Ken Kesey photo

Ken Kesey

Ken Kesey was American writer, who gained world fame with his novel One Flew Over the Cuckoo's Nest (1962, filmed 1975). In the 1960s, Kesey became a counterculture hero and a guru of psychedelic drugs with Timothy Leary. Kesey has been called the Pied Piper, who changed the beat generation into the hippie movement.

Ken Kesey was born in La Junta, CO, and brought up in Eugene, OR. He spent his early years hunting, fishing, swimming; he learned to box and wrestle, and he was a star football player. He studied at the University of Oregon, where he acted in college plays. On graduating he won a scholarship to Stanford University. Kesey soon dropped out, joined the counterculture movement, and began experimenting with drugs. In 1956 he married his school sweetheart, Faye Haxby.

Kesey attended a creative writing course taught by the novelist Wallace Stegner. His first work was an unpublished novel, ZOO, about the beatniks of the North Beach community in San Francisco. Tom Wolfe described in his book The Electric Kool-Aid Acid Test (1968) Kesey and his friends, called the Merry Pranksters, as they traveled the country and used various hallucinogens. Their bus, called Furthur, was painted in Day-Glo colors. In California Kesey's friends served LSD-laced Kool-Aid to members of their parties.

At a Veterans' Administration hospital in Menlo Park, California, Kesey was paid as a volunteer experimental subject, taking mind-altering drugs and reporting their effects. These experiences as a part-time aide at a psychiatric hospital, LSD sessions - and a vision of an Indian sweeping there the floor - formed the background for One Flew Over The Cuckoo's Nest, set in a mental hospital. While writing the work, and continuing in the footsteps of such writers as Thomas De Quincy (Confessions of an English Opium Eater, 1821), Aldous Huxley (The Doors of Perception, 1954), and William S. Burroughs (Naked Lunch, 1959), Kesey took peyote. The story is narrated by Chief Bromden. Into his world enters the petty criminal and prankster Randall Patrick McMurphy with his efforts to change the bureaucratic system of the institution, ruled by Nurse Ratched.

The film adaptation of the book gained a huge success. When the film won five Academy Awards, Kesey was barely mentioned during the award ceremonies, and he made known his unhappiness with the film. He did not like Jack Nicholson, or the script, and sued the producers.

Kesey's next novel, Sometimes a Great Notion (1964), appeared two years later and was also made into a film, this time directed by Paul Newman. The story was set in a logging community and centered on two brothers and their bitter rivalry in the family. After the work, Kesey gave up publishing novels. He formed a band of "Merry Pranksters", set up a commune in La Honda, California, bought an old school bus, and toured America and Mexico with his friends, among them Neal Cassady, Kerouac's travel companion. Dressed in a jester's outfit, Kesey was the chief prankster.

In 1965 Kesey was arrested for possession of marijuana. He fled to Mexico, where he faked an unconvincing suicide and then returned to the United States, serving a five-month prison sentence at the San Mateo County Jail. After this tumultuous period he bought farm in Pleasant Hill, Oregon, settled down with his wife to raise their four children, and taught a graduate writing seminar at the University of Oregon. In the early 1970s Kesey returned to writing and published Kesey's Garage Sale (1973). His later works include the children's book Little Tricker the Squirrel Meets Big Double the Bear(1990) and Sailor Song (1992), a futuristic tale about an Alaskan fishing village and Hollywood film crew. Last Go Around (1994), Kesey's last book, was an account of a famous Oregon rodeo written in the form of pulp fiction. In 2001, Kesey died of complications after surgery for liver cance


“God looks out for fools and niggers.”
Ken Kesey
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“The most work he did on [the urinals] was to run a brush once or twice apiece, singing some song as loud as he could in time to the swishing brush; then he'd splash in some Clorox and he'd be through. ... And when the Big Nurse...came in to check McMurphy's cleaning assignment personally, she brought a little compact mirror and she held it under the rim of the bowls. She walked along shaking her head and saying, "Why, this is an outrage... an outrage..." at every bowl. McMurphy sidled right along beside her, winking down his nose and saying in answer, "No; that's a toilet bowl...a TOILET bowl.”
Ken Kesey
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“Rules? PISS ON YOUR FUCKING RULES!”
Ken Kesey
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“- he's finished with that; it's like an old clock that won't tell time but won't stop neither, with the hands bent out of shape and the face bare of numbers and the alarm bell rusted silent, an old worthless clock that just keeps ticking and cuckooing without meaning nothing.”
Ken Kesey
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“He who walks out of step hears another drum.”
Ken Kesey
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“For there is always a sanctuary more, a door that can never be forced, a last inviolable stronghold that can never be taken, whatever the attack; your vote can be taken, you name, you innards, or even your life, but that last stonghold can only be surrendered. And to surrender it for any reason other than love is to surrender love.”
Ken Kesey
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“They're out there...One Flew Over the Cuckoo's Nest”
Ken Kesey
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“High high in the hills , high in a pine tree bed.She's tracing the wind with that old hand, counting the clouds with that old chant,Three geese in a flockone flew eastone flew westone flew over the cuckoo's nest”
Ken Kesey
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“People don't want other people to get high, because if you get high, you might see the falsity of the fabric of the society we live in.”
Ken Kesey
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“Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys... ”
Ken Kesey
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“What the Chronics are - or most of us - are machines with flaws inside that can't be repaired, flaws born in, or flaws beat in over so many years of the guy running head-on into solid things that by the time the hospital found him he was bleeding rust in some vacant lot. ”
Ken Kesey
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“But I tried though," he says. "Goddammit, I sure as hell did that much, now, didn't I?”
Ken Kesey
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“Mr. Bibbit, you might warn this Mr. Harding that I'm so crazy I admit to voting for Eisenhower.Bibbit! You tell Mr. McMurphy I'm so crazy I voted for Eisenhower twice!And you tell Mr. Harding right back — he puts both hands on the table and leans down, his voice getting low — that I'm so crazy I plan to vote for Eisenhower again this November.”
Ken Kesey
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“It's the truth, even if it didn't happen.”
Ken Kesey
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“I want to touch him because I'm one of these queers!”
Ken Kesey
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“I was actually going out of the hospital with two whores on a fishing boat; I had to keep saying it over and over to myself to believe it.”
Ken Kesey
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“To hell with that. A man goin' fishing with two whores from Portland don't have to take that crap.”
Ken Kesey
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“Ocean, Ocean I'll beat you in the end.”
Ken Kesey
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“She was fifteen years old, going on thirty-five, Doc, and she told me she was eighteen, she was very willing, I practically had to take to sewing my pants shut. Between you and me, uh, she might have been fifteen, but when you get that little red beaver right up there in front of you, I don't think it's crazy at all and I don't think you do either. No man alive could resist that, and that's why I got into jail to begin with. And now they're telling me I'm crazy over here because I don't sit there like a goddamn vegetable. Don't make a bit of sense to me. If that's what being crazy is, then I'm senseless, out of it, gone-down-the-road, wacko. But no more, no less, that's it.”
Ken Kesey
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“No, my friend. We are lunatics from the hospital up the highway, psycho-ceramics, the cracked pots of mankind. Would you like me to decipher a Rorschach for you?”
Ken Kesey
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“Never before did I realize that mental illness could have the aspect of power, power. Think of it: perhaps the more insane a man is, the more powerful he could become. Hitler an example. Fair makes the old brain reel, doesn't it?”
Ken Kesey
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“It isn't by getting out of the world that we become enlightened, but by getting into the world…by getting so tuned in that we can ride the waves of our existence and never get tossed because we become the waves.”
Ken Kesey
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“It's the truth, even if it didn't happen......if they don't exist, how can a man see them?”
Ken Kesey
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“He was in his chair in the corner, resting a second before he came out for the next round -- in a long line of next rounds. The thing he was fighting, you couldn't whip it for good. All you could do was keep on whipping it, till you couldn't come out anymore and somebody else had to take your place.”
Ken Kesey
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“We'd just shared the last beer and slung the empty can out the window at a stop sign and were just waiting back to get the feel of the day, swimming in that kind of tasty drowsiness that comes over you after a day of going hard at something you enjoy doing -- half sunburned and half drunk and keeping awake only because you wanted to savor the taste as long as you could.”
Ken Kesey
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“You can't really be strong until you can see a funny side to things.”
Ken Kesey
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“If you don't watch it people will force you one way or the other, into doing what they think you should do, or into just being mule-stubborn and doing the opposite out of spite.”
Ken Kesey
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“I lay in bed the night before the fishing trip and thought it over, about my being deaf, about the years of not letting on I heard what was said, and I wonder if I can ever act any other way again. But I remembered one thing: it wasn't me that started acting deaf; it was people that first started acting like I was too dumb to hear or see or say anything at all.”
Ken Kesey
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“I don't think you fully understand the public, my friend; in this country, when something is out of order, then the quickest way to get it fixed is the best way.”
Ken Kesey
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“All I know is this: nobody's very big in the first place, and it looks to me like everybody spends their whole life tearing everybody else down.”
Ken Kesey
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“That ain't me, that ain't my face. It wasn't even me when I was trying to be that face. I wasn't even really me them; I was just being the way I looked, the way people wanted.”
Ken Kesey
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“The secret of being a top-notch con man is being able to know what the mark wants, and how to make him think he's getting it.”
Ken Kesey
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“Man, when you lose your laugh you lose your footing.”
Ken Kesey
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“This world . . . belongs to the strong, my friend! The ritual of our existence is based on the strong getting stronger by devouring the weak. We must face up to this. No more than right that it should be this way. We must learn to accept it as a law of the natural world. The rabbits accept their role in the ritual and recognize the wolf is the strong. In defense, the rabbit becomes sly and frightened and elusive and he digs holes and hides when the wolf is about. And he endures, he goes on. He knows his place. He most certainly doesn't challenge the wolf to combat. Now, would that be wise? Would it?”
Ken Kesey
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“He's the sort of guy that gets a laugh out of people.”
Ken Kesey
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“I'm accustomed to being top man. I been a bull goose catskinner for every gyppo logging operation in the Northwest and bull goose gambler all the way from Korea, was even bull goose pea weeder on that pea farm at Pendleton -- so I figure if I'm bound to be a loony, then I'm bound to be a stompdown dadgum good one.”
Ken Kesey
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“But it's the truth even if it didn't happen.”
Ken Kesey
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“Of offering more than what I can deliver, I have a bad habit, it is true. But I have to offer more than I can deliver,To be able to deliver what I do.”
Ken Kesey
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“McMurphy tied a chunk of meat to each end of a four-foot string, tossed it into the air, and sent two squawking birds wheeling off, "Till death do them part.”
Ken Kesey
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“He Who Marches Out Of Step Hears Another Drum”
Ken Kesey
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“The answer is never the answer. What's really interesting is the mystery. If you seek the mystery instead of the answer, you'll always be seeking. I've never seen anybody really find the answer. They think they have, so they stop thinking. But the job is to seek mystery, evoke mystery, plant a garden in which strange plants grow and mysteries bloom. The need for mystery is greater than the need for an answer.”
Ken Kesey
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“People think love is an emotion. Love is good sense.”
Ken Kesey
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“He's got hands so long and white and dainty I think they carved each other out of soap, and sometimes they get loose and glide around in front of him free as two white birds until he notices them and traps them between his knees; it bothers him that he's got pretty hands.”
Ken Kesey
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“This is just shit. It's happening. No blame. Happening and on the rise it would appear. What can we do to delay it? Probably zilch. To stop it? Likely less. But to survive it? Now that sounds more promising. There is evidence of bad shit having been survived before. Ancient Advice Left in cave by Wise French Caveman: "When Bigbad Shit come, no run scream hide. Try paint picture of it on wall. Drum to it. Sing to it. Dance to it. This give you handle on it." So Twister is my try. Ken Kesey in a letter to Allen Ginsberg (August 1993)”
Ken Kesey
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“To hell with facts! We need stories!”
Ken Kesey
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“What do you think you are, for Chrissake, crazy or somethin'? Well you're not! You're not! You're no crazier than the average asshole out walkin' around on the streets and that's it. ”
Ken Kesey
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“Plant a garden in which strange plants grow and mysteries bloom.”
Ken Kesey
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“What makes people so impatient is what I can't figure; all the guy had to do was wait.”
Ken Kesey
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“Good writin' ain't necessarily good readin'.”
Ken Kesey
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“If this glorious birth to death hassle is the only hassle we are ever to have ..if our grand exhilarating fight of life is such a tragically short little scrap anyway,compared to the eons of rounds before and after-then why should one want to relinquish even a few precious seconds of it?”
Ken Kesey
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