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Julian Barnes

Julian Patrick Barnes is a contemporary English writer of postmodernism in literature. He has been shortlisted three times for the Man Booker Prize - Flaubert's Parrot (1984), England, England (1998), and Arthur & George (2005), and won the prize for The Sense of an Ending (2011). He has written crime fiction under the pseudonym Dan Kavanagh.

Following an education at the City of London School and Merton College, Oxford, he worked as a lexicographer for the Oxford English Dictionary. Subsequently, he worked as a literary editor and film critic. He now writes full-time. His brother, Jonathan Barnes, is a philosopher specialized in Ancient Philosophy.

He lived in London with his wife, the literary agent Pat Kavanagh, until her death on 20 October 2008.


“Ах, век мифов и легенд. Шарлемань, рыцарство, горный Пиренейский перешеек, будущее Европы, будущее всего Христианского мира на чаше весов, героический арьергард, рог зовущий на битву, человеческая жизнь, пусть сама по себе ничтожная, пусть всего лишь игрушка в руках случая, но тем не менее вброшена в столкновение более значительных сил. Быть пешкой действительно многое значило во времена, когда на шахматной доске стояли рыцари, епископы и короли, когда пешка могла мечтать о том, чтобы стать королевой, когда черные сражались против белых и над всеми был Бог. Понимаете теперь, что мы потеряли? Теперь есть только пешки и обе стороны играют серыми.”
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“I remember a period in late adolescence when my mind would make itself drunk with images of adventurousness. This is how it will be when I grow up. I shall go there, do this, discover that, love her, and then her and her and her. I shall live as people in novels live and have lived. Which ones I was not sure, only that passion and danger, ecstasy and despair (but then more ecstasy) would be in attendance. However...who said that thing about "the littleness of life that art exaggerates"? There was a moment in my late twenties when I admitted that my adventurousness had long since petered out. I would never do those things adolescence had dreamt about. Instead, I mowed my lawn, I took holidays, I had my life.But time...how time first grounds us and then confounds us. We thought we were being mature when we were only being safe. We imagined we were being responsible but we were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them. Time...give us enough time and our best-supported decisions will seem wobbly, our certainties whimsical.”
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“The next day, when I was sober, I thought again about the three of us, and about time's many paradoxes. For instance: that when we are young and sensitive, we are also at our most hurtful; whereas when the blood begins to slow, when we feel less sharply, when we are more armoured and have learnt how to bear hurt, we tread more carefully.”
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“Some admit the damage, and try to mitigate it; some spend their lives trying to help others who are damaged; and then there are those whose main concern is to avoid further damage to themselves, at whatever cost. And those are the ones who are ruthless, and the ones to be careful of.”
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“History isn't the lies of the victors, as I once glibly assured Old Joe Hunt; I know that now. It's more the memories of the survivors, most of whom are neither victorious or defeated.”
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“...how time first grounds us and then confounds us....give us enough time and our best-supported decisions will seem wobbly, our certainties whimsical.”
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“What did I know of life, I who had lived so carefully? Who had neither won nor lost, but just let life happen to him? Who had the usual ambitions and settled all too quickly for them not being realised? Who avoided being hurt and called it a capacity for survival? Who paid his bills, stayed on good terms with everyone as far as possible, for whom ecstasy and despair soon became just words once read in novels? One whose self-rebukes never really inflicted pain? Well, there was all this to reflect upon, while I endured a special kind of remorse: a hurt inflicted at long last on one who always thought he knew how to avoid being hurt—and inflicted for precisely that reason.”
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“Also, when you are young, you think you can predict the likely pains and bleaknesses that age might bring. You imagine yourself being lonely, divorced, widowed; children growing away from you, friends dying. You imagine the loss of status, the loss of desire – and desirability. You may go further and consider your own approaching death, which, despite what company you may muster, can only be faced alone. But all this is looking ahead. What you fail to do is look ahead, and then imagine yourself looking back from the future point. Learning the new emotions that time brings. Discovering, for example, that as the witnesses to your life diminish, there is less corroboration, and therefore less certainty, as to what you are or have been. Even if you have assiduously kept records – in words, sound, pictures – you may find that you have attended to the wrong kind of record-keeping. What was the line Adrian used to quote? 'History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.”
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“For some people, the time differentials established in youth never really disappear: the elder remains the elder, even when both are dribbling greybeards. For some people, a gap of, say, five months means that one will perversely always think of himself--herself--as wiser and more knowledgeable than the other, whatever the evidence to the contrary. Or perhaps I should say because of the evidence to the contrary. Because it is perfectly clear to any objective observer that the balance has shifted to the marginally younger person, the other one maintains the assumption of superiority all the more rigorously. All the more neurotically.”
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“It strikes me that this may be one of the differences between youth and age: when we are young, we invent different futures for ourselves; when we are old, we invent different pasts for others.”
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“... forty's nothing, at fifty you're in your prime, sixty's the new forty, and so on.”
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“That's one of the central problems of history, isn't it, sir? The question of subjective versus objective interpretation, the fact that we need to know the history of the historian in order to understand the version that is being put in front of us.”
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“Yes, of course we were pretentious -- what else is youth for?”
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“Sometimes I think the purpose of life is to reconcile us to its eventual loss by wearing us down, by proving, however long it takes, that life isn't all it's cracked up to be.”
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“He thought of trying to explain something he had recently noticed about himself: that if anyone insulted him, or one of his friends, he didn't really mind--or not much, anyway. Whereas if anyone insulted a novel, a story, a poem that he loved, something visceral and volcanic occurred within him. He wasn't sure what this might mean--except perhaps that he had got life and art mixed up, back to front, upside down.”
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“Who was it said that memory is what we thought we'd forgotten? And it ought to be obvious to us that time doesn't act as a fixative, rather as a solvent. But it's not convenient--it's not useful--to believe this; it doesn't help us get on with our lives; so we ignore it. [p. 69]”
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“I remember laughing with relief that the same old adolescent boredom goes on from generation to generation. ...the words took me back to my own years of stagnancy, and that terrible waiting for life to begin. [p. 68]”
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“Those little age differentials, so crucial and so gross when we are young, erode. We end up belonging to the same category, that of the non-young. I've never much minded this myself. [p. 66]”
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“Discovering, for example, that as witnesses to your life diminish, there is less corroboration, and therefore less certainty, as to what you are or have been. [p. 65]”
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“And that’s a life, isn’t it? Some achievements and some disappointments. It’s been interesting to me, though I wouldn’t complain or be amazed if others found it less so. Maybe, in a way, Adrian knew what he was doing. Not that I would have missed my own life for anything, you understand.”
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“The rainbow in place of the unicorn? Why didn't God just restore the unicorn? We animals would have been happier with that, instead of a big hint in the sky about God's magnanimity every time it stopped raining.”
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“Had my life increased, or merely added to itself? There had been addition and subtraction in my life, but how much multiplication?”
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“I certainly believe we all suffer damage, one way or another. How could we not,except in a world of perfect parents, siblings, neighbours, companions? And then there is the question on which so much depends, of how we react to the damage: whether we admit it or repress it,and how this affects our dealings with others.Some admit the damage, and try to mitigate it;some spend their lives trying to help others who are damaged; and there are those whose main concern is to avoid further damage to themselves, at whatever cost. And those are the ones who are ruthless, and the ones to be careful of.”
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“Manchmal glaube ich, es ist der Sinn des Lebens, uns mit seinem letzendlichen Verlust zu versöhnen, indem es uns zermürbt, uns beweist, auch wenn das eine Weile dauern kann, dass das Leben gar nicht so toll ist.”
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“Does character develop over time? In novels, of course it does: otherwise there wouldn't be much of a story. But in life? I sometimes wonder. Our attitudes and opinions change, we develop new habits and eccentricities; but that's something different, more like decoration. Perhaps character resembles intelligence, except that character peaks a little later: between twenty and thirty, say. And after that, we're just stuck with what we've got. We're on our own. If so, that would explain a lot of lives, wouldn't it? And also—if this isn't too grand a word—our tragedy.”
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“...life is a gift bestowed without anyone asking for it; that the thinking person has a philosophical duty to examine both the nature of life and the conditions it comes with; and that if this person decides to renounce the gift no one asks for, it is the moral and human duty to act on the consequences of that decision.”
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“When you're young - when I was young - you want your emotions to be like the ones you read about in books. You want them to overturn your life, create and define a new reality. Later, I think, you want them to do something milder, something more practical: you want them to support your life as it is and has become. You want them to tell you that things are OK. And is there anything wrong with that?”
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“The heap of dirty dishes was normal for Arthur, who had applied for a reduction in his water rate on the grounds that he washed up only every fortnight, and then used the leftover liquid for watering his roses.”
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“It is important to understand that in the modern world we prefer the replica to the original because it gives us the greater frisson. I leave that word in French because I think you understand it well that way.”
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“And no, it wasn't shame I now felt, or guilt, but something rarer in my life and stronger than both: remorse. A feeling which is more complicated, curdled, and primeval. Whose chief characteristic is that nothing can be done about it: too much time has passed, too much damage has been done, for amends to be made.”
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“Why slum it where people were burdened by yesterday, and the day before, and the day before that? By history? Here, on the Island, they had learnt how to deal with history, how to sling it carelessly on your back and stride out across the download with the breeze in your face.”
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“Most people, in my opinion, steal much of what they are. If they didn't what poor items they would be.”
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“If a memory wasn't a thing but a memory of a memory of a memory, mirrors set in parallel, then what the brain told you now about what it claimed had happened then would be coloured by what had happened in between. It was like a country remembering its history: the past was never just the past, it was what made the present able to live with itself.”
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“Was it the case that colours dimmed as the eye grew elderly? Or was it rather that in youth your excitement about the world transferred itself onto everything you saw and made it brighter?”
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“And perhaps it was also the case that, for all a lifetime's internal struggling, you were finally no more than what others saw you as. That was your nature, whether you liked it or not.”
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“We live in time - it holds us and molds us - but I never felt I understood it very well. And I'm not referring to theories about how it bends and doubles back, or may exist elsewhere in parallel versions. No, I mean ordinary, everyday time, which clocks and watches assure us passes regularly: tick-tock, click-clock. Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time's malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing - until the eventual point when it really does go missing, never to return.”
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“History: the lies of the victors, the self-delusions of the defeated.”
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“History isn't what happened, history is just what historians tell us.”
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“There is accumulation. There is responsibility. And beyond these, there is unrest. There is great unrest.”
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“Start with the notion that yours is the sole responsibility unless there's powerful evidence to the contrary”
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“....in this country shadings of class resist time longer than differentials in age”
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“...God knows you can have complication and difficulty without any compensating depth or seriousness”
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“I thought of the things that had happened to me over the years, and of how little I had made happen.”
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“I would have to go back into my past and deal with Adrian. My philosopher friend, who gazed on life and decided that any responsible, thinking individual should have the right to reject this gift that had never been asked for - and whose noble gesture re-emphasised with each passing decade the compromise and littleness that most lives consist of. 'Most lives': my life.”
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“You can put it another way, of course; you always can.”
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“In my terms, I settled for the realities of life, and submitted to its necessities: if this, then that, and so the years passed. In Adrian's terms, I gave up on life, gave up on examining it, took it as it came. And so, for the first time, I began to feel a more general remorse - a feeling somewhere between self-pity and self-hatred - about my whole life. All of it. I had lost the friends of my youth. I had lost the love of my wife. I had abandoned the ambitions I had entertained. I had wanted life not to bother me too much, and had succeeded - and how pitiful that was.”
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“Life seemed even more of a guessing game than usual.”
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“You may say, But wasn't this the Sixties? Yes, but only for some people, only in certain parts of the country.”
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“Was this their exact exchange? Almost certainly not. Still, it is my best memory of their exchange.”
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“What you end up remembering isn't always the same as what you have witnessed.”
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