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Pete Dexter

Pete Dexter is the author of the National Book Award-winning novel Paris Trout and five other novels: God's Pocket, Deadwood, Brotherly Love, The Paperboy, and Train. He has been a columnist for the Philadelphia Daily News and the Sacramento Bee, and has contributed to many magazines, including Esquire, Sports Illustrated, and Playboy. His screenplays include Rush and Mulholland Falls. Dexter was born in Michigan and raised in Georgia, Illinois, and eastern South Dakota. He lives on an island off the coast of Washington.

See more at http://en.wikipedia.org/wiki/Pete_Dexter


“...fill the holes with facts, not flowers.”
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“Sometimes," he said, "you've got to watch people a long time to see who they are.”
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“A newspaper story, like anything else, is more attractive from a distance, when it first comes to you, than it is when you get in close and agonize over the details. Which I presume is how Yardley got in the habit of keeping himself at a distance.”
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“To see certain things, you have to be lying on your back with tears in your eyes and a scalding potato in your mouth. It's possible, I think, that you have to be hurt to see anything at all.”
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“...without moving a muscle in his face, slips away; retreats, I think, to that sheltered place where his stories are kept. Perhaps we all have our places.”
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“No one mentions that now, and I suppose no one is inclined to bring it up, particularly not my father, who in other matters loves those things most that he can no longer touch or see, things washed clean of flaws and ambiguity by the years he has held them in his memory, reshaping them as he brings them out, again and again, telling his stories until finally the stories, and the things in them, are as perfect and sharp as the edge of the knife he keeps in his pocket.”
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“I had noticed, even then, that there were certain women whom other women instinctively disliked, and that these women invariably had more bait in the water than the women who disliked them.”
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“In the beginning the stories were long and colored, but as he grew old and his eyes clouded, the stories were told in only a few words, and she came to understand that all the colors had fallen away from him, leaving only the moments. A woman who performed tricks in the air, an animal pulling a boat under water, dead children who spoke in bones. A man who loved bottles.”
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“It is now 55 years since my last book report, which is a long time to live with a guilty conscience. So here it is: In the spring of 1956 I wrote a highly favorable review of the Bible without reading a word of it, and it was the last A I ever got in English. Why it has taken so long to come clean I'm not sure, except I have always been extremely sensitive about my academic reputation.”
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“Not for the first time Spooner was reminded that marriage was not the straighforward assembly the instruction book led you to believe.”
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“Spooner noticed another, smaller Marine Corps tattoo encircling Marlin's ankle: Semper Fi Forever. Everywhere he went these days, Spponer witnessed America's crying need for more copy editors.”
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“He was a newspaperman,' he said, 'but there's some people who should never leave Savannah.”
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“I was tired in ways that had nothing to do with sleep. It occurred to me, sitting in the car with her, that I had been trying to hold too many things together that were meant to fall apart.”
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“He scart me," the girl said.Miss Mary nodded and looked over at her in a slow, tired way. "That's your common sense talkin'," she said. "That man scare anybody got common sense.”
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