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Muriel Barbery

Muriel Barbery is a French novelist and professor of philosophy. Barbery entered the École Normale Supérieure de Fontenay-Saint-Cloud in 1990 and obtained her agrégation in philosophy in 1993. She then taught philosophy at the Université de Bourgogne, in a lycée, and at the Saint-Lô IUFM.

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La timide et très discrète Muriel Barbery ne s’imaginait sans doute pas faire l’objet de l’engouement qu’elle suscite aujourd’hui, bien malgré elle.

Ce succès, elle le connaît grâce à ses deux livres : Une Gourmandise et surtout L'élégance du hérisson.

Née au Maroc, à Casablanca en 1969, Muriel Barbery regagne la France, le Calvados plus précisément, pour se consacrer à ses études. Elle s’inscrit à l’Ecole Normale Supérieure de Fontenay-Saint-Cloud et y fait des études en philosophie. Elle obtient alors un DEA, qui lui permet de devenir professeur.

Habitant les environs de Bayeux, toujours en Basse Normandie, elle enseigne d’abord dans un lycée, à Saint-Lô.

Muriel Barbery plonge dans bon nombre d’ouvrages, mais confie volontiers que, plus que tous les autres, Guerre et Paix du romancier russe Léon Tolstoï , la fascine encore aujourd’hui.

Sa manière d’écrire insolite, et qu’elle qualifie elle-même de désordonnée, ne lui fait pas penser qu’elle se lancerait un jour dans la fabuleuse aventure qu'est la sienne.

Pourtant, en 2000, Stéphane, son époux qui a été pour beaucoup dans sa réussite, l’encourage à écrire et à publier son premier roman, qu’elle intitule Une Gourmandise (éditions Gallimard). Le succès est énorme, et la surprend elle-même. Traduit en 12 langues et vendu à 200 000 exemplaires, ce livre raconte l’histoire du plus grand des critiques gastronomiques, qui, ayant appris qu’il vivait ses derniers jours, part à la recherche d’une saveur bien particulière mais insaisissable qui le replonge dans son enfance.

Mais c’est en 2006 que Muriel Barbery vit ses plus grands moments de gloire. En effet, c’est l’année où Gallimard publie L'élégance du Hérisson, qui la propulse littéralement parmi les meilleurs auteurs populaires. Elle se retrouve notamment classée dans les 10 romanciers les plus vendus en 2007. L’Élégance du Hérisson relate la vie de trois personnages. Renée, une concierge d’immeuble, avec tous les attributs que l’on prête habituellement aux concierges, qui est secrètement passionnée de philosophie. Paloma est une adolescente bourgeoise. Et le troisième est un riche amateur d’art japonais. Cette satire sociale sera vendue à plus d’un million d’exemplaires.

Suite à la parution de ce roman, Muriel Barbery reçoit deux belles distinctions : le Prix des Librairies et le Prix des Bibliothèques pour tous. Elle est aussi couronnée du Prix Georges Brassens et du Prix Rotary International.

Ce succès commercial lui permet de réaliser son rêve et d’assouvir sa passion pour le Japon, puisqu’elle décide de mettre sa vie de professeur de philosophie entre parenthèses pour s’installer à Kyoto pendant quelques temps.

http://www.elle.fr/Personnalites/Muri...


“Desire! It carries us and crucifies us, delivers us every new day to a battlefield where, on the eve, the battle was lost; but in sunlight does it not look like a territory ripe for conquest, a place where - even though tomorrow we will die - we can build empires doomed to fade to dust, as if the knowledge we have of their imminent fall had absolutely no effect on our eagerness to build them now? We are filled with the energy of constantly wanting that which we cannot have, we are abandoned at dawn on a field littered with corpses, we are transported until our death by projects that are no sooner completed than they must be renewed. Yet how exhausting it is to be constantly desiring...”
Muriel Barbery
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“If you change the way you crunch into something, it is like trying something new.”
Muriel Barbery
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“I don't give a damn about where I happen to be, provided nothing stops me from going into my mind.”
Muriel Barbery
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“...the vulgarity of an environment as bleakly desolate as the neon lights of the factory where the men go each morning, like sinners returning to hell...”
Muriel Barbery
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“It really takes an effort to appear stupider than you are.”
Muriel Barbery
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“Do you know what a summer rain is?To start with, pure beauty striking the summer sky, awe-filled respect absconding with your heart, a feeling of insignificance at the very heart of the sublime, so fragile and swollen with the majesty of things, trapped, ravished, amazed by the bounty of the world.And then, you pace up and down a corridor and suddenly enter a room full of light. Another dimension, a certainty just given birth. The body is no longer a prison, your spirit roams the clouds, you possess the power of water, happy days are in store, in this new birth.Just as teardrops, when they are large and round and compassionate, can leave a long strand washed clean of discord, the summer rain as it washes away the motionless dust can bring to a person's soul something like endless breathing.”
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“... we absolutely mustn't forget it. We mustn't forget old people with their rotten bodies, old people who are so close to death, something that young people don't want to think about (so it is to retirement homes that they entrust the care of accompanying their parents to the threshold, with no fuss or bother). And where's the joy in these final hours they ought to be making the most of? They're spent in boredom and bitterness, endlessly revisiting memories. We mustn't forget that our bodies decline, friends die, everyone forgets about us, and the end is solitude. Nor must we forget that these old people were young once, that a lifespan is pathetically short, that one day you're twenty and the next day you're eighty.”
Muriel Barbery
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“Here are all these people, full of heartache or hatred or desire, and we all have our troubles and the school year is filled with vulgarity and triviality and consequence, and there are all these teachers and kids of every shape and size, and there's this life we're struggling through full of shouting and tears and fights and break-ups and dashed hopes and unexpected luck -- it all disappears, just like that, when the choir begins to sing. Everyday life vanishes into song, you are suddenly overcome with a feeling of brotherhood, of deep solidarity, even love, and it diffuses the ugliness of everyday life into a spirit of perfect communion.”
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“Lá fora o mundo ruge ou dorme, as guerras se inflamam, os homens vivem e morrem, as nações perecem, outras surgem e breve serão tragadas, e em todo esse barulho e todo esse furor, nessas erupções e nessas ressacas - enquanto o mundo vai, se inflama, se dilacera e renasce -, agita-se a vida humana.Então, bebamos uma xícara de chá.” (p. 95).”
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“But I feel like letting other people be good for me--after all, I'm just an unhappy little girl and even if I'm extremely intelligent, that doesn't change anything, does it? An unhappy little girl who, just when things are at their worst, has been lucky enough to meet some good people. Morally, do I have the right to let this chance go by?”
Muriel Barbery
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“Every day I tell myself that my sister cannot possibly sink any further into the slough of disgrace and, every day, I am amazed to see that she does.”
Muriel Barbery
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“Live, or die: mere consequences of what you have built. What matters is building well.”
Muriel Barbery
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“To be poor, ugly and, moreover, intelligent condemns one in our society to a dark and disillusioned life...to beauty all is forgiven.”
Muriel Barbery
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“Sí, es agradable pues gozamos de una doble ofrenda, la de ver consagrada en esta ruptura en el orden de las cosas la inamovilidad de un ritual al que hemos dado forma juntas para que, tarde tras tarde, se enquistara en la realidad hasta el punto de conferirle sentido y consistencia y que, por el hecho de transgredirse esta mañana, adquiere de pronto toda su fuerza; pero saboreamos también, como lo habríamos hecho de haber sido un néctar preciado, el don portentoso de esa mañana incongruente en la que los gestos mecánicos toman un impulso nuevo, en la que aspirar el aroma, probar, dejar reposar, servir de nuevo, beber a pequeños sorbos viene a ser vivir un nuevo renacer. Esos instantes en que se nos revela la trama de nuestra existencia, mediante la fuerza de un ritual que recuperaremos como era antes con mayor placer aún por haberlo infringido, son paréntesis mágicos que le ponen a uno el corazón al borde del alma, porque, fugitiva pero intensamente, una pizca de eternidad ha venido de pronto a fecundar el tiempo. Afuera, el mundo ruge o se adormece, arden las guerras, los hombres viven y mueren, perecen unas naciones y surgen otras antes de caer a su vez, arrasadas, y en todo ese ruido y toda esa furia, en esas erupciones y esas resacas, mientras el mundo va, se incendia, se desgarra y renace, se agita la vida humana.Entonces, tomemos una taza de té.”
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“Elsewhere the world may be blustering or sleeping, wars are fought, people live and die, some nations disintegrate, while others are born, soon to be swallowed up in turn - and in all this sound and fury, amidst eruptions and undertows, while the world goes its merry way, bursts into flames, tears itself apart and is reborn: human life continues to throb.”
Muriel Barbery
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“I am going to die, but that is of no importance.”
Muriel Barbery
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“So if there is something on the planet that is worth living for, I'd better not miss it, because once you're dead, it's too late for regrets, and if you die by mistake, that is really, really dumb.”
Muriel Barbery
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“If you imagine that getting high at a party and sleeping around is going to propel you into a state of full adulthood, that's like thinking that dessing up as an Indian is going to make you an Indian.”
Muriel Barbery
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“When tea becomes ritual, it takes place at the heart of our ability to see greatness in small things.”
Muriel Barbery
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“Language is a bountiful gift and its usage, an elaboration of community and society, is a sacred work. Language and usage evolve over time: elements change, are reborn or forgotten, and while there are instances where transgression can become the source of an even greater wealth, this does not alter the fact that to become entitled to the liberties of playfulness or enlightened misuse of language, one must first and foremost have sworn one's total allegiance.”
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“A quanto pare, ogni tanto gli adulti si prendono una pausa per sedersi a contemplare il disastro della loro vita. Allora si lamentano senza capire e, come le mosche che sbattono sempre contro lo stesso vetro, si agitano, soffrono, deperiscono, si deprimomo e si chiedono quale meccanismo li abbia portati dove non volevano andare. La gente crede di inseguire le stelle e finisce come un pesce rosso in una boccia.”
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“How to measure a life's worth? The important thing, said Paloma one day, is not the fact of dying, it is what you are doing in the moment of your death.”
Muriel Barbery
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“If you want to healHeal othersAnd smile or weepAt this very happy reversal of fate”
Muriel Barbery
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“If you dread tomorrow it's because you don't know how to build the present, and when you don't know how to build the present, you tell yourself you can deal with it tomorrow, and it's a lost cause anyway because tomorrow always ends up being today don't you see ... We have to live with the certainty that we'll get old and that it won't look nice or be good or feel happy. And tell ourselves that it's now that matters: to build something now at any price using all our strength. Always remember that there's a retirement home waiting somewhere and so we have to surpass ourselves every day, make every day undying. Climb our own personal Everest and do it in such a way that every step is a little bit of eternity. That's what the future is for: to build the present with real plans made by living people.”
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“Live or die: mere consequences of what you have built. What matters is building well. So here we are I've assigned myself a new obligation. I'm going to stop undoing deconstructing I'm going to start building... ... What matters is what you are doing when you die... ... I want to be building.”
Muriel Barbery
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“The problem is that children believe what adults say and once they're adults themselves they exact their revenge by deceiving their own children. "Life has meaning and we grown-ups know what it is" is the universal lie that everyone is supposed to believe. Once you become an adult and you realize that's not true it's too late. The mystery remains intact but all your available energy has long ago been wasted on stupid things. All that's left is to anesthetize yourself by trying to hide the fact that you can't find any meaning in your life and then the better to convince yourself you deceive your own children. ... People aim for the stars and they end up like goldfish in a bowl. I wonder if it wouldn't be simpler just to teach children right from the start that life is absurd. That might deprive you of a few good moments in your childhood but it would save you a considerable amount of time as an adultnot to mention the fact that you'd be spared at least one traumatic experience i.e. the goldfish bowl.”
Muriel Barbery
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“Quizá estar vivo sea esto: Perseguir instantes que mueren”
Muriel Barbery
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“So here is my profound thought for the day: this is the first time I have met someone who seeks out people and who sees beyond. That may seem trivial but I think it is profound all the same. We never look beyond our assumptions and, what's worse, we have given up trying to meet others; we just meet ourselves. We don't recognize each other because other people have become our permanent mirrors....when people walk by the concierge, all they see is a void, because she is not from their world. As for me, I implore fate to give me the chance to see beyond myself and truly meet someone.”
Muriel Barbery
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“If there is one thing I detest, it's when people transform their powerlessness or alienation into a creed.”
Muriel Barbery
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“It would never have crossed her mind spontaneously that somebody might actually need silence. That silence helps you to go inward, that anyone who is interested in something more than just life outside actually needs silence.”
Muriel Barbery
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“..Maman feeds her plants the way she feeds her children: water and fertilizer for the kentia, green beans and vitamin C for us. That's the heart of the paradigm: concentrate on the object, convey all the nutritional elements from the outside to the inside and, as they make their way inside, they will cause the object to grow and prosper...you are satisfied with the knowledge that you've done what you were supposed to do, you've played your nurturing role: you feel reassured and, for a time, things feels safe...It would be so much better if we could share our insecurity, if we could all venture inside ourselves and realize that green beans and vitamin C, however much they nurture us, cannot save lives, nor sustain souls.”
Muriel Barbery
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“At times like this you desperately need Art. You seek to reconnect with your spiritual illusions, and you wish fervently that something might rescue you from your biological destiny, so that all poetry and grandeur will not be cast out from the world”
Muriel Barbery
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“Words: repositories for singular realities which they then transform into memories in an anthology, magicians that change the face of reality by adorning it with the right to become memorable, to be placed in a library of memories.”
Muriel Barbery
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“I am a complete slave to vocabulary, I ought to have named my cat Roget.”
Muriel Barbery
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“But the world, in its present state, is no place for princesses”
Muriel Barbery
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“And yet there’s nothing to understand. The problem is that children believe what adults say and, once they’re adults themselves, they exact their revenge by deceiving their own children. “Life has meaning and we grown-ups know what it is” is the universal lie that everyone is supposed to believe. Once you become an adult and you realize that’s not true, it’s too late. The mystery remains intact, but all your available energy has long ago been wasted on stupid things. All that’s left is to anesthetize yourself by trying to hide the fact that you can’t find any meaning in your life,...”
Muriel Barbery
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“In our world, that's the way you live your grown-up life: you must constantly rebuild your identity as an adult, the way it's been put together it is wobbly, ephemeral, and fragile, it cloaks despair and, when you're alone in front of the mirror, it tells you the lies you need to believe.”
Muriel Barbery
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“Beauty consists of its own passing, just as we reach for it. It’s the ephemeral configuration of things in the moment, when you see both their beauty and their death....Does this mean that this is how we must live our lives? Constantly poised between beauty and death, between movement and its disappearance?Maybe that’s what being alive is all about: so we can track down those moments that are dying.”
Muriel Barbery
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“We don't recognize each other because other people have become our permanent mirrors. If we actually realized this, if we were able to become aware of the fact that we are only ever looking at ourselves in the other person, that we are alone in the wilderness, we would go crazy.”
Muriel Barbery
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“No one is a greater schoolgirl in spirit than a cynic. Cynics cannot relinquish the rubbish they were taught as children: they hold tight to the belief that the world has meaning and, when things go wrong for them, they consequently adopt the inverse attitude. "Life's a whore, I don't believe in anything anymore and I'll wallow in that idea until it makes me sick" is the very credo of the innocent who hasn't been able to get his way.”
Muriel Barbery
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“We never look beyond our assumptions and what's worse, we have given up trying to meet others; we just meet ourselves.”
Muriel Barbery
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“To the rich, therefore, falls the burden of Beauty. And if they cannot assume it, then they deserve to die.”
Muriel Barbery
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“I'll be searching for those moments of always within never. Beauty, in this world." - Paloma”
Muriel Barbery
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“Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.”
Muriel Barbery
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“Wine is the refined jewel that only a grown woman will prefer to the sparkling trinkets adored by little girls.”
Muriel Barbery
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“The French are often, when it comes to wine, so formal that they border on the ridiculous.”
Muriel Barbery
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“What I really devoured . . . was the truculence of my hosts' language: the syntax may have been brutally sloppy, but it was oh so warm in its juvenile authenticity. I feasted on their words, yes, the words flowing at that get-together of country brothers, the sort of words that, at times, delight one much more than the pleasures of the flesh. Words: repositories for singular realities which they transform into moments in an anthology, magicians that change the face of reality by adorning it with the right to become memorable, to be placed in a library of memories. Life exists only by virtue of the osmosis of words and facts, where the former encase the latter in ceremonial dress.”
Muriel Barbery
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“Tasting is an act of pleasure, and writing about that pleasure is an artistic gesture, but the only true work of art, in the end, is another person's feast.”
Muriel Barbery
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“A terroir only exists by virtue of one's childhood mythology . . . we have invented these words of tradition rooted deep in the land and identity of a region . . . because we want to solidify and objectify the magical, bygone years that preceded the horror of becoming an adult.”
Muriel Barbery
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“Talent consists not in inventing shapes but in causing those that were invisible to emerge.”
Muriel Barbery
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