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Muriel Barbery

Muriel Barbery is a French novelist and professor of philosophy. Barbery entered the École Normale Supérieure de Fontenay-Saint-Cloud in 1990 and obtained her agrégation in philosophy in 1993. She then taught philosophy at the Université de Bourgogne, in a lycée, and at the Saint-Lô IUFM.

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La timide et très discrète Muriel Barbery ne s’imaginait sans doute pas faire l’objet de l’engouement qu’elle suscite aujourd’hui, bien malgré elle.

Ce succès, elle le connaît grâce à ses deux livres : Une Gourmandise et surtout L'élégance du hérisson.

Née au Maroc, à Casablanca en 1969, Muriel Barbery regagne la France, le Calvados plus précisément, pour se consacrer à ses études. Elle s’inscrit à l’Ecole Normale Supérieure de Fontenay-Saint-Cloud et y fait des études en philosophie. Elle obtient alors un DEA, qui lui permet de devenir professeur.

Habitant les environs de Bayeux, toujours en Basse Normandie, elle enseigne d’abord dans un lycée, à Saint-Lô.

Muriel Barbery plonge dans bon nombre d’ouvrages, mais confie volontiers que, plus que tous les autres, Guerre et Paix du romancier russe Léon Tolstoï , la fascine encore aujourd’hui.

Sa manière d’écrire insolite, et qu’elle qualifie elle-même de désordonnée, ne lui fait pas penser qu’elle se lancerait un jour dans la fabuleuse aventure qu'est la sienne.

Pourtant, en 2000, Stéphane, son époux qui a été pour beaucoup dans sa réussite, l’encourage à écrire et à publier son premier roman, qu’elle intitule Une Gourmandise (éditions Gallimard). Le succès est énorme, et la surprend elle-même. Traduit en 12 langues et vendu à 200 000 exemplaires, ce livre raconte l’histoire du plus grand des critiques gastronomiques, qui, ayant appris qu’il vivait ses derniers jours, part à la recherche d’une saveur bien particulière mais insaisissable qui le replonge dans son enfance.

Mais c’est en 2006 que Muriel Barbery vit ses plus grands moments de gloire. En effet, c’est l’année où Gallimard publie L'élégance du Hérisson, qui la propulse littéralement parmi les meilleurs auteurs populaires. Elle se retrouve notamment classée dans les 10 romanciers les plus vendus en 2007. L’Élégance du Hérisson relate la vie de trois personnages. Renée, une concierge d’immeuble, avec tous les attributs que l’on prête habituellement aux concierges, qui est secrètement passionnée de philosophie. Paloma est une adolescente bourgeoise. Et le troisième est un riche amateur d’art japonais. Cette satire sociale sera vendue à plus d’un million d’exemplaires.

Suite à la parution de ce roman, Muriel Barbery reçoit deux belles distinctions : le Prix des Librairies et le Prix des Bibliothèques pour tous. Elle est aussi couronnée du Prix Georges Brassens et du Prix Rotary International.

Ce succès commercial lui permet de réaliser son rêve et d’assouvir sa passion pour le Japon, puisqu’elle décide de mettre sa vie de professeur de philosophie entre parenthèses pour s’installer à Kyoto pendant quelques temps.

http://www.elle.fr/Personnalites/Muri...


“A man who farts in bed . . . is a man who loves life.”
Muriel Barbery
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“The raw tomato, devoured in the garden when freshly picked, is a horn of abundance of simple sensations, a radiating rush in one's mouth that brings with it every pleasure. . . . a tomato, an adventure.”
Muriel Barbery
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“What is writing, no matter how lavish the pieces, if it says nothing of the truth, cares little for the heart, and is merely subservient to the pleasure of showing one's brilliance.”
Muriel Barbery
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“Pastries . . . can only be appreciated to the full extent of their subtlety when they are not eaten to assuage our hunger, when the orgy of their sugary sweetness is not destined to full some primary need but to coat our palate with all the benevolence of the world.”
Muriel Barbery
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“And I wonder how well I myself can see.”
Muriel Barbery
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“The real ordeal is not leaving those you love but learning to live without those who don't love you.”
Muriel Barbery
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“. . . maybe that's what life's all about: there's a lof of despair, but also the odd moments of beauty, where time is no longer the same . . . [like] something suspended . . . an elsewhere . . . an always within a never.Yes, that's is, an always within a never.”
Muriel Barbery
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“I thought: pity the poor in spirit who know neither the enchantment nor the beauty of language.”
Muriel Barbery
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“When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment?”
Muriel Barbery
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“If you have but one friend, make sure you choose her well.”
Muriel Barbery
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“Like Okakura, I know that tea is no minor beverage. When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment?The tea ritual: such a precise repetition of the same gestures and the same tastes; accession to simple, authentic and refined sensations, a license given to all, at little cost, to become aristocrats of taste, because tea is the beverage of the wealthy and of the poor; the tea ritual, therefore, has the extraordinary virtue of introducing into the absurdity of our lives an aperture of serene harmony. Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.”
Muriel Barbery
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“Life has meaning and we grown-ups know what it is is the universal lie that everyone is supposed to believe. Once you become an adult and you realize that's not true, it's too late.”
Muriel Barbery
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“As always, I am saved by the inability of living creatures to believe anything that might cause the walls of their little mental assumptions to crumble.”
Muriel Barbery
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“To beauty, all is forgiven, even vulgarity. Intelligence no longer seems an adequate compensation for things...”
Muriel Barbery
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“-and at the same time how deserving of life we can be, when we can honor this beauty that owes us nothing.”
Muriel Barbery
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“Moments like this act as magical interludes, placing our hearts at the edge of our souls: fleetingly, yet intensely, a fragment of eternity has come to enrich time...When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things.”
Muriel Barbery
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“They didn't recognize me," I repeat.He stops in turn, my hand still on his arm."It is because they have never seen you," he says. "I would recognize you anywhere.”
Muriel Barbery
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“We think we can make honey without sharing in the fate of bees, but we are in truth nothing but poor bees, destined to accomplish our task and then die.”
Muriel Barbery
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“But many intelligent people have a sort of bug: they think intelligence is an end in itself. They have one idea in mind: to be intelligent, which is really stupid. And when intelligence takes itself for its own goal, it operates very strangely: the proof that it exists is not to be found in the ingenuity or simplicity of what it produces, but in how obscurely it is expressed.”
Muriel Barbery
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“In any event, it's done," said Papa-which are the words of a coward to the power of ten.”
Muriel Barbery
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“...I am an anomaly in the system, living proof of how grotesque it is, and every day I mock it gently, deep within my impenetrable self.”
Muriel Barbery
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“Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that inspire nothing, yet know how to set a jewel of infinity in a single moment?”
Muriel Barbery
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“Madame Michel has the elegance of the hedgehog: on the outside she is covered in quills, a real fortress, but my gut feeling is that on the inside, she has the same simple refinement as the hedgehog: a deceptively indolent little creature, fiercely solitary--and terrible elegant. ”
Muriel Barbery
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“In a split second of eternity, everything is changed, transfigured. A few bars of music, rising from an unfamiliar place, a touch of perfection in the flow of human dealings--I lean my head slowly to one side, reflect on the camellia on the moss on the temple, reflect on a cup of tea, while outside the wind is rustling foliage, the forward rush of life is crystalized in a brilliant jewel of a moment that knows neither projects nor future, human destiny is rescued from the pale succession of days, glows with light at last and, surpassing time, warms my tranquil heart. ”
Muriel Barbery
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“Do you know that it is in your company that I have had my finest thoughts?”
Muriel Barbery
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“In the end, I wonder if the true movement of the world might not be a voice raised in song.”
Muriel Barbery
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“God appeases our animal fears and the unbearable prospect that someday all our pleasures will cease.”
Muriel Barbery
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“I find this a fascinating phenomenon: the ability we have to manipulate ourselves so that the foundation of our beliefs is never shaken.”
Muriel Barbery
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“El Arte es la vida, pero con otro ritmo.”
Muriel Barbery
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“How can one betray oneself to such a degree? What corruption greater even than power can lead us to thus deny the proof of pleasure, to hold in contempt that which we have loved? ...I could have written about chouquettes my whole life long; and my whole life long, I wrote against them.”
Muriel Barbery
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“What makes the strength of the soldier isn't the energy he uses trying to intimidate the other guy by sending him a whole lot of signals, it's the strength he's able to concentrate within himself, by staying centered. That Maori player was like a tree, a great indestructible oak with deep roots and a powerful radiance- everyone could feel it. And yet you also got the impression that the great oak could fly, that it would be as quick as the wind, despite, or perhaps because of, its deep roots.”
Muriel Barbery
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“As we all know, poodles are a type of curly-haired dog preferred by petit bourgeois retirees, ladies very much on their own who transfer their affection upon their pet, or residential concierges ensconced in their gloomy loges. Poodles come in black or apricot. The apricot ones tend to be crabbier than the black ones, who on the other hand do not smell as nice. Though all poodles bark snappily at the slightest provocation, they are particularly inclined to do so when nothing at all is happening. They follow their master by trotting on their stiff little legs without moving the rest of their sausage-shaped trunk. Above all they have venomous little black eyes set deep in their insignificant eye-sockets. Poodles are ugly and stupid, submissive and boastful. They are poodles, after all”
Muriel Barbery
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“Most people, when they move, well they just move depending on whatever's around them. At this very moment, as I am writing, Constitution the cat is going by with her tummy dragging close to the floor. This cat has absolutely nothing constructive to do in life and still she is heading toward something, probably an armchair.”
Muriel Barbery
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“Personne ne semble avoir songé au fait que si l'existence est absurde, y réussir brillamment n'a pas plus de valeur qu'y échouer.”
Muriel Barbery
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“People aim for the stars, and they end up like goldfish in a bowl. I wonder if it wouldn't be simpler just to teach children right from the start that life is absurd.”
Muriel Barbery
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“Je savais qu'un afflux inespéré d'énergie l'avait levé de son lit, lui avait donné la force de s'habiller, la soif de sortir, le désir que nous partagions une fois encore ce plaisir conjugal et je savais aussi que c'était le signe qu'il restait peu de temps, l'état de grâce qui précède la fin, mais cela ne m'importait pas et je voulais seulement profiter de cela, de ces instants dérobés au joug de la maladie, de sa main tiède dans la mienne et des vibrations de plaisir qui nous parcouraient tous deux parce que, grâce en soit rendue au ciel, c'était un film dont nous pouvions partager ensemble la saveur.”
Muriel Barbery
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“It's all well and good to have profound thoughts on a regular basis, but I think it's not enough. Well, I mean: I'm going to commit suicide and set the house on fire in a few months; obviously I can't assume I have time at my disposal, therefore I have to do something substantial with the little I do have. And above all, I've set myself a little challenge: if you commit suicide, you have to be sure of what you're doing and not burn the house down for nothing. So if there is something on the planet that is worth living for, I'd better not miss it, because once you're dead, it's too late for regrets, and if you die by mistake, that is really, really dumb.”
Muriel Barbery
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“What is an aristocrat? A woman who is never sullied by vulgarity, although she may be surrounded by it.”
Muriel Barbery
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“Maybe that's what being alive is about: so we can track down those movments that are dying.”
Muriel Barbery
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“Because beauty consits of it's own passing, just as we reach for it. It's the ephemeral configuration of things in the moment, when you can see both their movement and their death.”
Muriel Barbery
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“Ce n'est pas dur à deviner: toutes ces choses qui passent, que nous manquons d'un iota et qui sont ratées pour l'éternité...Toutes ces paroles que nous aurions dû dire, ces gestes que nous aurions dû faire, ces kairos fulgurants qui ont un jour surgi, qu'on n'a pas su saisir et qui se sont enfoncés pour toujours dans le néant...L'échec à un pouce près.”
Muriel Barbery
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“Ceux qui savent faire font, ceux qui ne savent pas faire enseignent, ceux qui ne savent pas enseigner enseignent aux enseignants, et ceux qui ne savent pas enseigner aux enseignants font de la politique.”
Muriel Barbery
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“Und dann, wie die Tränen, die, wenn sie rund, stark und authentisch sind, bisweilen einen langen, von Zwietracht gewaschenen Strand hinter sich lassen, ist der Regen im Sommer, wenn er den unbewegten Staub fortspült, für die Seelen der Menschen wie ein endloser Atemzug.So sind gewisse Sommerregen in uns verankert wie ein neues Herz, das im Gleichklang mit dem anderen schlägt.”
Muriel Barbery
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“I belong to the 8% of the world population who calm their apprehension by drowning it in numbers.”
Muriel Barbery
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“So much for the movement of the world! It could have been perfection and it was a disaster. It should be experienced in reality and it is pleasure by proxy, like always.”
Muriel Barbery
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“I also wonder fearfully what will happen when the only friend I have ever had, the only one who knows everything without ever having to ask, leaves behind her this woman whom no one knows, enshrouding her in oblivion.”
Muriel Barbery
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“Every time, it’s the same thing, I feel like crying, my throat goes all tight and I do the best I can to control myself but sometimes it gets close: I can hardly keep myself from sobbing. So when they sing a canon I look down at the ground because it’s just too much emotion at once: it’s too beautiful, and everyone singing together, this marvelous sharing. I’m no longer myself. I am just one part of a sublime whole, to which the others also belong, and I always wonder at such moments why this cannot be the rule of everyday life, instead of being an exceptional moment, during a choir.”
Muriel Barbery
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“There is always the easy way out, although I am loath to use it. I have no children, I do not watch television and I do not believe in God- all paths taken by mortals to make their lives easier. Children help us to defer the painful task of confronting ourselves, and grandchildren take over from them. Television distracts us from the onerous necessity of finding projects to construct in the vacuity of our frivolous lives; by beguiling our eyes, television releases our mind from the great work of making meaning. Finally, God appeases our animal fears and the unbearable prospect that someday all our pleasures will cease. Thus, as I have neither future nor progeny nor pixels to deaden the cosmic awareness of absurdity, and in the certainty of the end and the anticipation of the void, I believe I can affirm that I have not chosen the easy path.”
Muriel Barbery
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“Qui croitPouvoir faire du mielSans partager le destin des abeilles?”
Muriel Barbery
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“To tell a group of adolescents who already know how to speak and write that that is the purpose of grammar is like telling someone that they need to read a history of toilets through the ages in order to pee and poop.”
Muriel Barbery
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