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Julian Barnes

Julian Patrick Barnes is a contemporary English writer of postmodernism in literature. He has been shortlisted three times for the Man Booker Prize - Flaubert's Parrot (1984), England, England (1998), and Arthur & George (2005), and won the prize for The Sense of an Ending (2011). He has written crime fiction under the pseudonym Dan Kavanagh.

Following an education at the City of London School and Merton College, Oxford, he worked as a lexicographer for the Oxford English Dictionary. Subsequently, he worked as a literary editor and film critic. He now writes full-time. His brother, Jonathan Barnes, is a philosopher specialized in Ancient Philosophy.

He lived in London with his wife, the literary agent Pat Kavanagh, until her death on 20 October 2008.


“We live with such easy assumptions, don't we? For instance, that memory equals events plus time. But it's all much odder than this. Who was it said that memory is what we thought we'd forgotten? And it ought to be obvious to us that time doesn't act as a fixative, rather as a solvent. But it's not convenient--- it's not useful--- to believe this; it doesn't help us get on with our lives; so we ignore it.”
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“Nu cred că mi-ar plăcea un zeu dezaprobator. Oricum ai parte de destulă dezaprobare în viață. Milă, iertare și-nțelegere - de astea avem nevoie. Și de ideea unui plan de ansamblu.”
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“Era ciudat felul în care, pe măsură ce îmbătrâneai, vanitatea era tot mai puțin un viciu și devenea aproape opusul ei: o cerință morală.”
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“History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.”
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“And yet it takes only the smallest pleasure or pain to teach us time’s malleability.”
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“I had wanted life not to bother me too much, and had succeeded—and how pitiful that was.”
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“But then you begin to understand that the reward of merit is not life’s business.”
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“But cockteasing is also a metaphor: she is someone who will manipulate your inner self while holding hers back from you.”
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“But I’ve been turning over in my mind the question of nostalgia, and whether I suffer from it. I certainly don’t get soggy at the memory of some childhood knickknack; nor do I want to deceive myself sentimentally about something that wasn’t even true at the time—love of the old school, and so on. But if nostalgia means the powerful recollection of strong emotions—and a regret that such feelings are no longer present in our lives—then I plead guilty.”
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“- Is recycling to do with global warming?- Need you ask?- Well, I only ask because we've been recycling for twenty years or so, and no one was talking about global warming back then.”
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“Memories of childhood were the dreams that stayed with you after you woke.”
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“And if you had no tongue, no celebrating language, you’d do this: cross your hands at the wrist with palms facing towards you; place your crossed wrists over your heart (the middle of your chest, anyway); then move your hands outwards a short distance, and open them towards the object of your love. It’s just as eloquent as speech.”
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“Later on in life, you expect a bit of rest, don't you? You think you deserve it. I did, anyway. But then you begin to understand that the reward of merit is not life's business.”
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“In the letter he left for the coroner he had explained his reasoning (for suicide): that life is a gift bestowed without anyone asking for it; that the thinking person has a philosophical duty to examine both the nature of life and the conditions it comes with; and that if this person decides to renounce the gift no one asks for, it is the moral and human duty to act on the consequences of that decision. ... Alex showed me a clipping from the Cambridge Evening News. 'Tragic Death of "Promising" Young Man.' ... The verdict of the coroner's inquest had been that Adrian Flinn (22) had killed himself 'while the balance of his mind was disturbed.' ... The law, and society, and religion all said it was impossible to be sane, healthy, and kill yourself. Perhaps those authorities feared that the suicide's reasoning might impugn the nature and value of life as organised by the state which paid the coroner?”
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“If you'll excuse a brief history lesson: most people didn't experience 'the sixties' until the seventies. Which meant, logically, that most people in the sixties were still experiencing the fifties--or, in my case, bits of both decades side by side. Which made things rather confusing.”
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“What is history? Any thoughts, Webster?''History is the lies of the victors,' I replied, a little too quickly.'Yes, I was rather afraid you'd say that. Well, as long as you remember that it is also the self-delusions of the defeated. ...'Finn?''"History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation." (quoting Patrick Lagrange)”
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“This was another of our fears: that Life wouldn't turn out to be like Literature. Look at our parents--were they the stuff of Literature? At best, they might aspire to the condition of onlookers and bystanders, part of a social backdrop against which real, true, important things could happen. Like what? The things Literature was about: Love, sex, morality, friendship, happiness, suffering, betrayal, adultery, good and evil, heroes and villains, guilt and innocence, ambition, power, justice, revolution, war, fathers and sons, mothers and daughters, the individual against society, success and failure, murder, suicide, death, God.”
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“This was long before the term 'single-parent family' came into use; back then it was a 'broken home'...”
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“Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time's malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing--until the eventual point when it really does go missing, never to return.”
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“The more you learn, the less you fear. "Learn" not in the sense of academic study, but in the practical understanding of life.”
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“Though why should we expect age to mellow us? If it isn't life's business to reward merit, why should it be life's business to give us warm comfortable feelings towards its end? What possible evolutionary purpose could nostalgia serve?”
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“wear flannel next to your skin, and never believe in eternal punishment.”
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“After a long analysis of Robson’s suicide, we concluded that it could only be considered philosophical in an arithmetical sense of the term: he, being about to cause an increase of one in the human population, had decided it was his ethical duty to keep the planet’s numbers constant.”
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“we must be precise with love, its language and its gestures. If it is to save us, we must look at it as clearly as we should learn to look at death”
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“Am I to be a king, or just a pig?' Gustave writes in his Intimate Notebook. At nineteen, it always looks as simple as this. There is the life, and then there is the not-life; the life of ambition served, or the life of porcine failure. ...What did he learn instead? Instead he learned that life is not a choice between murdering your way to the throne or slopping back in a sty; that there are swinish kings and regal hogs; that the king may envy the pig; and that the possibilities of the not-life will always change tormentingly to fit the particular embarrassments of the lived life.”
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“Every bird you downed bore pebbles in its gizzard from a land the maps ignored.”
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“Remorse, etymologically, is the action of biting again: that's what the feeling does to you. Imagine the strength of the bite when I reread my words. They seemed like some ancient curse I had forgotten even uttering.”
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“I know this much: that there is objective time, but also subjective time, the kind you wear on the inside of your wrist, next to where the pulse lies. And this personal time, which is the true time, is measured in your relationship to memory.”
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“Memory is identity....You are what you have done; what you have done is in your memory; what you remember defines who you are; when you forget your life you cease to be, even before your death.”
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“For Montaigne, the death of youth, which so often takes place unnoticed is the harder death; what we habitually refer to as 'death' is no more than the death of old age...The leap from the attenuated survival of senescence into nonexistence is much easier than the sly transition from heedless youth crabbed and regretful age.”
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“Todos nós vamos ter cancêr ou uma doença cardíaca. há, basicamente, dois tipos de seres humanos, pessoas que refreiam suas emoções e pessoas que as liberam, rugindo. introvertidos e extrovertidos, se você preferir. os introvertidos, como é bem sabido, tendem a internalizar suas emoções, seu ódio e autodesprezo, e esta internalização, como é igualmente sabido, produz cancêr. os extrovertidos, por outro lado, liberam a energia, se enfurecem com o mundo, desviam seu autodesprezo para os outros, e este esforço excessivo, por um processo lógico, causa ataques do coração.”
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“The better you know someone, the less well you often see them (and the less well they can therefore be transferred into fiction). They may be so close as to be out of focus, and there is no operating novelist to dispel the blur. ”
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“Life versus Death becomes, as Montaigne pointed out, Old Age versus Death. ”
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“Our lack of originality is something we usefully forget as we hunch over our—to us—ever-fascinating lives. My friend M., leaving his wife for a younger woman, used to complain, “People tell me it’s a cliché. But it doesn’t feel like a cliché to me.” Yet it was, and is. As all our lives would prove, if we could see them from a greater distance—from the viewpoint, say, of that higher creature imagined by Einstein. ”
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“When I was still quite young I had a complete presentiment of life. It was like the nauseating smell of cooking escaping from a ventilator: you don't have to have eaten it to know that it would make you throw up. ”
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“Sejarah bukanlah apa yang terjadi. Sejarah hanyalah apa yang dituturkan sejarawan kepada kita.”
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“It's easy, after all, not to be a writer. Most people aren't writers, and very little harm comes to them.”
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“You can deal with the brain, as I say; it looks sensible, whereas the heart, the human heart, I'm afraid, looks a fucking mess.”
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“He died a modern death, in hospital,........after medical science had prolonged his life to a point where the terms on which it was being offered were unimpressive.”
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“Love is just a system for getting someone to call you Darling after sex.”
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“It's the best way of telling the truth; it's a process of producing grand, beautiful, well-ordered lies that tell more truth than any assemblage of facts. Beyond that … [it's] delight in, and play with, language; also, a curiously intimate way of communicating with people whom you will never meet.”
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“Women were brought up to believe that men were the answer. They weren't. They weren't even one of the questions. ”
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“Young, middle-aged, elderly, old, dead: this was how life conjugated. (No, life was a noun, so this is how life declined. Yes, that was better in any case, life declined.”
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“When we fall in love, we hope - both egotistically and altruistically - that we shall be finally, truly seen: judged and approved. Of course, love does not always bring approval: being seen may just as well lead to a thumbs-down and a season in hell.”
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“The writer has little control over personal temperament, none over historical moment, and is only partly in charge of his or her own aesthetic.”
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“I was a normal eighteen-year-old: shuttered, self-conscious, untravelled and sneering; violently educated, socially crass, emotionally blurting.”
Julian Barnes
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“No sooner do we come into this world, than bits of us start to fall off.”
Julian Barnes
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“How rarely do our emotions meet the object they seem to deserve? How hopelessly we signal; how dark the sky; how big the waves. We are all lost at sea, washed between hope and despair, hailing something that may never come to rescue us.”
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“We live, we die, we are remembered, we are forgotten.”
Julian Barnes
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“I don't believe in God, but I miss him.”
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