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Ken Kesey

Ken Kesey was American writer, who gained world fame with his novel One Flew Over the Cuckoo's Nest (1962, filmed 1975). In the 1960s, Kesey became a counterculture hero and a guru of psychedelic drugs with Timothy Leary. Kesey has been called the Pied Piper, who changed the beat generation into the hippie movement.

Ken Kesey was born in La Junta, CO, and brought up in Eugene, OR. He spent his early years hunting, fishing, swimming; he learned to box and wrestle, and he was a star football player. He studied at the University of Oregon, where he acted in college plays. On graduating he won a scholarship to Stanford University. Kesey soon dropped out, joined the counterculture movement, and began experimenting with drugs. In 1956 he married his school sweetheart, Faye Haxby.

Kesey attended a creative writing course taught by the novelist Wallace Stegner. His first work was an unpublished novel, ZOO, about the beatniks of the North Beach community in San Francisco. Tom Wolfe described in his book The Electric Kool-Aid Acid Test (1968) Kesey and his friends, called the Merry Pranksters, as they traveled the country and used various hallucinogens. Their bus, called Furthur, was painted in Day-Glo colors. In California Kesey's friends served LSD-laced Kool-Aid to members of their parties.

At a Veterans' Administration hospital in Menlo Park, California, Kesey was paid as a volunteer experimental subject, taking mind-altering drugs and reporting their effects. These experiences as a part-time aide at a psychiatric hospital, LSD sessions - and a vision of an Indian sweeping there the floor - formed the background for One Flew Over The Cuckoo's Nest, set in a mental hospital. While writing the work, and continuing in the footsteps of such writers as Thomas De Quincy (Confessions of an English Opium Eater, 1821), Aldous Huxley (The Doors of Perception, 1954), and William S. Burroughs (Naked Lunch, 1959), Kesey took peyote. The story is narrated by Chief Bromden. Into his world enters the petty criminal and prankster Randall Patrick McMurphy with his efforts to change the bureaucratic system of the institution, ruled by Nurse Ratched.

The film adaptation of the book gained a huge success. When the film won five Academy Awards, Kesey was barely mentioned during the award ceremonies, and he made known his unhappiness with the film. He did not like Jack Nicholson, or the script, and sued the producers.

Kesey's next novel, Sometimes a Great Notion (1964), appeared two years later and was also made into a film, this time directed by Paul Newman. The story was set in a logging community and centered on two brothers and their bitter rivalry in the family. After the work, Kesey gave up publishing novels. He formed a band of "Merry Pranksters", set up a commune in La Honda, California, bought an old school bus, and toured America and Mexico with his friends, among them Neal Cassady, Kerouac's travel companion. Dressed in a jester's outfit, Kesey was the chief prankster.

In 1965 Kesey was arrested for possession of marijuana. He fled to Mexico, where he faked an unconvincing suicide and then returned to the United States, serving a five-month prison sentence at the San Mateo County Jail. After this tumultuous period he bought farm in Pleasant Hill, Oregon, settled down with his wife to raise their four children, and taught a graduate writing seminar at the University of Oregon. In the early 1970s Kesey returned to writing and published Kesey's Garage Sale (1973). His later works include the children's book Little Tricker the Squirrel Meets Big Double the Bear(1990) and Sailor Song (1992), a futuristic tale about an Alaskan fishing village and Hollywood film crew. Last Go Around (1994), Kesey's last book, was an account of a famous Oregon rodeo written in the form of pulp fiction. In 2001, Kesey died of complications after surgery for liver cance


“I don't seem able to get it straight in my mind....”
Ken Kesey
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“I could now (possibly) go back and restretch those shrunken hours, flake the images separate, arrange them in accurate chronological order, (possibly; with will-power, patience, and the proper chemicals) but being accurate is not necessarily being honest.... Nor is chronological reporting by any means always the most truthful (each camera has its own veracity) especially when, in all good faith, one cannot truthfully claim to remember what happened accurately....”
Ken Kesey
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“You might hide in some Freudian jungle most of your miserable life, baying at the moon and shouting curses at God, but at the end, right down there at the damned end when it counts... you would sure as anything clear up just enough to realize the moon you have spent so many years baying at is nothing but the light globe up there on the ceiling, and God is just something placed in your bureau drawer by the Gideon Society. Yes, I sighed again, in the long run insanity would be the same old coldhearted drag of too solid flesh, too many slings and arrows, and too much outrageous fortune.”
Ken Kesey
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“Because sometimes the only way to keep from losing everything is to give everything up. Because sometimes strength must for the sake of winning give in to--”
Ken Kesey
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“But if the strength ain't real, I recall thinking the very last thing that day, before I finally passed out, then the weakness sure enough is. Weakness is true and real. I used to accuse the kid of faking his weakness. But faking proves the weakness is real. Or you wouldn't be so weak as to fake it. No, you can't ever fake being weak. You can only fake being strong. . .”
Ken Kesey
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“But a system made secure by the protective plating of humor and pretense always runs the risk of having its protection get out of hand. A relationship based on jokes invites jokes; jokes about anything -- and jokes about anything are now and then bound to cut too close to the truth.”
Ken Kesey
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“They think they know the book by its cover, but the book knows what it is. Now he knew better; if the book never opens up and comes out, it can be warped to fit the image others see.. . .No, a book wasn't invulnerable to the appearance of its cover, not by any means.”
Ken Kesey
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“Which is just another way of blaming, and perhaps the best way, because there is solace and a certain stoical peace in blaming everything on the rain, and then blaming something as uncontrollable as the rain on something as indifferent as the Arm of the Lord.Because nothing can be done about the rain except blaming. And if nothing can be done about it, why get yourself in a sweat about it?”
Ken Kesey
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“The river split for the jump of a red-gilled silver salmon, then circled to mark the spot where it fell. Spoonbills shoveled at the crimson mud in the shallows, and dowitchers jumped from cattail to cattail, frantically crying "Kleek! Kleek!" as though the thin reeds were as hot as the pokers they resembled.”
Ken Kesey
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“. . .sometimes reading the same page over and over, until one sleepy afternoon something clicked, like a lock unlocking, and she saw those printed doors swing open on a vast house of words.”
Ken Kesey
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“He couldn't seem to get his teeth into anything. Except books. The things in books was darn near more real to him than the things breathing and eating.”
Ken Kesey
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“The world news might not be therapeutic.”
Ken Kesey
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“I listened to them fade away till all I could hear was my memory of the sound.”
Ken Kesey
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“All that five thousand kids lived in those five thousand houses, owned by guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed.”
Ken Kesey
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“The Big Nurse is able to set the wall clock at whatever speed she wants by just turning one of those dials in the steel door; she takes a notion to hurry things up, she turns the speed up, and those hands whip around that disk like spokes in a wheel. The scene in the picture-screen windows goes through rapid changes of light to show morning, noon, and night - throb off and on furiously with day and dark, and everybody is driven like mad to keep up with that passing of fake time; awful scramble of shaves and breakfasts and appointments and lunches and medications and ten minutes of night so you barely get your eyes closed before the dorm light's screaming at you to get up and start the scramble again, go like a sonofabitch this way, going through the full schedule of a day maybe twenty times an hour, till the Big Nurse sees everybody is right up to the breaking point, and she slacks off on the throttle, eases off the pace on that clock-dial, like some kid been fooling with the moving-picture projection machine and finally got tired watching the film run at ten times its natural speed, got bored with all that silly scampering and insect squeak of talk and turned it back to normal.”
Ken Kesey
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“I'd give something to see that. Mostly, I'd just to look over the country around the gorge again, just to bring some of it clear in my mind again. I been away a long time.”
Ken Kesey
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“Memory whispers someplace in that jumbled machinery.”
Ken Kesey
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“There’s no doubt in my mind that McMurphy’s won, but I’m not sure what.”
Ken Kesey
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“The story is told that when Joe was a child his cousins emptied his Christmas stocking and replaced the gifts with horse manure. Joe took one look and bolted for the door, eyes glittering with excitement. 'Wait, Joe, where are you going? What did ol' Santa bring you?' According to the story Joe paused at the door for a piece of rope. 'Brought me a bran'-new pony but he got away. I'll catch 'em if I hurry.' And ever since then it seemed that Joe had been accepting more than his share of hardship as good fortune, and more than his share of shit as a sign of Shetland ponies just around the corner, Thoroughbred stallions just up the road.”
Ken Kesey
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“Time overlaps itself. A breath breathed from a passing breeze is not the whole wind, neither is it just the last of what has passed and the first of what will come, but is more--let me see--more like a single point plucked on a single strand of a vast spider web of winds, setting the whole scene atingle. That way; it overlaps...As prehistoric ferns grow from bathtub planters. As a shiny new ax, taking a swing at somebody's next year's split-level pinewood pad, bites all the way to the Civil War. As proposed highways break down through the stacked strata of centuries.”
Ken Kesey
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“One of the reasons for his drinking, Henry said, was John's mama used to make the whole family get down on their knees and pray like fury everytime John's daddy--Henry's first cousin, I believe--would come home boozed, and John never quite got it straight that they weren't thanking the good Lord for his blessing same as they did at the supper table. So according to Henry booze come to be sort of holy to him and with faith like that John grew up religious as a deacon.”
Ken Kesey
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“Down through the druid wood I saw Wildman join with Cleaver Creek, put on weight, exchange his lean and hungry look for one of more well-fed fanaticism. Then came Chichamoonga, the Indian Influence, whooping along with its banks war-painted with lupine and columbine. Then Dog Creek, then Olson Creek, then Weed Creek. Across a glacier-raked gorge I saw Lynx Falls spring hissing and spitting from her lair of fire-bright vine maple, claw the air with silver talons, then crash screeching into the tangle below. Darling Ida Creek slipped demurely from beneath a covered bridge to add her virginal presence, only to have the family name blackened immediately after by the bawdy rollicking of her brash sister, Jumping Nellie. There followed scores of relatives of various nationalities: White Man Creek, Dutchman Creek, Chinaman Creek, Deadman Creek, and even a Lost Creek, claiming with a vehement roar that, in spite of hundreds of other creeks in Oregon bearing the same name, she was the one and only original...Then Leaper Creek...Hideout Creek...Bossman Creek...I watched them one after another pass beneath their bridges to join in the gorge running alongside the highway, like members of a great clan marshaling into an army, rallying, swelling, marching to battle as the war chant became deeper and richer.”
Ken Kesey
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“... you think this is too horrible to have really happened, this is too awful to be the truth! But, please. It's still hard for me to have a clear mind thinking on it. But it's the truth even if it didn't happen.”
Ken Kesey
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“And then some guy wandering as lost as you would all of a sudden be right before your eyes, his face bigger and clearer than you ever saw a man’s face before in your life. Your eyes were working so hard to see in that fog that when something did come in sight every detail was ten times as clear as usual, so clear both of you had to look away. When a man showed up you didn’t want to look at his face and he didn’t want to look at yours, because it’s painful to see somebody so clear that it’s like looking inside him, but then neither did you want to look away and lose him completely. You had a choice: you could either strain and look at things that appeared in front of you in the fog, painful as it might be, or you could relax and lose yourself.”
Ken Kesey
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“turns me on so loud it's like no sound, everybody yelling at me hands over their ears from behind a glass wall, faces working around in talk circles but no sound from the mouths. my sound soaks up all other sound.”
Ken Kesey
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“You had a choice: you could either strain and look at things that appeared in front of you in the fog, painful as it might be, or you could relax and lose yourself”
Ken Kesey
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“I been silent so long now it’s gonna roar out of me like floodwaters and you think the guy telling this is ranting and raving my God; you think this is too horrible to have really happened, this is too awful to be the truth! But, please. It’s still hard for me to have a clear mind thinking on it. But it’s the truth even if it didn’t happen.”
Ken Kesey
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“No one's ever dared come out and say it before, but there's not a man among us that doesn't think it, that doesn't feel just as you do about her and the whole business - feel it somewhere down deep in his scared little soul.”
Ken Kesey
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“Marvelous wonders don't have to happen of a sudden, the way they do in the Arabian Nights. They can also take a long time, like crystals growing, or minds changing, or leaves turning. The trick is to keep an eye peeled, so they don't slip by unappreciated.”
Ken Kesey
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“The fundamentalists have taken the fun out of the mental.”
Ken Kesey
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“More was revealed in a human face than a human being can bear face to face.”
Ken Kesey
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“You get your visions through whatever gate you're granted.”
Ken Kesey
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“Then—as he was talking—a set of tail-lights going past lit up McMurphy's face, and the windshield reflected an expression that was allowed only because he figured it'd be too dark for anybody in the car to see, dreadfully tired and strained and frantic, like there wasn't enough time left for something he had to do...”
Ken Kesey
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“But he won’t let the pain blot out the humor no more’n he’ll let the humor blot out the pain.”
Ken Kesey
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“The best of all possible cages.' Ben stepped back to regard the job with a sad smile. 'What more can one ask?”
Ken Kesey
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“But the rest are even scared to open up and laugh. You know, that's the first thing that got me about this place, that there wasn't anybody laughing. I haven't heard a real laugh since I came through that door, do you know that? Man, when you lose your laugh you lose your footing.”
Ken Kesey
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“The flock gets sight of a spot of blood on some chicken and they all go to peckin' at it, see, till they rip the chicken to shreds, blood and bones and feathers. But usually a couple of the flock gets spotted in the fracas, then it's their turn. And a few more gets spots and gets pecked to death, and more and more. Oh, a peckin' party can wipe out the whole flock in a matter of a few hours, buddy, I seen it. A mighty awesome sight. The only way to prevent it—with chickens—is to clip blinders on them. So's they can't see.”
Ken Kesey
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“He knows that you have to laugh at the things that hurt you just to keep yourself in balance, just to keep the world from running you plumb crazy.”
Ken Kesey
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“Juicy fruit”
Ken Kesey
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“You’re just a young kid. What are you doin’ here? You oughta be out in a convertible, why… bird-doggin’ chicks and bangin’ beaver. What are ya doin’ here, for Christ’s sake? What’s funny about that? Jesus, I mean, you guys do nothin’ but complain about how you can’t stand it in this place here and then you haven’t got the guts just to walk out!”
Ken Kesey
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“I'd wander for days in the fog, scared I'd never see another thing, then there'd be that door, opening to show me the mattress padding on the other side to stop out the sounds, the men standing in a line like zombies among shiny copper wires and tubes pulsing light, and the bright scrape of arcing electricity. I'd take my place in the line and wait my turn at the table. The table shaped like a cross, with shadows of a thousand murdered men printed on it, silhouette wrists and ankles running under leather straps sweated green with use, a silhouette neck and head running up to a silver band goes across the forehead. And a technician at the controls beside the table looking up from his dial and down the line and pointing at me with a rubber glove.”
Ken Kesey
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“Sometimes I looked at them and sometimes they looked at me, but rarely did we look at one another.”
Ken Kesey
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“Win or lose, the crows always laughed--the hard, old jaded laughter that came of looking at the world with a black and practiced eye. From the less skillful the laugh might have hinted of despair, or silliness, like the magpies', but the crows were masters of the wry outlook, and Viv never heard them but what she followed their expert lead and laughed along--they knew the secret of black, that it could not be made blacker, and if neither could it be made lighter, it could still be made funnier.”
Ken Kesey
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“...I think apparatus burned out all over the ward trying to adjust to her come busting in like she did-took electronic readings on her and calculated they weren't built to handle something like this on the ward, and just burned out, like machines committing suicide.”
Ken Kesey
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“The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon”
Ken Kesey
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“You've got to get out and pray to the sky to appreciate the sunshine; otherwise you're just a lizard standing there with the sun shining on you.”
Ken Kesey
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“They can't tell so much about you if you got your eyes closed.”
Ken Kesey
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“We can count how many seeds are in the apple, but not how many apples are in the seed.”
Ken Kesey
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“His whole body shakes with the strain as he tries to lift something he knows he can't lift, something everybody knows he can't lift.But, for just a second, when we hear the cement grind at our feet, we think, by golly, he might do it.”
Ken Kesey
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“To know a thing you have to trust what you know, and all that you know, and as far as you know in whatever direction your knowing drags you. I once had a pet pine squirrel named Omar who lived in the cotton secret and springy dark of our old green davenport; Omar knew that davenport; he knew from the Inside what I only sat on from the Out, and trusted his knowledge to keep from being squashed by my ignorance. He survived until a red plaid blanket--spread to camouflage the worn-out Outside--confused him so he lost his faith in his familiarity with the In. Instead of trying to incorporate a plaid exterior into the scheme of his world he moved to the rainspout at the back of the house and was drowned in the first fall shower, probably still blaming that blanket: damn this world that just won't hold still for us! Damn it anyway!”
Ken Kesey
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