Michel Houellebecq

“La difficulté, c'est qu'il ne suffit pas exactement de vivre selon la règle. En effet vous parvenez (parfois de justesse, d'extrême justesse, mais dans l'ensemble vous y parvenez) à vivre selon la règle. Vos feuilles d'imposition sont à jour. Vos factures, payées à la bonne date. Vous ne vous déplacez jamais sans carte d'identité (et la petite pochette spéciale pour la carte bleue!..).Pourtant, vous n'avez pas d'amis.”

“As soon as the genome had been cmpletely decoded (which would be in a matter of months) humanity would have complete control of its evolution; when that happened sexuality would be seen for what it really was: a useless, dangerous, and regressive function.”

“There is no endless silence of infinite space, for in reality there is no space, no silence and no void.”

“The story of a life can be as long or as short as the teller wishes. Whether the life is tragic or enlightened, the classic gravestone inscription marking simply the dates of birth and death has, in its brevity, much to recommend it.”

“Irony won't save you from anything; humour doesn't do anything at all. You can look at life ironically for years, maybe decades; there are people who seem to go through most of their lives seeing the funny side, but in the end, life always breaks your heart. Doesn't matter how brave you are, or how reserved, or how much you've developed a sense of humour, you still end up with your heart broken. That's when you stop laughing.”

“The arrival in Paris, as grim as ever. The leprous façades of the Pont Cardinet flats, behind which one invariably imagines retired folk agonizing alongside their cat Poucette which is eating up half their pension with its Friskies. Those weird metal structures that indecently mount each other to form a grid of overhead wires. And the inevitable advertising hoardings flashing by, gaudy and repellent. ‘A gay and changing spectacle on the walls.’ Bullshit. Pure fucking bullshit.”

“All in all, I was harking back to the Ancient Greeks. When you get old, you always hark back to the Ancient Greeks.”

“The night is far spent, the day is at hand: let us therefore cast off the works of darkness, and let us put on the armour of light.”

“À l'âge de quinze ans Annabelle faisait partie de ces très rares jeunes filles sur lesquelles tous les hommes s'arrêtent, sans distinction d'âge ni d'état; de ces jeunes filles dont le simple passage, le long de la rue commerçante d'une ville d'importance moyenne, accélère le rythme cardiaque des jeunes gens et des hommes d'âge mûr, fait pousser des grognements de regret aux vieillards. Elle prit rapidement conscience de ce silence qui accompagnait chacune de ses apparitions, dans un café ou dans une salle de cours, mais il lui fallut des années pour en comprendre pleinement la raison. Au CEG de Crécy-en-Brie, il était communément admis qu'elle «était avec» Michel; mais même sans cela, à vrai dire, aucun garçon n'aurait osé tenter quoi que ce soit avec elle. Tel est l'un des principaux inconvénients de l'extrême beauté chez les jeunes filles: seuls les dragueurs expérimentés, cyniques et sans scrupule se sentent à la hauteur; ce sont donc en général les êtres les plus vils qui obtiennent le trésor de leur virginité, et ceci constitue pour elles le premier stade d'une irrémédiable déchéance.”

“Voici les idées de cette génération qui avait connu dans son enfance les privations de la guerre, qui avait eu vingt ans à la Libération; voici le monde qu'ils souhaitaient léguer à leurs enfants. La femme reste à la maison et tient son ménage (mais elle est très aidée par les appareils électroménagers; elle a beaucoup de temps à consacrer à sa famille). L'homme travaille à l'extérieur (mais la robotisation fait qu'il travaille moins longtemps, et que sontravail est moins dur). Les couples sont fidèles et heureux; ils vivent dans des maisons agréables en dehors des villes (les banlieues). Pendant leurs moments de loisir ils s'adonnent à l'artisanat, au jardinage, aux beaux-arts. À moins qu'ils ne préfèrent voyager, découvrir les modes de vie et les cultures d'autres régions, d'autres pays.”

“La pure morale est unique et universelle. Elle ne subit aucune altération au cours du temps, non plus qu’aucune adjonction. Elle ne dépend d’aucun facteur historique, économique, sociologique ou culturel ; elle ne dépend absolument de rien du tout. Non déterminée, elle détermine. Non conditionnée, elle conditionne. En d’autres termes, c’est un absolu.”

“The triumph of vegetation is total.”

“Ce fut en ces circonstances, une nuit de juillet 1974, qu'Annabelle accéda à la conscience douloureuse et définitive de son existence individuelle. D'abord révélée à l'animal sous la forme de la douleur physique, l'existence individuelle n'accède dans les sociétés humaines à la pleine conscience d'elle-même que par l'intermédiaire du mensonge, avec lequel elle peut en pratique se confondre. Jusqu'à l'âge de seize ans, Annabelle n'avait pas eu de secrets pour ses parents; elle n'avait pas eu non plus - et cela avait été, elle s'en rendait compte à présent, quelque chose de rare et de précieux - desecrets pour Michel. En quelques heures cette nuit-là Annabelle prit conscience que la vie des hommes était une succession ininterrompue de mensonges. Par la même occasion, elle prit conscience de sa beauté.”

“Un examen un tant soit peu exhaustif de l'humanité doit nécessairement prendre en compte ce type de phénomènes. De tels êtres humains, historiquement, ont existé.Des êtres humains qui travaillaient toute leur vie, et qui travaillaient dur, uniquement par dévouement et par amour; qui donnaient littéralement leur vie aux autres dans un esprit de dévouement et d'amour; qui n'avaient cependant nullement l'impression de se sacrifier; qui n'envisageaient en réalité d'autre manière de vivre que de donner leur vie aux autres dans un esprit de dévouement et d'amour.En pratique, ces êtres humains étaient généralement des femmes.”

“Des êtres humains qui travaillaienttoute leur vie, et qui travaillaient dur, uniquement par dévouement et par amour; qui donnaient littéralementleur vie aux autres dans un esprit de dévouement et d'amour; qui n'avaient cependant nullement l'impressionde se sacrifier; qui n'envisageaient en réalité d'autre manière de vivre que de donner leur vie aux autres dansun esprit de dévouement et d'amour. En pratique, ces êtres humains étaient généralement des femmes.”

“«Sophie, s'exclama à nouveau Bruno, sais-tu ce que Nietzsche a écrit de Shakespeare? "Ce que cet homme a dû souffrir pour éprouver un tel besoin de faire le pitre!..." Shakespeare m'a toujours paru un auteur surfait; mais c'est, en effet, un pitre considérable.» II s'interrompit, prit conscience avec surprise qu'il commençait réellement à souffrir. Les femmes, parfois, étaient tellement gentilles; elles répondaient à l'agressivité par la compréhension, au cynisme par la douceur. Quel homme se serait comporté ainsi?”

“Adolescent, Michel croyait que la souffrance donnait à l'homme une dignité supplémentaire. Il devait maintenant en convenir: il s'était trompé. Ce qui donnait à l'homme une dignité supplémentaire, c'était la télévision.”

“As I finished my rice, I sketched out the plot of a pornographic adventure film called The Massage Room. Sirien, a young girl from northern Thailand, falls hopelessly in love with Bob, an American student who winds up in the massage parlor by accident, dragged there by his buddies after a fatefully boozy evening. Bob doesn't touch her, he's happy just to look at her with his lovely, pale-blue eyes and tell her about his hometown - in North Carolina, or somewhere like that. They see each other several more times, whenever Sirien isn't working, but, sadly, Bob must leave to finish his senior year at Yale. Ellipsis. Sirien waits expectantly while continuing to satisfy the needs of her numerous clients. Though pure at heart, she fervently jerks off and sucks paunchy, mustached Frenchmen (supporting role for Gerard Jugnot), corpulent, bald Germans (supporting role for some German actor). Finally, Bob returns and tries to free her from her hell - but the Chinese mafia doesn't see things in quite the same light. Bob persuades the American ambassador and the president of some humanitarian organization opposed to the exploitation of young girls to intervene (supporting role for Jane Fonda). What with the Chinese mafia (hint at the Triads) and the collusion of Thai generals (political angle, appeal to democratic values), there would be a lot of fight scenes and chase sequences through the streets of Bangkok. At the end of the day, Bob carries her off. But in the penultimate scene, Sirien gives, for the first time, an honest account of the extent of her sexual experience. All the cocks she has sucked as a humble massage parlor employee, she has sucked in the anticipation, in the hope of sucking Bob's cock, into which all the others were subsumed - well, I'd have to work on the dialogue. Cross fade between the two rivers (the Chao Phraya, the Delaware). Closing credits. For the European market, I already had line in mind, along the lines of "If you liked The Music Room, you'll love The Massage Room.”

“O kadar az yaşadım ki sanki hiç ölmeyecekmişim gibi düşünme eğilimindeyim; insan hayatının bu kadarcık bir şeye indirgenmesi gerçek olamazmış gibi geliyor bana; elinizde olmadan, er ya da geç bir şey olacak diye hayal ediyorsunuz. Büyük hata. Bir hayat pekâlâ da boş ve kısa olabilir. Günler ne bir iz ne bir anı bırakmadan sefil bir şekilde akıp gider; ve sonra bir anda duruverir.”

“La alegría es una emoción intensa y profunda, un sentimiento exaltante de plenitud experimentado por la conciencia; se puede comparar con la embriaguez, con el arrebato, con el éxtasis.”

“No subject is more touched on than love, in the human life stories as well as in the literary corpus they have left us... No subject, either, is as discussed, as controversial, especially during the final period of human history, when the cyclothymic fluctuations concerning the belief in love became constant and dizzying. In conclusion, no subject seems to have preoccupied man as much; even money, even the satisfaction derived from combat and glory, loses by comparison, its dramatic power in human life stories. Love seems to have been, for humans of the final period, the acme and the impossible, the regret and the grace, the focal point upon which all suffering and joy could be concentrated.”

“Oferecer o corpo como objeto agradavável, dar gratuitamente prazer: é isso o que os ocidentais não sabem mais fazer. Perderam totalmente o senso da doação. Podem até se esforçar, mas não conseguem mais sentir o sexo como algo natural. Não apenas têm vergonha dos próprios corpos, que não estão à altura dos que vemos nos filmes pornôs, mas também, pelo mesmo motivo, não sentem nenhuma atração pelo corpo do outro. É impossivel fazer amor sem um certo abandono, sem a aceitação ao mesmo tempo temporária de um certo estado de dependência e fraqueza. A exaltação sentimental e a obsessão sexual têm a mesma origem, as duas nascem de um certo esquecimento de si mesmo; neste terreno, a gente não pode se realizar sem se perder. As pessoas se tornam frias, racionais, extremamente conscientes da sua existência individual e dos seus direitos (...) realmente não são as condições ideais para fazer amor".”

“Not having anything around to read is dangerous: you have to content yourself with life itself, and that can lead you to take risks.”

“To increase desires to an unbearable level whilst making the fulfillment of them more and more inaccessible: this was the single principle upon which Western society was based.”

“Bruno bir birey sayılabilir miydi? Organlarının çürümesi onun sorunuydu, fiziksel çöküşü ve ölümü bireysel olarak yaşayacaktı. Öte yandan yaşama hazcı açıdan bakışı, bilincini yapılandıran etki alanları ve arzuları onun tüm kuşağına özgüydü. Deneysel bir hazırlık yapılması ve bir ya da daha çok gözlenebilir öğenin seçimi, atomik bir dizgenin - kimi zaman cisimsel, kimi zaman dalgalı- belli bir davranış biçimi kazanmasını sağlıyorsa, Bruno da bir birey gibi görülebilir, ama başka bir açıdan da, yalnızca, tarihsel bir açılımın edilgen bir öğesidir. Güdülenmeleri, değerleri, arzuları: bunların hiçbiri, çok az da olsa, onu çağdaşlarından ayıran özellikler değil. Yoksunluk içindeki bir hayvanın ilk tepkisi, genellikle, var gücüyle hedefine ulaşmaktır. Örneğin, aç bir tavuk, yem yemesi kafesle engellendiğinde, giderek artan çılgınlıkta bir çaba harcayarak bu kafesin öte yanına geçmeye çabalar. Ama yavaş yavaş, bu davranışın yerini, görünüşte amaçsız bir davranış alır. Örneğin güvercinler aradıkları yemi bulamazlarsa, yiyecek bir şey bulunmayan yeri sürekli olarak gagalarlar. Yalnızca boşu boşuna gagalamakla kalmazlar, sürekli olarak kanatlarını da temizlerler.”

“It's a fact...that in societies like ours sex truly represents a second system of differentiation, completely independent of money; and as a system of differentiation it functions just as mercilessly. The effects of these two systems are, furthermore, strictly equivalent. Just like unrestrained economic liberalism, and for similar reasons, sexual liberalism produces phenomena of absolute pauperization . Some men make love every day; others five or six times in their life, or never. Some make love with dozens of women; others with none. It's what's known as 'the law of the market'...Economic liberalism is an extension of the domain of the struggle, its extension to all ages and all classes of society. Sexual liberalism is likewise an extension of the domain of the struggle, its extension to all ages and all classes of society.”

“You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to love any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold. You are far from the edge, now. Oh yes! How far from the edge you are! You long believed in the existence of another shore; such is no longer the case. You go on swimming, though, and every movement you make brings you closer to drowning. You are suffocating, your lungs are on fire. The water seems colder and colder to you, more and more galling. You aren't that young anymore. Now you are going to die. Don't worry. I am here. I won't let you sink. Go on with your reading.”

“Poți munci ca un schimnic ani la rând, ba la drept vorbind acesta este singurul mod în care se cuvine să muncești; vine însă o clipă când simți nevoia să arăți lumii ce-ai muncit, nu atât pentru a-ți evalua judecata, cât pentru a căpăta siguranța în legătură cu existența acestei munci, ba chiar în legătură cu propria existență; înlăuntrul unei specii sociale, individualitatea nu mai reprezintă decât o ficțiune pasageră.”

“A fi artist, în ochii lui însemna înainte de toate să fii supus. Supus unor mesaje misterioase, imprevizibile, care, în lipsa de ceva mai bun și în absența oricărei credințe religioase, se cuveneau calificate drept intuiții; niște mesaje poruncitoare, care se afirmau într-o manieră imperioasă, categorică, fără a-ți lăsa nici cea mai mică posibilitate de a te sustrage - sau doar cu riscul de a-ți pierde orice noțiune de integritate și de respect față de tine însuți.”

“De la un anumit nivel în sus, un angajat nu are obligații doar față de firmă, ci și față de el însuși, trebuie să aibă grijă de cariera lui și s-o iubească, așa cum face Hristos cu Biserica și soția cu soțul ei, sau, cel puțin, trebuie să acorde problemelor ridicate de carieră acel minim de atenție în lipsa căruia va demonstra superiorilor săi consternați că nu va fi nicicând demn să-și depășească poziția de subaltern.”

“The world is mediocre,” Jed finally said. “And the person who committed this murder has increased the mediocrity in this world.”

“Le dôme de l'Institut avait une vraie grâce, dut-il convenir un peu malgré lui. Évidemment, donner une forme arrondie à un bâtiment ne pouvait se justifier en aucune manière; sur le plan rationnel, c'était simplement de la place perdue. La modernité était peut-être une erreur, se dit Jed pour la première fois de sa vie. Question purement rhétorique, d'ailleurs: la modernité était terminée en Europe occidentale depuis pas mal de temps déjà.”

“- Vous vous intéressez aux vins?- Ça me donne une contenance; ça fait français. Et puis il faut s'intéresser à quelque chose, dans la vie, je trouve que ça aide.”

“Las relaciones humanas se vuelven progresivamente imposibles, lo cual reduce otro tanto la cantidad de anécdotas de las que se compone una vida. Y poco a poco aparece el rostro de la muerte, en todo su esplendor.”

“Está lección autobiográfica no lo es en realidad: sea como sea, no tengo otra salida. Sino escribo lo que he visto sufriría igual; y quizás un poco más. Un poco solamente, insisto en esto. La escritura no alivia apenas. Describe, delimita. Introduce una sombra de coherencia,una idea de realismo. Uno sigue chapoteando en una niebla sangrienta, pero hay algunos puntos de referencia. El caos se queda a unos pocos metros. Pobre éxito, en realidad.”

“I am persuaded that feminism is not at the root of political correctness. The actual source is much nastier and dares not speak its name, which is simply hatred for old people. The question of domination between men and women is relatively secondary—important but still secondary—compared to what I tried to capture in this novel, which is that we are now trapped in a world of kids. Old kids. The disappearance of patrimonial transmission means that an old guy today is just a useless ruin. The thing we value most of all is youth, which means that life automatically becomes depressing, because life consists, on the whole, of getting old.”

“I hadn’t seen any novel make the statement that entering the workforce was like entering the grave. That from then on, nothing happens and you have to pretend to be interested in your work. And, furthermore, that some people have a sex life and others don’t just because some are more attractive than others. I wanted to acknowledge that if people don’t have a sex life, it’s not for some moral reason, it’s just because they’re ugly. Once you’ve said it, it sounds obvious, but I wanted to say it.”

“It is interesting to note that the "sexual revolution" was sometimes portrayed as a communal utopia, whereas in fact it was simply another stage in the historical rise of individualism. As the lovely word "household" suggests, the couple and the family would be the last bastion of primitive communism in liberal society. The sexual revolution was to destroy these intermediary communities, the last to separate the individual from the market. The destruction continues to this day.”

“The terrible predicament of a beautiful girl is that only an experienced womanizer, someone cynical and without scruple, feels up to the challenge. More often than not, she will lose her virginity to some filthy lowlife in what proves to be the first step in an irrevocable decline.”

“Thirty years later, Bruno was convinced that, taken in context, the episode could be summed up in one sentence: Caroline Yessayan's miniskirt was to blame for everything.”

“Tenderness is a deeper instinct than seduction, which is why it is so hard to give up hope.”

“Y todas las teorías de la libertad, desde Gide a Sartre, no son sino inmoralidades concebidas por solteros irresponsables.”

“η παρατεταμένη πίστη σε μια ολοφάνερα απούσα θεϊκή οντότητα προκαλούσε φαινόμενα αποβλάκωσης, τα οποία, μακροπρόθεσμα, ήταν ασύμβατα με τη διατήρηση ενός τεχνολογικού πολιτισμού”

“When we think about the present, we veer wildly between the belief in chance and the evidence in favour of determinism. When we think about the past, however, it seems obvious that everything happened in the way that it was intended.”

“Thirty years later he could not come to any other conclusion: women were indisputably better than men. They were gentler, more affectionate, more loving and more compassionate, they were rarely violent, selfish, cruel or self-centred. Moreover, they were more rational, more intelligent and more hardworking. What on earth were men for? Michael wondered as he watched sunlight play across the closed curtains. In earlier times, when bears were more common, perhaps masculinity served a particular function, but for centuries now, men served no useful purpose. For the most part, they assuaged their boredom playing squash, which was a lesser evil; but from time to time they felt the need to change history - which expressed itself in leading a revolution or starting a war somewhere. Aside from the senseless suffering they caused, revolutions and war destroyed the achievements of the past, forcing societies to build again. Without the notion of continuous progress, human evolution took random, irregular and violent turns for which men (with their predilection for risk and danger, their repulsive egotism, their volatile nature and their violent tendencies) were directly to blame. A society of women would be immeasurably superior, tracing a slow, unwavering progression, with no U-turns and no chaotic insecurity, towards a general happiness.”

“It's a curious idea to reproduce when you don't even like life.”

“This progressive effacement of human relationships is not without certain problems for the novel. How, in point of fact, would one handle the narration of those unbridled passions, stretching over many years, and at times making their effect felt on several generations? We’re a long way from Wuthering Heights, to say the least. The novel form is not conceived for depicting indifference or nothingness; a flatter, more terse, and dreary discourse would need to be invented.”

“Youth was the time for happiness, its only season; young people, leading a lazy, carefree life, partially occupied by scarcely absorbing studies, were able to devote themselves unlimitedly to the liberated exultation of their bodies. They could play, dance, love, and multiply their pleasures. They could leave a party, in the early hours of the morning, in the company of sexual partners they had chosen, and contemplate the dreary line of employees going to work. They were the salt of the earth, and everything was given to them, everything was permitted for them, everything was possible. Later on, having started a family, having entered the adult world, they would be introduced to worry, work, responsibility, and the difficulties of existence; they would have to pay taxes, submit themselves to administrative formalities while ceaselessly bearing witness--powerless and shame-filled--to the irreversible degradation of their own bodies, which would be slow at first, then increasingly rapid; above all, they would have to look after children, mortal enemies, in their own homes, they would have to pamper them, feed them, worry about their illnesses, provide the means for their education and their pleasure, and unlike in the world of animals, this would last not just for a season, they would remain slaves of their offspring always, the time of joy was well and truly over for them, they would have to continue to suffer until the end, in pain and with increasing health problems, until they were no longer good for anything and were definitively thrown into the rubbish heap, cumbersome and useless. In return, their children would not be at all grateful, on the contrary their efforts, however strenuous, would never be considered enough, they would, until the bitter end, be considered guilty because of the simple fact of being parents. From this sad life, marked by shame, all joy would be pitilessly banished. When they wanted to draw near to young people's bodies, they would be chased away, rejected, ridiculed, insulted, and, more and more often nowadays, imprisoned. The physical bodies of young people, the only desirable possession the world has ever produced, were reserved for the exclusive use of the young, and the fate of the old was to work and to suffer. This was the true meaning of solidarity between generations; it was a pure and simple holocaust of each generation in favor of the one that replaced it, a cruel, prolonged holocaust that brought with it no consolation, no comfort, nor any material or emotional compensation.”

“Il me dit: « Vous avez dû avoir peur. » Je réponds oui pour ne pas faire d'histoires, mais en fait je n'ai pas eu peur du tout, j'ai juste eu l'impression que j'allais crever dans les prochaines minutes ; c'est différent.”

“Quand on aime la vie, on ne lit pas.”