Markus Zusak is the author of five books, including the international bestseller,
The Book Thief
, which spent more than a decade on the New York Times bestseller list, and is translated into more than forty languages – establishing Zusak as one of the most successful authors to come out of Australia.
To date, Zusak has held the number one position at Amazon.com, Amazon.co.uk, the New York Times bestseller list, as well as in countries across South America, Europe and Asia.
His books,
The Underdog, Fighting Ruben Wolfe, When Dogs Cry
(also titled
Getting the Girl
),
The Messenger
(or
I am the Messenger
) and
The Book Thief
have been awarded numerous honours ranging from literary prizes to readers choice awards to prizes voted on by booksellers.
Zusak’s much-anticipated new novel,
Bridge of Clay
, is set for release in October 2018 in the USA, the UK and Australia, with foreign translations to follow.
“Quite frankly, so am I, because what I'm about to tell you is a fact.In this country, there is only one thing that can draw a crown without any shadow of a doubt. The answer?Beer.Free beer.”
“She soon says, "You're my best friend, Ed."You can kill a man with those words.No gun.No bullets.Just words and a girl.”
“The bittersweetness of uncertainty: To win or to lose.”
“A human doesn't have a heart like mine. The human heart is a line, whereas my own is a circle, and I have the endless ability to be in the right place at the right time. The consequence of this is that I'm always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both. Still, they have one thing I envy. Humans, if nothing else, have the good sense to die.”
“Goodbye, Papa, you saved me. You taught me to read. No one can play like you. I'll never drink champagne. No one can play like you."-Liesel”
“The tears grappled with her face. Rudy, please, wake up, Goddamn it, wale up, I love you. Come on, Rudy, come on, Jesse Owens, don't you know I love you, wake up, wake up, wake up.."But nothing cared...She leaned down and looked at his lifeless face and Liesel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled hersel away, she touched his mouth with her fingers. Her hands were tremblin, her lips were fleshy, and she leaned in once more, this time losing control and misjudging it. Their teeth collided on the demolised world of Himmel Street.”
“Max," she said. He turned and briefly closed his eyes as the girl continued. There was once a strange, small man,"she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker,too."One of the Jews on his way to Dachau had stopped walking now. He stood absolutely still as the others swerved morosely around him, leaving him completely alone. His eyes staggered, and it was so simple. The words were given across from the girl to the Jew. They climbed on to him.The next time she spoke, the questions stumbled from her mouth. Hot tears fought for room in her eyes as she would not let them out. Better to stand resolute and proud. Let the words do all of it. "Is it really you? the young man asked," she said. " Is it from your cheek that I took the seed.?"Max Vandenburg remained standing.He did not drop to his knees.People and Jews and clouds all stopped. They watched.As he stood, Max looked first at the girl and then stared directly into the sky who was wide and blue and magnificent. There were heavy beams-- planks of son-- falling randomly, wonderfully to the road. Clouds arched their backs to look behind as they started again to move on. "It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die,like this.Liesel walked at him. She was courageous enought to reach out and hold his bearded face. "Is it really you,Max?"Such a brilliant German day and its attentive crowd.He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched.”
“Liesel shrugged away entirely from the crowd and entered the tide of Jews, weaving through them till she grabbed hold of his arm with her left hand.His face fell on her.It reached down as she tripped, and the Jew,the nasty Jew, helped her up. It took all of his strength.”
“She rubbed her eyes, and after a long study of his face, she spoke "Is it really you?"Is it from your cheek, she thought, that I took the seed?The man nodded.His heart wobbled and he held tighter to the branches. It is.”
“She closes the door completely, and I crouch there. I allow myself to fall forward and rest my head on the door frame. My breath bleeds. My heartbeat drowns my ears.”
“A SMALL PIECE OF TRUTHI do not carry a sickle or scythe.I only wear a hooded black robe when it's cold.And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.”
“I'm just another stupid human.”
“Even now, I wonder how much of my life is convinced.”
“Still, they have one thing I envy. Humans, if nothing else, have the good sense to die.”
“No começo, Liesel não conseguiu dizer nada. Talvez fosse a súbita turbulência do amor que sentiu por ele. Ou será que sempre o tinha amado? Era provável. Impedida como estava de falar, desejou que ele a beijasse. Quis que ele arrastasse sua mão e a puxasse para si. Não importava onde a beijasse. Na boca, no pescoço, na face. Sua pele estava vazia para o beijo, esperando.”
“It was one of those moments of perfect tiredness, of having conquered not only the work at hand, but the night who had blocked the way.”
“***A Last note from your narrator***I am haunted by humans.”
“When he moves, a streetlight stabs him, and the words flow out like blood.”
“...and the night is so deep and dark that I wonder if the sun will ever come up.”
“I want to talk to him. I want to ask him about that girl and if he loved her and still misses her.”
“You're far from this. This story is just another few hundred pages of your mind.”
“Warily, she dares to allow me a smile. "It's okay. It's just...I'm not too good at talking to people." She looks away again as her shyness smothers her. "So, do you think it'd be all right if we don't talk?”
“She even touches Jimmy's face on the photos, and I see what it is to love someone like Milla loved that man. Her fingertips are made of love.”
“I think of how she lives alone, just like me, and how she never had any real family, and how she only has sex with people. She never lets any love get in the way. I think she had a family once, but it was one of those beat-the-crap-out-of-each-other situations. There's no shortage of them around here. I think she loved them, and all they ever did was hurt her.”
“As palavras pousaram na mesa e se posicionaram no meio. As três pessoas ficaram a olhá-las. As tênues esperanças não ousaram elevar-se mais do que isso. Ele ainda não morreu. Ele ainda não morreu.”
“How 'bout a kiss, Saumensch?" -- Rudy Steiner”
“Just give hime five more minutes and he would surely fall into the German gutter and die. They would all let him, and they would all watch.Then, one human.Hans Hubermann.”
“She was saying goodbye and she didn't even know it.”
“Why can’t the world hear? I ask myself. Within a few moments I ask it many times. Because it doesn’t care, I finally answer, and I know I’m right. It’s like I’ve been chosen. But chosen for what? I ask.”
“When her hands reached out and poured the tea, it was as if she also poured something into me while I sat there sweating in my cab. It was like she held a string and pulled on it just slightly to open me up. She got in, put a piece of herself inside me, and left again.”
“She looks at the swings, and I can see she’s imagining what they’d look like if the kids weren’t there. The guilt of this holds her down momentarily. It appears to be there constantly. Never far away, despite her love for them.I realize that nothing belongs to her anymore and she belongs to everything.”
“When death captures me," the boy vowed, "he will feel my fist in his face." (31.26)”
“She was a Jew feeder without a question in the world on that man's first night in Molching. She was an arm reacher, deep into a mattress, to deliver a sketchbook to a teenage girl. (84.25)”
“After another ten minutes, the gates of thievery would open just a crack, and Liesel Meminger would widen them a little further and squeeze through. ***TWO QUESTIONS***Would the gates shut behind her?Or would they have the goodwill to let her back out?As Liesel would discover, a good thief requires many things.Stealth. Nerve. Speed.More important than any of those things, however, was one final requirement.Luck.Actually.Forget the ten minutes.The gates open now.”
“July 24, 6:03 A.M.The laundry was warm and the rafters were firm, and Michael Holzapfel jumped from the chair as if it were a cliff...Michael Holzapfel knew what he was doing. He killed himself for wanting to live.”
“The Hubbermanns had two of their own (children), but they were older and had moved out...Soon they would be both in the war. One would be making bullets. The other would be shooting them.”
“For two days I went about my business. I travelled the globe as always, handing souls to the conveyor belt of eternity.”
“Yes, I'm often reminded of her, and in one of my array of pockets, I have kept her story to retell. It is one of the small legion I carry, each one extraordinary in its own right. Each one an attempt - an immense leap of an attempt - to prove to me that you, and your human existence, are worth it.”
“I suppose he'll die soon. I'm expecting it, like you do for a dog that's seventeen. There's no way to know how I'll react. He'll have faced his own placid death and slipped without a sound inside himself. Mostly, I imagine I'll crouch there at the door, fall onto him, and cry hard into the stench of his fur. I'll wait for him to wake up, but he won't. I'll bury him. I'll carry him outside, feeling his warmth turn to cold as the horizon frays and falls down in my backyard. For now, though, he's okay. I can see him breathing. He just smells like he's dead.”
“I'm sorry. I shouldn't be asking such things...' She let the sentence die its own death”
“You don't shoot a dog when it is already dead.”
“Her face was severe but smiling. "What the hell did you do with my hairbrush, you stupid Saumensch, you little thief?...The tirade went on for perhaps another minute, with Liesel making a desperate suggestion or two about the possible location of the said brush. It ended abruptly, with Rosa pulling Liesel close, just for a few seconds. Her whisper was almost impossible to hear, even at such close proximity. "You told me to yell at you. You said they'd all believe it." She looked left and right, her voice like needle and thread. "He woke up, Liesel. He's awake." From her pocket, she pulled out the toy soldier with the scratched exterior. "He said to give you this. It was his favorite." ...Before Liesel had a chance to answer, she finished it off. "Well? Answer me! Do you have any other idea where you might have left it?”
“When she faced the noise, she found the mayor’s wife in a brand-new bathrobe and slippers. On the breast pocket of the robe sat an embroidered swastika. Propaganda even reached the bathroom.”
“In years to come, he would be a giver of bread, not a stealer - proof again of the contradictory human being. So much good, so much evil. Just add water.”
“Already, I know that all of this will stay with me forever. It'll haunt me, but I also fear it will make me feel grateful. I say fear because at times I really don't want this to be a fond memory until it's over. I also fear that nothing really ends at the en. Things just keep going as long as memory can wield its ax, always finding a soft part in your mind to cut through and enter.”
“At first, she could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him?”
“So much good, so much evil. Just add water.”
“***CHRISTMAS GREETINGS FROM*** MAX VANDENBURGOften I wish this would all be over, Liesel, but then somehow you do something like walk down the basement steps with a snowman in your hands. ”
“I can promise you that the world is a factory. The sun stirs it, the humans rule it. And I remain. I carry them away.- spoken by death”
“The sky was murky and deep, like quicksand. There was a young man parcelled up in barbed wire, like a crown of thorns. I untangled him and carried him out. High above the earth, we sank together, to our knees. It was just another day, 1918.”