Pat Conroy

“What's important is that a story changes every time you say it out loud. When you put it on paper, it can never change. But the more times you tell it, the more changes will occur. A story is a living thing; it moves and shifts”

“...Father made a fetish out of performing tasks the correct way. There was an efficiency and economy of his motions that I always found a pleasure to watch and a pain to mimic.”

“Though I felt like a voyeur to some kind of disaster, my eyes were riveted to the scene ...”

“There are no ideas in the South, just barbecue.”

“Over the years, my church gave me passage into a menagerie of exotic words unknown in the South: "introit," "offertory," "liturgy," "movable feast," "the minor elevation," "the lavabo," "the apparition of Lourdes," and hundreds more. Latin deposited the dark minerals of its rhythms on the shelves of my spoken language. You may find the harmonics of the Common of the Mass in every book I've ever written. Because I was raised Roman Catholic, I never feared taking any unchaperoned walks through the fields of language. Words lifted me up and filled me with pleasure.”

“Writing poetry and reading books causes brain damage.”

“A story is a living thing, it moves and shifts...”

“The porpoise has always been a sign of renewal and of the charged magical life.”

“ . . . I have come to revere words like "democracy" and "freedom," the right to vote, the incomprehensibly beautiful origins of my country, and the grandeur of the extraordinary vision of the founding fathers. Do I not see America's flaws? Of course I do. But I now can honor her basic, incorruptible virtues, the ones that let me walk the streets screaming my ass off that my country had no idea what it was doing in South Vietnam. . . . I have come to a conclusion about my country that I knew then in my bones, but lacked the courage to act on: America is a good enough country to die for even when she is wrong.”

“I prayed hard and only gradually became aware that this fierce praying was a way of finding prologue and entrance into my own writing. This came as both astonishment and relief. When I thought God had abandoned me, I discovered that He had simply given me a different voice to praise the inexhaustible beauty of the made world.”

“I never once approached greatness, but toward the end of my career, I was always in the game.”

“As we took the court for the second half, I made a secret now to myself that I would never listen to a single thing that Mel Thompson said to me again. I would obey him and honor him and follow him, but I would not let him touch the core of me again. He was my coach, but I was my master. ”

“Know this. I think you could be special if you only thought there was anything special about yourself.”

“Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary”

“The great teachers fill you up with hope and shower you with a thousand reasons to embrace all aspects of life. I wanted to follow Mr. Monte around for the rest of my life, learning everything he wished to share of impart, but I didn't know how to ask.”

“My mother, Southern to the bone, once told me, “All Southern literature can be summed up in these words: ‘On the night the hogs ate Willie, Mama died when she heard what Daddy did to Sister.’” She raised me up to be a Southern writer, but it wasn’t easy.”

“I had come to know the singular power of a river advancing toward the open sea and the power of tides regulating that advance. . . . Because I had seen this for the first time over the year, I could not be intimidated by guys who wore expensive shoes and flashy ties. Piedmont could fire me, bawl me out, abuse me, put it on my record that I was an incorrigible son of a bitch, make sure I never taught in South Carolina again, or cut off my teacher's pension. That was all he could do. His power was economic and emotional, not spiritual or supernatural. ”

“Will his work survive? Alas, I worry that it will not. As an American liberal with impeccable credentials, I would like to say that political correctness is going to kill American liberalism if it is not fought to the death by people like me for the dangers it represents to free speech, to the exchange of ideas, to openheartedness, or to the spirit of art itself. Political correctness has a stranglehold on academia, on feminism, and on the media. It is a form of both madness and maggotry, and has already silenced the voices of writers like James Dicky across the land.”

“But let me begin with a statement of my own passionate and indignant belief--I do not care one goddamned thing about how James Dickey conducted his personal life. I care everything about what this man wrote on blank sheets of paper when he sat alone probing the extremities of imagination.”

“She was one of those Southerners who were aware from an early age that the South could never be more for them than a fragrant prison, administered by a collective of loving but treacherous relatives.”

“She was one of those Southerners who knew from an early age that the South could never be more for them than a fragrant prison, administered by a collective of loving but treacherous relatives.”

“Here is all I ask of a book- give me everything. Everything, and don't leave out a single word.”

“I can't pass a bookstore without slipping inside, looking for the next book that will burn my hand when I touch its jacket, or hand me over a promissory note of such immense power that it contains the formula that will change everything about me.”

“Books are living things and their task lies in their vows of silence. You touch them as they quiver with a divine pleasure. You read them and they fall asleep to happy dreams for the next 10 years. If you do them the favor of understanding them, of taking in their portions of grief and wisdom, then they settle down in contented residence in your heart.”

“I'm sorry your bad dream died," I said as I left her and walked toward the gate. "And I'm sorry I ever met you, Annie Kate.”

“But even her demons she invested with inordinate beauty, consecrated them with the dignity of her attention.”

“I stood face to face with the moon and the ocean and the future that spread out with all its bewildering immensity before me.”

“A family is one of nature's solubles; it dissolves in time like salt in rainwater.”

“The safe places could only be visited; they could only grant a momentary intuition of sanctuary. The moment always came when we had to return to our real life to face the wounds and grief indigenous to our homr by the river.”

“But, as I watch this film, I often think that the boy did not know what he was really running toward, that it was not the end zone which awaited him. Somewhere in that ten second dash the running boy turned to metaphor and the older man could see it where the boy couldn not. He would be good at running, always good at it, and he would always run away from the things that hurt him, from the people who loved him, and from the friends empowered to save him. But where do we run when there are no crowds, no lights, no end zones? Where does a man run? the coach said, studying the films of himself as a boy. Where can a man run when he has lost the excuse of games? Where can a man run or where can he hide when he looks behind him and sees that he is only pursued by himself?”

“In family matters you can get over anything. That's one thing you'll learn as an adult. There's a lot you have to learn which is a lot worse than that. You'd never think of forgiving a friend for some of the things your parents did to you. But with friends it's different. Friends aren't the roll of the dice.”

“Every woman I had ever met who walked through the world appraised and classified by an extraordinary physicality had also received the keys to an unbearable solitude. It was the coefficient of their beauty, the price they had to pay.”

“The only word for goodness is goodness, and it is not enough.”

“I had declared in public my desire to be a writer ... I wanted to develop a curiosity that was oceanic and insatiable as well as a desire to learn and use every word in the English language that didn't sound pretentious or ditzy.”

“The world of literature has everything in it, and it refuses to leave anything out. I have read like a man on fire my whole life because the genius of English teachers touched me with the dazzling beauty of language. Because of them I rode with Don Quixote and danced with Anna Karenina at a ball in St. Petersburg and lassoed a steer in "Lonesome Dove" and had nightmares about slavery in "Beloved" and walked the streets of Dublin in "Ulysses" and made up a hundred stories in the Arabian nights and saw my mother killed by a baseball in "A Prayer for Owen Meany." I've been in ten thousand cities and have introduced myself to a hundred thousand strangers in my exuberant reading career, all because I listened to my fabulous English teachers and soaked up every single thing those magnificent men and women had to give. I cherish and praise them and thank them for finding me when I was a boy and presenting me with the precious gift of the English language. ”

“I’ve never had anyone’s approval, so I’ve learned to live without it.”

“The fruit tasted foreign but indigenous, like sunlight a tree had changed through patience.”

“Happiness is an accident of nature, a beautiful and flawless aberration.”

“If smallness was fortune, then I had come across a treasure, infinitesimal and beyond value. I felt lucky. You had to decide what was estimable and precious in your life and set out to find it. The objects you valued defined you.”

“I'd be a conservative if I'd never met any. They're selfish, mean-spirited, egocentric, reactionary, and boring.”

“Her view of men was one-dimensional, but not inaccurate: men were prisoners of their genitalia and women were the keepers of the keys to paradise.”

“Man wonders but God decidesWhen to kill the Prince of Tides.”

“Walking the streets of Charleston in the late afternoons of August was like walking through gauze or inhaling damaged silk.”

“Charleston has a landscape that encourages intimacy and partisanship. I have heard it said that an inoculation to the sights and smells of the Carolina lowcountry is an almost irreversible antidote to the charms of other landscapes, other alien geographies. You can be moved profoundly by other vistas, by other oceans, by soaring mountain ranges, but you can never be seduced. You can even forsake the lowcountry, renounce it for other climates, but you can never completely escape the sensuous, semitropical pull of Charleston and her marshes.”

“My mother saw in 'Gone With the Wind' the text of liberating herself, ... She took 'Gone With the Wind' as the central book in her life, and made it the central book in her family.”

“At the top the bridge with the stars shining above the harbor, I look to the north and wish again that there were two lives apportioned to every man and woman.”

“A story untold could be the one that kills you.”

“Carolina beach music," Dupree said, coming up on the porch. "The holiest sound on earth.”

“Memory in these incomparable streets, in mosaics of pain and sweetness, was clear to me now, a unity at last. I remembered small and unimportant things from the past: the whispers of roommates during thunderstorms, the smell of brass polish on my fingertips, the first swim at Folly Beach in April, lightning over the Atlantic, shelling oysters at Bowen's Island during a rare Carolina snowstorm, pigeons strutting across the graveyard at St. Philip's, lawyers moving out of their offices to lunch on Broad Street, the darkness of reveille on cold winter mornings, regattas, the flash of bagpipers' tartans passing in review, blue herons on the marshes, the pressure of the chinstrap on my shako, brotherhood, shad roe at Henry's, camellias floating above water in a porcelain bowl, the scowl of Mark Santoro, and brotherhood again.”

“I had come to Charleston as a young boy, a lonely visitor slouching through its well-tended streets, a young boy, lean and grassy, who grew fluent in his devotion and appreciation of that city's inestimable charm. I was a boy there and saw things through the eyes of a boy for the last time. The boy was dying and I wanted to leave him in the silent lanes South of Broad.I would leave him with no regrets except that I had not stopped to honor his passing. I had not thanked the boy for his capacity for astonishment, for curiosity, and for survival. I was indebted to that boy. I owed him my respect and my thanks. I owed him my remembrance of the lessons he learned so keenly and so ominously.”