Mark Z. Danielewski photo

Mark Z. Danielewski

Mark Z. Danielewski is an American author best known for his books House of Leaves, Only Revolutions, The Fifty Year Sword, The Little Blue Kite, and The Familiar series.

Danielewski studied English Literature at Yale. He then decided to move to Berkeley, California, where he took a summer program in Latin at the University of California, Berkeley. He also spent time in Paris, preoccupied mostly with writing.

In the early 1990s, he pursued graduate studies at the USC School of Cinema-Television. He later served as an assistant editor and worked on sound for Derrida, a documentary based on the life of the Algerian-born French literary critic and philosopher Jacques Derrida.

His second novel, Only Revolutions, was released in 2006. The novel was a finalist for the 2006 National Book Award.

His novel The Fifty Year Sword was released in the Netherlands in 2005. A new version with stitched illustrations was released in the United States 2012 (including a limited-edition release featuring a latched box that held the book). On Halloween 2010-2012, Danielewski "conducted" staged readings of the book at the REDCAT Theater inside the Walt Disney Concert Hall in Los Angeles. Each year was different and included features such as large-scale shadows, music, and performances from actors such as Betsy Brandt (Breaking Bad).

On May 12, 2015, he released the first volume, The Familiar (Volume 1): One Rainy Day in May in his announced 27-volume series The Familiar. The story "concerns a 12-year-old girl who finds a kitten..." The second volume, The Familiar (Volume 2): Into the Forest was released on Oct. 27, 2015, The Familiar (Volume 3): Honeysuckle & Pain came out June 14, 2016, and The Familiar (Volume 4): Hades arrived in bookstores on Feb. 7, 2017, and The Familiar (Volume 5): Redwood was released on Halloween 2017.

His latest release, The Little Blue Kite, is out now.

Quick Facts

He is the son of Polish avant-garde film director Tad Danielewski and the brother of singer and songwriter Annie Decatur Danielewski, a.k.a. Poe.

House of Leaves, Danielewski's first novel, has gained a considerable cult following. In 2000, Danielewski toured with his sister across America at Borders Books and Music locations, promoting Poe’s album Haunted, which reflects elements of House of Leaves.

Danielewski's work is characterized by experimental choices in form, such as intricate and multi-layered narratives and typographical variation.

In 2015, his piece Thrown, a reflection on Matthew Barney's Cremaster 2, appeared on display at the Guggenheim Museum in New York.

Official "Yarn + Ink" apparel inspired by his books House of Leaves and The Familiar is now available through his official website, Amazon and Etsy.

His latest short story, "There's a Place for You" was released on www.markzdanielewski.com in August 2020.

Read more on his Wikipedia page:

https://en.wikipedia.org/wiki/Mark_Z....


“Come morning I found the day as I have found every other day--without relief or explanation.”
Mark Z. Danielewski
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“He [Zampano] probably would of insisted on corrections and edits, he was his own harshest critic, but I've come to believe errors, especially written errors, are often the only markers left by a solitary life: to sacrifice them is to lose the angels of personality, the riddle of a soul. In this case a very old soul. A very old riddle.”
Mark Z. Danielewski
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“Riddles: They either delight or torment. Their delight lies in solutions. Answers provide bright moments of comprehension perfectly suited for children who still inhabit a world where solutions are readily available. Implicit in the riddle's form is a promise that the rest of the world resolves just as easily. And so riddles comfort the child's mind which spins wildly before the onslaught of so much information and so many subsequent questions.The adult world, however, produces riddles of a different variety. They do not have answers and are often called enigmas or paradoxes. Still the old hint of the riddle's form corrupts these questions by the echoing the most fundamental lesson: there must be an answer. From there comes torment.”
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“Your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay.”
Mark Z. Danielewski
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“A creature without a voice. A voice without a name. As immortal as my life. Come here at long last to summon the wind.”
Mark Z. Danielewski
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“She said memories mean all, but they are all dead.”
Mark Z. Danielewski
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“ſtairs! We haue found ſtairs!”
Mark Z. Danielewski
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“Known some call is air am.”
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“Back on shore everyone was pretty messed up, but the owner/captain was by far the worst off. He ended up drunk for a week, though the only thing he ever said was "So?"The boat's gone. "So?"Your mate's dead. "So?"Hey at least you're alive. "So?"An awful word but it does harden you. It hardened me.”
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“Physics depends on a universe infinitely centred on an equals sign.”
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“- Whenever we roam be beside me.When you're allone. When you go.When no one comes along. And for all weWander. Encounter and openAllways curl up with me.Give me pain, past and fury.Betray my way. I won't abandon you.-”
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“Wake & Bake. More like Wash & Bake. Half a bowl of cereal and a shot of bourbon later, I'm there, my friendly haze having finally arrived. I'm ready for work.”
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“It's too annoying. Too me.”
Mark Z. Danielewski
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“all I have to do is extend my hand but I can't run that far.”
Mark Z. Danielewski
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“I've come to believe errors, especially written errors, are often the only markers left by a solitary life: to sacrifice them is to lose the angles of personality, the riddle of a soul. In this case a very old soul. A very old riddle.”
Mark Z. Danielewski
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“...the finest act of seeing is necessarily always the act of not seeing something else.”
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“So often I wonder whether it is my right to capitalize, as I feel, so often, on the grief of others. But then I justify, in my own particular thoughts, by feeling that I can contribute a little to the understanding of what others are going through; then there is reason for doing it.”
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“There are seven incarnations (and six correlates) necessary to becoming an Artist: 1. Explorer (Courage) 2. Surveyor (Vision) 3. Miner (Strength) 4. Refiner (Patience) 5. Designer (Intelligence) 6. Maker (Experience) 7. Artist. First, you must leave the safety of your home and go into the dangers of the world, whether to an actual territory or some unexamined aspect of the psyche. This is what is meant by 'Explorer.' Next, you must have the vision to recognize your destination once you arrive there. Note that a destination may sometimes also be the journey. This is what is meant by 'Surveyor.' Third, you must be strong enough to dig up the facts, follow veins of history, unearth telling details. This is what is meant by 'Miner.' Fourth, you must have the patience to winnow and process your material into something rare. This may take months or even years. And this is what is meant by 'Refiner.' Fifth, you must use your intellect to conceive of your material as something meaning more than its origins. This is what is meant by 'Designer.' Six, you must fashion a work independent of everything that has gone before it including yourself. This is accomplished though experience and is what is meant by 'Maker.' At this stage, the work is acceptable. You will be fortunate to have progressed so far. It is unlikely, however, that you will go any farther. Most do not. But let us assume you are exceptional. Let us assume you are rare. What then does it mean to reach the final incarnation? Only this: at every stage, from 1 thru 6, you will risk more, see more, gather more, process more, fashion more, consider more, love more, suffer more, imagine more and in the end know why less means more and leave what doesn't and keep what implies and create what matters. This is what is meant by 'Artist.”
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“I want something else. I'm not even sure what to call it anymore except I know it feels roomy and it's drenched in sunlight and it's weightless and I know it's not cheap. Probably not even real”
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“The greatest of love letters are always coded for the one and not the many.”
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“Knowledge is hot water on wool. It shrinks time and space.”
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“Her smile, I'm sure, burnt Rome to the ground.”
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“Not all complex problems have easy solutions; so says science (so warns science.)”
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“...life's big. If you can't fix it, give it a spin.”
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“Even the brightest magnesium flare can do little against such dark except blind the eyes of the one holding it. Thus one craves what by seeing one has in fact not seen.”
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“Make no mistake, those who write long books have nothing to say.Of course those who write short books have even less to say.”
Mark Z. Danielewski
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“Youth always tries to fill the void, an old man learns to live with it.”
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“Do not wake me from this slumber, but be assured that just as I have wept much, I have also wandered many roads with my thoughts.”
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“I do not know anything about Art with a capital A. What I do know about is my art. Because it concerns me. I do not speak for others. So I do not speak for things which profess to speak for others. My art, however, speaks for me. It lights my way.”
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“Of course there always will be darkness but I realize now something inhabits it. Historical or not. Sometimes it seems like a cat, the panther with its moon mad gait or a tiger with stripes of ash and eyes as wild as winter oceans. Sometimes it's the curve of a wrist or what's left of romance, still hiding in the drawer of some long lost nightstand or carefully drawn in the margins of an old discarded calendar. Sometimes it's even just a vapor trail speeding west, prophetic, over clouds aglow with dangerous light. Of course these are only images, my images, and in the end they're born out of something much more akin to a Voice, which though invisible to the eye and frequently unheard by even the ear still continues, day and night, year after year, to sweep through us all.”
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“I must read. I must read.I must read.”
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“I think that's what finally stopped me. I slid right to the edge. My legs were hanging over. And I could feel it too. I don't know how. There was no wind, no sound, no change of temperature. There was just this terrible emptiness reaching up for me.”
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“This is why classical thought concerning structure could say that the center is, paradoxically, within the structure and outside it. The center is at the center of the totality, and yet, since the center does not belong to the totality (is not part of the totality), the totality has its center elsewhere. The center is not the center.”
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“And where there is no Echo there is no description of space or love. There is only silence.”
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“...she still cannot resist looking out the window every couple of minutes. The sound of a passing truck causes her to glance away. Even if there is no sound, the weight of a hundred seconds always turns her head.”
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“I took my morning walk, I took my evening walk, I ate something, I thought about something, I wrote, I napped and dreamt something too, and with all that something, I still have nothing because so much of sum’thing has always been and always will be you.I miss you.”
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“Because the enormous narcissism of their parents deprived Will and Tom of suitable role models, both brothers learned to identify with absence. Consequently, even if something beneficial fortuitously entered their lives they immediately treated it as temporary. By the time they were teenagers they were already accustomed to a discontinuous lifestyle marked by constant threats of abandonment and the lack of any emotional stability. Unfortunately, "accustomed to" here is really synonymous with "damaged by.”
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“the seriousness of emotional deprivation:It is not difficult to understand how children who have suffered from malnutrition or starvation need food and plenty of care in their bodies are to recover so they can go on to lead normal lives. If, however, the starvation is severe enough, the damage will be permanent and they will suffer physical impairments for the rest of their lives. Likewise, children who are deprived of emotional nurturing require care and love if their sense of security and self-confidence is to be restored. However, if love is minimal and abuse high, the damage will be permanent and the children will suffer emotional impairments for the rest of their lives.”
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“Beautiful women are always drawn to men they think will keep them beautiful.”
Mark Z. Danielewski
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“Sometimes it's just silent...No sound at all.'Does that scare you?'Chad nods. 'Why?' asks his father.'It's like something's waiting.”
Mark Z. Danielewski
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“Love of love written by the broken hearted, love of life written by the dead.”
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“In the end Navidson is left with one page and one match. For a long time he waits in darkness and cold, postponing this final bit of illumination. At last though, he grips the match by the neck and after locating the friction strip sparks to life a final ball of light.First, he reads a few lines by match light and then as the heat bites his fingertips he applies the flame to the page. Here then is one end: a final act of reading, a final act of consumption. And as the fire rapidly devours the paper, Navidson's eyes frantically sweep down over the text, keeping just ahead of the necessary immolation, until as he reaches the last few words, flames lick around his hands, ash peels off into the surrounding emptiness, and then as the fire retreats, dimming, its light suddenly spent, the book is gone leaving nothing behind but invisible traces already dismantled in the dark.”
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“Scientists estimate the universe unfolded from its state of infinite destiny* - a moment commonly referred to as "the big bang" - approximately 1.3-2 x 10^10 years ago.*Typo: "destiny" should read "density.”
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“Keep true to the rare music in your heart, to the marvelous and unique form that is and shall always be nothing else but you. Keep to that and you can do no wrong, which I realize is easier said than done.”
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“It may be the wrong decision, but fuck it, it's mine.”
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“You got a death wish, Truant?' Which was the thing that scared me. 'Cause maybe I did.”
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“Which in the gray of gentler eyes will prove far more than any of us could ever need; 'enough' we will shout, 'enough!' our bellies full, our hearts full, our ages full; fullness and greater fullness and even more fullness; how then we will laugh and forget how imagining has already left us.”
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“Stories heard but not recalled. Letters too. Words filling my head. Fragmenting like artillery shells. Shrapnel, like syllables, flying everywhere. Terrible syllables. Sharp cracked. Traveling at murderous speed. Tearing through it all in a very, very bad inreparable way.”
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“Maybe you saw her first? Caught a glimpse between the lines, between the letters, like a ghost in the mirror, a ghost in the wings?”
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“I guess I'm hoping the weapons will make me feel better, grant me some kind of fucking control, especially if I sense the dullness inside me get too heavy and thick, warning me that something is again approaching, creeping slowly towards my room, no figment of my imagination either but as tangible as you and I, never ceasing to scratch, waiting, perhaps for a word or an order or some other kind of sign to at last initiate this violent and by now inevitable confrontation - always as full of wrath as I am full of fear.”
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