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Rainer Maria Rilke

A mystic lyricism and precise imagery often marked verse of German poet Rainer Maria Rilke, whose collections profoundly influenced 20th-century German literature and include

The Book of Hours

(1905) and

The Duino Elegies

(1923).

People consider him of the greatest 20th century users of the language.

His haunting images tend to focus on the difficulty of communion with the ineffable in an age of disbelief, solitude, and profound anxiety — themes that tend to position him as a transitional figure between the traditional and the modernist poets.

His two most famous sequences include the

Sonnets to Orpheus

, and his most famous prose works include the

Letters to a Young Poet

and the semi-autobiographical

The Notebooks of Malte Laurids Brigge

.

He also wrote more than four hundred poems in French, dedicated to the canton of Valais in Switzerland, his homeland of choice.


“So this is where people come to live; I would have thought it is a city to die in.”
Rainer Maria Rilke
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“Now we wake up with our memoryand fix our gazes on that which was;whispering sweetness, which once coursed through us,sits silently beside us with loosened hair”
Rainer Maria Rilke
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“In spite of all the farmer's work and worry, he can't reach down to where the seed is slowly transmuted into summer. The earth bestows.”
Rainer Maria Rilke
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“And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.”
Rainer Maria Rilke
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“Just as the creative artist is not allowed to choose, neither is he permitted to turn his back on anything: a single refusal, and he is cast out of the state of grace and becomes sinful all the way through.”
Rainer Maria Rilke
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“Our task is to take this earth so deeply and wholly into ourselves that it will resurrect within our being.”
Rainer Maria Rilke
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“My life is not this steeply sloping hour,in which you see me hurrying.Much stands behind me; I stand before it like a tree;I am only one of my many mouths,and at that, the one that will be still the soonest.I am the rest between two notes,which are somehow always in discordbecause Death’s note wants to climb over—but in the dark interval, reconciled,they stay there trembling.And the song goes on, beautiful.”
Rainer Maria Rilke
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“Ενώ σ’ εκείνη απονέμεται δίπλωμα στην τέχνη του έρωτα, αυτός κυκλοφορεί με μια γραμματική για αρχαρίους στην τσέπη”
Rainer Maria Rilke
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“If only it were possible for us to see farther than our knowledge reaches, and even a little beyond the outworks of our presentiment, perhaps we would bear our sadnesses with greater trust than we have in our joys.”
Rainer Maria Rilke
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“If there is nothing you can share with other people, try to be close to Things. Things will not abandon you. The nights are still there, and the winds that move through the trees and across many lands. Everything in the world of Things and animals is filled with being, of which you are part.”
Rainer Maria Rilke
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“Your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes, far in the distance.”
Rainer Maria Rilke
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“For somewhere reigns an old hostility / between living one's Life and doing one's Work.”
Rainer Maria Rilke
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“Never forget that solitude is my lot ... I implore those who love me to love my solitude."(Letter to Mimi Romanelli, May 11, 1910)”
Rainer Maria Rilke
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“The work of the eyes is done. Go now and do the heart-work on the images imprisoned within you.”
Rainer Maria Rilke
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“You, still the squanderers of the empty hall —when the twilight comes, wide as woods…And the chandelier, like a sixteen-pointer, vaultswhere nothing can set foot.”
Rainer Maria Rilke
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“We’re involved with flower, fruit, grapevine.They speak more than the language of the year.Out of the darkness a blaze of colors appears,and one perhaps that has the jealous shineOf the dead, those who strengthen the earth.What do we know of the part they assume?It’s long been their habit to marrow the loamwith their own free marrow through and through. Now the one question: Is it done gladly?The work of sullen slaves, does this fruitthrust up, clenched, toward us, its masters?Sleeping with roots, granting us only out of their surplus this hybrid made of mutestrength and kisses — are they the masters?”
Rainer Maria Rilke
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“Though he works and worries, the farmernever reaches down to where the seed turnsinto summer. The earth grants.”
Rainer Maria Rilke
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“Jubilation knows and Longing grants —only Lament still learns; with girlish handsshe counts the ancient evil through the nights.But suddenly, unpracticed and askant, she lifts one of our voice’s constellationsInto the sky unclouded by her breath.”
Rainer Maria Rilke
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“Praise the world to the angel, not what can’t be talked about.You can’t impress him with your grand emotions. In the grand cosmoswhere he so intensely feels, you’re just a novice. So showhim some simple thing shaped for generation after generationuntil it lives in our hands and in our eyes, and it’s ours.Tell him about things. He’ll stand amazed, just as you didbeside the ropemaker in Rome or the potter on the Nile.Show him how happy a thing can be, how innocent and ours;how even grief’s lament purely determines its own shape,serves as a thing, or dies in a thing — and escapesIn ecstasy beyond the violin.”
Rainer Maria Rilke
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“If only we arrange our life according to that principle which counsels us that we must hold to the difficult, then that which now still seems to us the most alien will become what we most trust and find most faithful.”
Rainer Maria Rilke
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“Love is something difficult and it is more difficult than other things because in other conflicts nature herself enjoins men to collect themselves, to take themselves firmly in the hand with all their strength, while in the heightening of love the impulse is to give oneself wholly away.”
Rainer Maria Rilke
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“Physical pleasure is a sensual experience no different from pure seeing or the pure sensation with which a fine fruit fills the tongue; it is a great unending experience, which is given us, a knowing of the world, the fullness and the glory of all knowing. And not our acceptance of it is bad; the bad thing is that most people misuse and squander this experience and apply it as a stimulant at the tired spots of their lives and as distraction instead of a rallying toward exalted moments.”
Rainer Maria Rilke
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“You are so young, so before all beginning, and I want to beg you, as much as I can, to be patient toward all that is unsolved in your heart and to try to love the questions themselves—like locked rooms and like books that are written in a very foreign tongue. Do not now seek the answers, which cannot be given to you because you would not be able to live them. The point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.”
Rainer Maria Rilke
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“Quiet friend who has come so far,feel how your breathing makes more space around you.Let this darkness be a bell towerand you the bell. As you ring,what batters you becomes your strength.Move back and forth into the change.What is it like, such intensity of pain?If the drink is bitter, turn yourself to wine.In this uncontainable night,be the mystery at the crossroads of your senses,the meaning discovered there.And if the world has ceased to hear you,say to the silent earth: I flow.To the rushing water, speak: I am.- Let This Darkness Be a Bell Tower”
Rainer Maria Rilke
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“Every angel is terrible. And yet, alasI welcome you, almost fatal birds of the soul,knowing about you....If the archangel came now, the perilous one,from the back of the stars but one step lower and toward us,our own high beating heart would slay us. Who are you?You early successes, spoiled darlings of creation...”
Rainer Maria Rilke
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“To make myself understood and to diminish the distance between us, I called out: “I am an evening cloud too.” They stopped still, evidently taking a good look at me. Then they stretched towards me their fine, transparent, rosy wings. That is how evening clouds greet each other. They had recognized me.”
Rainer Maria Rilke
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“There comes a time when we have deposited in it all our firstlings, all beginning, all confidence, the seeds of all that which might perhaps some day come to be. And suddenly we realize: All that has sunk into a deep sea, and we don't even know just when. We never noticed it. As though some one were to collect all his money, and buy a feather with it and stick the feather in his hat: whish!--the first breeze will carry it away. Naturally he arrives home without his feather, and nothing remains for him but to look back and think when it would have flown.”
Rainer Maria Rilke
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“There exists a creature which is perfectly harmless; when it passes before your eyes you scarcely notice it and forget it again immediately. But as soon as it invisibly gets somehow into your ears, it develops there, it hatches, as it were, and cases have been known where it was penetrated even into the brain and has thriven devastatingly in that organ, like those pneumococci in dogs that gain entrance through the nose.This creature is one's neighbor.”
Rainer Maria Rilke
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“Let everything happen to you: beauty and terror.”
Rainer Maria Rilke
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“When I think about little girls in the moment of turning into big girls (it is no slow timid development but something strangely sudden), I always have to imagine an ocean behind them, or a grave eternal plain, or something else you don't actually see with your eyes but can only sense, and that only in the deep and silent hours. Then I see the big girls as being exactly as big as I was used to the little childlike girls being small--and Heaven above knows why, that's just how I want to see them. There is a reason for everything. But the best things that happen, after all, are the ones which hide their deeper reason with both hands, whether out of modesty or because they don't want to be betrayed.”
Rainer Maria Rilke
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“Again and again, however we know the landscape of loveand the little churchyard there, with its sorrowing names,and the frighteningly silent abyss into which the othersfall: again and again the two of us walk out togetherunder the ancient trees, lie down again and againamong the flowers, face to face with the sky.”
Rainer Maria Rilke
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“I am so afraid of people's words.They describe so distinctly everything:And this they call dog and that they call house,here the start and there the end.I worry about their mockery with words,they know everything, what will be, what was;no mountain is still miraculous;and their house and yard lead right up to God.I want to warn and object: Let the things be!I enjoy listening to the sound they are making.But you always touch: and they hush and stand still.That's how you kill.”
Rainer Maria Rilke
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“Fame is finally only the sum total of all the misunderstanding that can gather around a new name.”
Rainer Maria Rilke
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“Ah, not to be cut off,not through the slightest partitionshut out from the law of the stars.The inner -- what is it?if not the intensified sky,hurled through with birds and deepwith the winds of homecoming.”
Rainer Maria Rilke
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“The deepest experience of the creator is feminine, for it is experience of receiving and bearing.”
Rainer Maria Rilke
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“Ultimately, and precisely in the deepest and most important matters, we are unspeakably alone; and many things must happen, many things must go right, a whole constellation of events must be fulfilled, for one human being to successfully advise or help another.”
Rainer Maria Rilke
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“We are not allowed to linger, even with what is most intimate.”
Rainer Maria Rilke
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“Joy is a marvelous increasing of what exists, a pure addition out of nothingness.”
Rainer Maria Rilke
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“It was not in me It came and wentI wanted to hold it It was held by wine(I no longer know what it was)”
Rainer Maria Rilke
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“Who, if I cried out, would hear me among the angels' hierarchies?”
Rainer Maria Rilke
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“Now you feel how nothing clings to you; your vast shell reaches into endless space, and there the rich, thick fluids rise and flow. Illuminated in your infinite peace, a billion stars go spinning through the night, blazinghigh above your head. But IN you is the presence that will be, when all the stars are dead.”
Rainer Maria Rilke
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“sometimes a man stands up during supperand walks outdoors, and keeps on walking,because of a church that stands somewhere in the East.And his children say blessings on him as if he were dead.And another man, who remains inside his own house,stays there, inside the dishes and in the glasses,so that his children have to go far out into the worldtoward that same church, which he forgot.”
Rainer Maria Rilke
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“May what I do flow from me like a river, no forcing and no holding back, the way it is with children.”
Rainer Maria Rilke
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“And isn't the whole world yours? For how often you set it on fire with your love and saw it blaze and burn up and secretly replaced it with another world while everyone slept. You felt in such complete harmony with God, when every morning you asked him for a new earth, so that all the ones he had made could have their turn. You thought it would be shabby to save them and repair them; you used them up and held out your hands, again and again, for more world. For your love was equal to everything.”
Rainer Maria Rilke
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“Não há nada que toque menos uma obra de arte do que palavras de crítica: elas não passam de mal-entendidos mais ou menos afortunados.”
Rainer Maria Rilke
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“There I sat, probably looking so dreadful that nothing had the courage to stand by me; not even the candle, which I had just done the service of lighting it, would have anything to do with me. It burned away there by itself, as in an empty room. My last hope was always the window. I imagined that outside there, there still might be something that belonged to me, even now, even in this sudden poverty of dying. But scarcely had I looked thither when I wished the window had been barricaded, blocked up, like the wall. For now I knew that things were going on out there in the same indifferent way, that out there, too, there was nothing but my loneliness. The loneliness I had brought upon myself and to the greatness of which my heart no longer stood in any sort of proportion. People came to my mind whom I had once left, and I did not understand how one could forsake people.”
Rainer Maria Rilke
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“They grope before them like blind people and find each the other as they would a door. Almost like children that dread the night, they press close into each other. And yet they are not afraid. There is nothing that might be against them: no yesterday, no morrow; for time is shattered. And they flower from its ruins.He does not ask: 'Your husband?'She does not ask: 'Your name?'For indeed they have found each other, to be unto themselves a new generation.They will give each other a hundred new names and take them all off again, gently, as one takes an earring off.”
Rainer Maria Rilke
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“Yes, he knew that we was withdrawing from everything: not merely from human beings. A moment more and everything will have lost its meaning, and that table and the cup, and the chair to which he clings, all the near and the commonplace, will have become unintelligible, strange and heavy. So he sat there and waited until it should have happened. And defended himself no longer.”
Rainer Maria Rilke
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“La solitude qui enveloppe les oeuvres d'art est infinie, etil n'estrien qui permette de moins les atteindre que la critique. Seul l'amour peut les appréhender, les saisir et faire preuve de justesse à leur endroit:”
Rainer Maria Rilke
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“Do you recall, from your childhood on, how very much this life of yours has longed for greatness? I see it now, how from the vantage point of greatness it longs for even greater greatness. That is why it does not let up being difficult, but that is also why it will not cease to grow.”
Rainer Maria Rilke
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