Pat Conroy

“Loss invites reflection and reformulating and a change of strategies. Loss hurts and bleeds and aches. Loss is always ready to call out your name in the night. Loss follows you home and taunts you at the breakfast table, follows you to work in the morning. You have to make accommodations and broker deals to soften the rabbit punches that loss brings to your daily life. You have to take the word "loser" and add it to your resume and walk around with it on your name tag as it hand-feeds you your own shit in dosages too large for even great beasts to swallow. The word "loser" follows you, bird-dogs you, sniffs you out of whatever fields you hide in because you have to face things clearly and you cannot turn away from what is true.”

“Losing prepares you for the heartbreak, setback, and the tragedy that you will encounter in the world more than winning ever can. By licking your wounds you learn how to avoid getting wounded the next time.”

“There is no teacher more discriminating or transforming than loss.”

“You do not learn how to write novels in a writing program. You learn how by leading an interesting life. Open yourself up to all experience. Let life pour through you the way light pours through leaves.”

“We old athletes carry the disfigurements and markings of contests remembered only by us and no one else. Nothing is more lost than a forgotten game.”

“Why do they not teach you that time is a finger snap and an eye blink, and that you should not allow a moment to pass you by without taking joyous, ecstatic note of it, not wasting a single moment of its swift, breakneck circuit?”

“It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils. Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.”

“Comely was the town by the curving river that they dismantled in a year's time. Beautiful was Colleton in her last spring as she flung azaleas like a girl throwing rice at a desperate wedding. In dazzling profusion, Colleton ripened in a gauze of sweet gardens and the town ached beneath a canopy of promissory fragrance.”

“These are the quicksilver moments of my childhood I cannot remember entirely. Irresistible and emblematic, I can recall them only in fragments and shivers of the heart.”

“Together they spent their whole lives waiting for their luck to change, as though luck were some fabulous tide that would one day flood and consecrate the marshes of our island, christening us in the iridescent ointments of a charmed destiny.”

“Fear is the major cargo that American writers must stow away when the writing life calls them into its carefully chosen ranks.”

“Love had always issued out of the places that hurt the most.”

“In sport the mind serves as the acolyte and apprentice of the body. Nothing interferes with the flow of the game more than the athlete who obsesses about his every move on the court. You move, you react, you recover, you drive, and the thinking is seamless and invisible in the secret codes of your game.”

“The tide was a poem that only time could create, and I watched it stream and brim and makes its steady dash homeward, to the ocean.”

“We've pretended too much in our family, Luke, and hidden far too much. I think we're all going to pay a high price for our inability to face the truth.”

“Here's what I love: when a great writer turns me into a Jew from Chicago, a lesbian out of South Carolina, or a black woman moving into a subway entrance in Harlem. Turn me into something else, writers of the world. Make me Muslim, heretic, hermaphrodite. Put me into a crusader's armor, a cardinal's vestments. Let me feel the pygmy's heartbeat, the queen's breast, the torturer's pleasure, the Nile's taste, or the nomad's thirst. Tell me everything that I must know. Hold nothing back.”

“Here's what I want from a book, what I demand, what I pray for when I take up a novel and begin to read the first sentence: I want everything and nothing less, the full measure of a writer's heart. I want a novel so poetic that I do not have to turn to the standby anthologies of poetry to satisfy that itch for music, for perfection and economy of phrasing, for exactness of tone. Then, too, I want a book so filled with story and character that I read page after page without thinking of food or drink because a writer has possessed me, crazed with an unappeasable thirst to know what happens next.”

“...I realize words are never enough; they stutter and cleave to the roof of my mouth.”

“La única palabra que describe la bondad es bondad, y no es bastante.”

“Fue mi madre quien me dio a conocer el espíritu sureño en sus más íntimos y delicados aspectos. Mi madre creía que también las flores y los animales soñaban. Cuando éramos pequeños, al llegar la noche, antes de acostarnos, adoptaba su voz de narradora para contarnos que los salmones soñaban con desfiladeros y con oscuros rostros de oso pardo que se cernían sobre el agua cristalina de los rápidos. Los zorros, decía, soñaban que hundían sus colmillos en las espinillas de los cazadores. Mientras dormían, las águilas pescadoras se veían lanzando sus emplumados cuerpos en largas caídas en picado, a cámara lenta, sobre los bancos de arenques. Había amenazadoras alas de búho en las pesadillas de los armiños, lobos del bosque acercándose contra el viento en el reposo nocturno de los alces. Pero jamás llegamos a saber con qué soñaba ella, pues mi madre nos mantuvo siempre al margen de su vida interior. Sabíamos que las abejas soñaban con rosas, que las rosas soñaban con las pálidas manos de las floristas y que las arañas soñaban con polillas atrapadas en sus telas plateadas. Como hijos suyos, fuimos depositarios de los deslumbradores cánticos de su imaginación, pero no sabíamos que las madres soñaran.”

“Good writing is the hardest form of thinking. It involves the agony of turning profoundly difficult thoughts into lucid form, then forcing them into the tight-fitting uniform of language, making them visible and clear. If the writing is good, then the result seems effortless and inevitable. But when you want to say something life-changing or ineffable in a single sentence, you face both the limitations of the sentence itself and the extent of your own talent.”

“Even today, I hunt for the fabulous books that will change me utterly. I find myself happiest in the middle of a book which I forget that I am reading, but am instead immersed in a made-up life lived at the highest pitch.”

“The narrator analyzes that the maturing, passing away boy within him, "had issued me a challenge as he passed the baton to the man in me: He had challenged me to have the courage to become a gentle, harmless man.”

“The human soul can always use a new tradition. Sometimes we require them.”

“He was ruled by the tyranny of instinct, by passion and the instant legislation of a simple heart.”

“The only way I could endure being a coward was if I was the only one who knew it.”

“There was always a grandeur and a nobility in my megalomania. And also something cheap and loathsome that I could not help.”

“Great teachers had great personalities and that the greatest teachers had outrageous personalities. I did not like decorum or rectitude in a classroom; I preferred a highly oxygenated atmosphere, a climate of intemperance, rhetoric, and feverish melodrama. And I wanted my teachers to make me smart. A great teacher is my adversary, my conqueror, commissioned to chastise me. He leaves me tame and grateful for the new language he has purloined from other kings whose granaries are filled and whose libraries are famous. He tells me that teaching is the art of theft: of knowing what to steal and from whom. Bad teachers do not touch me; the great ones never leave me. They ride with me during all my days, and I pass on to others what they have imparted to me. I exchange their handy gifts with strangers on trains, and I pretend the gifts are mine. I steal from the great teachers. And the truly wonderful thing about them is they would applaud my theft, laugh at the thought of it, realizing they had taught me their larcenous skills well.”

“I would always be a better hater of things and institutions than a lover of them.”

“I had come to a place where I was meant to be. I don't mean anything so prosaic as a sense of coming home. This was different, very different. It was like arriving at a place much safer than home.”

“There were far worse strategies in life than to try to make each aspect of one's existence a minor work of art.”

“It's impossible to explain to a Yankee what `tacky' is. They simply have no word for it up north, but my God, do they ever need one.”

“Evil would always come to me disguised in systems and dignified by law.”

“My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essential fire that is poetry itself.”

“I was the only person in the world who thought it was a military duty to appear to be in a good mood.”

“Honor is the presence of God in man.”

“The mind is an intricate mechanism that can be run on the fuels of both victory and defeatism.”

“The Bear had once confided to me that Durrell's ego could fit snugly in the basilica of St. Peter's in Rome but in very few other public places. This runaway megalomania marked him as a blood member of the fraternity of generals. If looks alone could make generals, Durrell would have been a cinch. He was built lean and slim and dark, like a Doberman. A man of breeding and refrigerated intelligence, he ordered his life like a table of logarithms.”

“I meditated on the nature of friendship as I practiced the craft. My friends had always come from outside the mainstream. I had always been popular with the fifth column of my peers, those individuals who were princely in their solitude, lords of their own unpraised melancholy. Distrusting the approval of the chosen, I would take the applause of exiles anytime. My friends were all foreigners, and they wore their unbelongingness in their eyes. I hunted for that look; I saw it often, disarrayed and fragmentary and furious, and I approached every boy who invited me in.”

“She had awakened something in him that had slumbered far too long. Not only did he feel passion, he felt the return of hope.”

“My wound is geography. It is also my anchorage, my port of call.”

“The whole construct of my universe was a cunning, entangled network of lies. I had to start over again. I knew that. And I had to begin by ceasing to loathe myself for my difference from the rest.”

“There was a time when a new deputy tried to teach Mr. Fruit about the difference between a red and a green light, but Mr. Fruit had resisted all efforts to reorder what he had been doing perfectly well for many years. He had not only monitored the comings and goings of the town, his presence softened the ingrained evil that flourished along the invisible margins of the town’s consciousness. Any community can be judged in its humanity or corruption by how it manages to accommodate the Mr. Fruits of the world. Colleton simply adjusted itself to Mr. Fruit’s harmonies and ordinations. He did whatever he felt was needed and he did it with style. “That’s the Southern way” my grandmother said. “That’s the nice way.”

“Take the local, take the express, don't get off till you reach success -- Sidney Rosen (Prince Of Tides)”

“In our modern age, there are writers who have heaped scorn on the very idea of the primacy of story. I'd rather warm my hands on a sunlit ice floe than try to coax fire from the books they carve from glaciers.”

“Once you've played for someone, sweated blood for them, won and lost games for them, then that person is transformed forever in your eyes. He simply isn't human anymore. He's something better than human, he's something stern and demanding. He tries to extract performances from your body that exceed your talent. He makes you more than you really are. He gives you a uniform, an identity, a feeling of brotherhood like you have never known before and most likely will never know again... All you can do for the rest of your life is feel gratitude that he let you taste the small dose of glory, a dose that really means nothing, but means absolutely everything to a boy growing up.”

“My mother's voice and my father's fists are two bookends of my childhood, and they form the basis of my art.”

“Few things linger longer or become more indwelling than that feeling of both completion and emptiness when a great book ends. That the book accompanies the reader forever from that day forward is part of literature's profligate generosity.”

“I was trying to unravel the complicated trigonometry of the radical thought that silence could make up the greatest lie ever told.”

“Humanity is best described as inhumanity.”