INK, GHOSTWALKERS (based on the DEADLANDS role-playing game), X-FILES ORIGINS: DEVIL’S ADVOCATE, and THE WOLFMAN --winner of the Scribe Award for Best Movie Adaptation

His horror novels include The Pine Deep Trilogy from Pinnacle Books (GHOST ROAD BLUES, 2006, winner of the Bram Stoker Award for Best First Novel and named one of the 25 Best Horror Novels of the New Millennium; DEAD MAN’S SONG, 2007; and BAD MOON RISING, 2008; as well as DEAD OF NIGHT, and its sequels, FALL OF NIGHT, DARK OF NIGHT, and STILL OF NIGHT.

His epic fantasy series, KAGEN THE DAMNED debuts in May 2022. And he just signed to co-author (with Weston Ochse) a new series of military science fiction novels that launches the SLEEPERS series. Jonathan will also be launching a new series of science fiction horror novels for the newly established Weird Tales Presents imprint of Blackstone Publishing.

He is also the editor of three THE X-FILES anthologies; the dark fantasy anthology series, OUT OF TUNE; SCARY OUT THERE, an anthology of horror for teens; and the anthologies ALIENS: BUG HUNT, NIGHTS OF THE LIVING DEAD (with George Romero), JOE LEDGER UNSTOPPABLE (with Bryan Thomas Schmidt); two volumes of mysteries: ALTERNATE SHERLOCKS and THE GAME’S AFOOT (with Michael Ventrella); and ALIENS V PREDATOR: ULTIMATE PREY (with Bryan Thomas Schmidt). He is also the editor of DON’T TURN OUT THE LIGHTS, the official tribute to SCARY STORIES TO TELL IN THE DARK. His next anthology will be ALIENS VS PREDATOR: ULTIMATE PREY (with Bryan Thomas Schmidt), debuting in spring 2022.

Jonathan was an expert on the History Channel documentary series, ZOMBIES: A Living History and TRUE MONSTERS. And he was participated in the commentary track for NIGHT OF THE LIVING DEAD: REANIMATED.

His many nonfiction works include VAMPIRE UNIVERSE (Citadel Press, 2006); THE CRYPTOPED


“It was harder to let yourself sink if someone else needed you to be their rock.”
Jonathan Maberry
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“I did not and do not want my life tied up in cloak-and-dagger bullshit, dead guys, or pissing contests with either the testosterone crowd in there or some prissy-assed Earl Grey-drinking, scone-munching major who isn't even my freaking boss. I don't know you and I don't give a rat's ass if you trust me.”
Jonathan Maberry
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“She gathered the cat up in her arms and held it to her chest as if it was the most precious thing in the world.”
Jonathan Maberry
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“So, basically if we keep trying to save the country and maybe the world from a bunch of murderous assholes with outer space weapons, then we're the bad guys?""In a nutshell.""Then, hey ... let's be bad guys.”
Jonathan Maberry
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“The word "impossible" used to mean something. It was a line that couldn't be crossed. It was the outer edge of the safe zone.I can't find that line anymore”
Jonathan Maberry
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“I'm not entirely sure who you are. I mean, you're not really a kid anymore and you're not an adult. ... So, you're going through all these changes, and I don't know who you'll be at the end of it.”
Jonathan Maberry
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“It's just that I'm fifteen, and I have this crazy idea I might actually have a life in front of me. I don't see how it's going to do me much good to believe that the world is over and this is just an epilogue.”
Jonathan Maberry
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“...the whole world turned into an all-you-can-eat buffet...”
Jonathan Maberry
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“Benny Imura was appalled to learn that the Apocalypse came with homework. "Why do we have to study this stuff?" he demanded. "We already know what happened. People started turning into zoms, the zoms ate just about everyone, everyone who dies becomes a zom, so the moral of this tale is: Try not to die.”
Jonathan Maberry
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“Boy, there are people who conquered half the world, slaughtered whole populations, wiped cultures off the face of the planet, and you know what history calls them? Heroes! Kings, presidents, champions, explorers. You think America was settled by white men because the Indians invited us her? No, we took this land because we were stronger, and that's how every page of human history is written. It's just our nature. We're a predator species, top of the food chain. Survival of the fittest is written in our blood, it's stenciled on every gene of our DNA. The strong take and the strong make, and the weak are there only to help them do it. End of story.”
Jonathan Maberry
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“He never did get right all the way again. And every once in a while he'd come down all bitey.”
Jonathan Maberry
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“He's a ghost, not a carnival magician.-Benny Imura”
Jonathan Maberry
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“I don't ever want to live in a world where something like mercy...or maybe it's compassion...is the wrong choice.”
Jonathan Maberry
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“Things said and done innocently should never be used as weapons.”
Jonathan Maberry
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“The world is bigger and harder to understand than you think... You have to keep your mind as wide-open as your eyes, because almost nothing is what it seems.”
Jonathan Maberry
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“Guilt and rage, hatred and fear were pathways to weakness and clumsy choices.”
Jonathan Maberry
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“Rage was sometimes a useful ally in the heat of a fight, but it was a trickster. It made everything seem possible.”
Jonathan Maberry
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“So is that it? Will I have to live the rest of my life like this? Not doing the right thing? Not saying the right words?""That's your choice. You can't change the past. Ah, but the future. . .you own the future." The Greenman smiled. "So, you tell me. . .what choice do you want to make now?”
Jonathan Maberry
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“Courage is tricky, oily. Easy to drop, easy to misplace." "I thought that if you had courage you always had it.". . ."Lilah, nothing is always there. Not courage, not joy, not hate or hope or anything else. We find courage, lose it, sometimes misplace it for years, and sometimes live in its grace for a while.”
Jonathan Maberry
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“I've managed to stay alive out here in the Ruin because I'm a realist. I allow the truth to be the truth, no matter how much I might want it to be something else.”
Jonathan Maberry
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“I got this," said Nix, raising her bokken.”
Jonathan Maberry
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“Even though Tom wasn't moving, he seemed to be a little farther away. For the first time Benny realized that there were other people in the hallways. They were indistinct, more of a sense of movement in the gray light rather than specific shapes. He thought he recognized one of them, though. "Chong?" The figure stopped moving, but he stood with his back to Benny. "Tom-is that Chong?" "Is that Chong?" Benny asked again. "Is...is he going with you?”
Jonathan Maberry
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“Hell was something the Lost Girl knew. She has lived it all her life.”
Jonathan Maberry
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“How do you know that?""Because,"Chong said with raised eyebrows,"when you open those things called 'books',there are words as well as pictures.Sometimes the words tell you stuff.”
Jonathan Maberry
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“You have to keep your mind as wide-open as your eyes, because almost nothing is what it seems.”
Jonathan Maberry
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“Point is, people lie a lot. Sometimes out of habit. Not many people are good at telling the truth.”
Jonathan Maberry
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“The truth is the truth. What changes is what we know about it and what we're willing to believe.”
Jonathan Maberry
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“Is he nuts?""I think the expression used to be 'touched by God'.""So that would be a yes.”
Jonathan Maberry
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“Except that death collected everyone. Death is like that. Relentlessly efficient.”
Jonathan Maberry
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“Yo! Deadheads," he yelled, waving his sword to taunt them. "Nice try, but you're messing with Benny-freaking-Imura, zombie killer. Booyah!”
Jonathan Maberry
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“Lilah growled low in her throat, grabbed his shirt with both hands, and hauled him toward her. Into a kiss that was fierce and hot and instantly intense. After several scalding seconds, she shoved him roughly back.She got to her feet and snatched up her spear, then looked pityingly down at him. "Stupid town boy," she muttered, then turned and jogged into the forest.Chong lay sprawled, eyes glazed and face flushed.Holy moley...," he gasped.”
Jonathan Maberry
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“When Chong made to sit down next to her, Lilah drew her knife and stabbed the point into the earth between them."I can see that you need some quiet time," he said and scuttled quickly away.”
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“Lilah stood above them, tall and beautiful, her white hair whipping in the fresh breeze, her clothes streaked with gore, her hazel eyes glowing with fire.She turned slowly to Nix and in her ghostly whisper of a voice said, "I hate boys.”
Jonathan Maberry
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“Zoms never tired.”
Jonathan Maberry
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“Benny took a steadying breath and let it out slowly."Nix, I do understand what you're going through. I'm going through it too.""It's not the same thing," she said very quietly. An elk poked its head out from behind some sagebrush, studied them for a moment, then bent to eat berries from another bush."Then why won't you tell me what it is?"She glared at him. "Honestly, Benny, sometimes I think you don't even know who I am."With that she turned and stalked away, her spine as stiff as a board. Benny stood openmouthed until she was almost back to the tree where Chong sat with Eve."What the hell was that all about?" he asked the elk.The elk, being and elk, said nothing.”
Jonathan Maberry
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“She said, "Look down at your chest." I held the cell phone to my ear as I bend my head. Two red dots, quivering slightly, danced right over my heart. "You are one second away from death," said the caller.”
Jonathan Maberry
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“Tom adjusted his sword and checked his knives and his pistol. If there had been anyone to see his face, they would have seen a man at peace with himself and the world. And if they were wise they would know that such a man was the most dangerous of all opponent - one who fights to preserve love rather than perpetuate hate.”
Jonathan Maberry
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“But sometimes shame is a more powerful engine than rage. Like rage, it burns hot; and like rage it tends to consume its own furnace.”
Jonathan Maberry
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“His specialty was interrogation. Imagine it, gentlemen. Being strapped to a table so that you are entirely at the mercy of a monster such as this. A person who delights in your pain. A person to whom your screams are more delicious than a lover's whisper. A creature who knows how to keep you alive while he skillfully and meticulously deconstructs those things that define you as human?”
Jonathan Maberry
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“Hell's a-coming and we all gotta learn to play the blues. (347)”
Jonathan Maberry
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“Do you work for Starbox? If so, I can't say I dig your new marketing strategy.”
Jonathan Maberry
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“My whole body is a lethal weapon, you know. I know more ways to kill you than you know how to die.”
Jonathan Maberry
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“She wept for the hurt that he owned, a hurt she could never hope to remove.”
Jonathan Maberry
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“Language.”
Jonathan Maberry
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“All concerns of men go wrong when they wish to cure with evil. -SOPHOCLES”
Jonathan Maberry
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“Yippie ki-yay and all that shit"- Desdemona Fox”
Jonathan Maberry
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“Goat made no move to get out. "Billy...this is nuts.""Yeah, well we left 'sane and normal' behind the first time Volker said 'zombie”
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“Basher shook his head. "No, we climbed in through a ground-floor guest bedroom all ninja-like. Snuck up the back stairs.""Then you might be the cavalry," said Tom, "but I'm Santa Claus. Let's go downstairs and open some presents.”
Jonathan Maberry
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“He could laugh, though, and there was no bluesman who ever lived who didn't know how to laugh at the craziness of life.”
Jonathan Maberry
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“That's stupid.""That's people.”
Jonathan Maberry
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