Rainer Maria Rilke photo

Rainer Maria Rilke

A mystic lyricism and precise imagery often marked verse of German poet Rainer Maria Rilke, whose collections profoundly influenced 20th-century German literature and include

The Book of Hours

(1905) and

The Duino Elegies

(1923).

People consider him of the greatest 20th century users of the language.

His haunting images tend to focus on the difficulty of communion with the ineffable in an age of disbelief, solitude, and profound anxiety — themes that tend to position him as a transitional figure between the traditional and the modernist poets.

His two most famous sequences include the

Sonnets to Orpheus

, and his most famous prose works include the

Letters to a Young Poet

and the semi-autobiographical

The Notebooks of Malte Laurids Brigge

.

He also wrote more than four hundred poems in French, dedicated to the canton of Valais in Switzerland, his homeland of choice.


“To think, for instance, that I have never been aware before how many faces there are. There are quantities of human beings, but there are many more faces, for each person has several. There are people who wear the same face for years; naturally it wears out, it gets dirty, it splits at the folds, it stretches, like gloves one has worn on a journey. These are thrifty, simple people; they do not change their face, they never even have it cleaned. It is good enough, they say, and who can prove to them the contrary? The question of course arises, since they have several faces, what do they do with the others? Thhey store them up. Their children will wear them. But sometimes, too, it happens that their dogs go out with them on. And why not? A face is a face.”
Rainer Maria Rilke
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“O tempo não é uma medida. Um ano não conta, dez anos não representam nada. Ser artista não significa contar, é crescer como a árvore que não apressa a sua seiva e resiste, serena, aos grandes ventos da primavera, sem temer que o verão possa não vir. O verão há de vir. Mas só vem para aqueles que sabem esperar, tão sossegados como se tivessem na frente a eternidade.”
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“Tudo quanto é velocidade não será mais do que passado, porque só aquilo que demora nos inicia.”
Rainer Maria Rilke
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“it is obvious that most people come to know only one corner of their room, one spot near the window, one narrow strip on which they keep walking back and forth.”
Rainer Maria Rilke
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“It is spring again. The earth is like a child that knows poems by heart.”
Rainer Maria Rilke
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“Were it possible for us to see further than our knowledge reaches, and yet a little way beyond the outworks of our divinings, perhaps we would endure our sadnesses with greater confidence than our joys. For they are the moments when something new has entered into us, something unknown; our feelings grow mute in shy perplexity, everything in us withdraws, a stillness comes, and the new, which no one knows, stands in the midst of it and is silent.”
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“Czemu mielibyśmy chcieć zamienić mądre nierozumienie dziecka na niechęć i pogardę. Wszak nierozumienie oznacza bycie samemu, natomiast niechęć i pogarda - udział w tym, od czego człowiek chce się za ich pomocą odseparować.”
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“Perhaps the great renewal of the world will consist of this, that man and woman, freed of all confused feelings and desires, shall no longer seek each other as opposites, but simply as members of a family and neighbors, and will unite as human beings, in order to simply, earnestly, patiently, and jointly bear the heavy responsibility of sexuality that has been entrusted to them.”
Rainer Maria Rilke
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“If you will stay close to nature, to its simplicity, to the small things hardly noticeable, those things can unexpectedly become great and immeasurable.”
Rainer Maria Rilke
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“There is only one way: Go within. Search for the cause, find the impetus that bids you write. Put it to this test: Does it stretch out its roots in the deepest place of your heart? Can you avow that you would die if you were forbidden to write? Above all, in the most silent hour of your night, ask yourself this: Must I write? Dig deep into yourself for a true answer. And if it should ring its assent, if you can confidently meet this serious question with a simple, “I must,” then build your life upon it. It has become your necessity. Your life, in even the most mundane and least significant hour, must become a sign, a testimony to this urge.”
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“Be of good courage all is before you, and time passed in the difficult is never lost...What is required of us is that we live the difficult and learn to deal with it. In the difficult are the friendly forces, the hands that work on us.”
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“Who has not sat before his own heart's curtain? It lifts: and the scenery is falling apart.”
Rainer Maria Rilke
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“Our heart always transcends us.”
Rainer Maria Rilke
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“There are a large number of people in the room, but one is unaware of them. They are in the books. At times they move among the pages, like sleepers turning over between two dreams. Ah, how good it is to be among people who are reading.”
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“which so incorruptibly reduced a reality to its color content that it resumed a new existence in a beyond of color, without any previous memories.”
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“It is good to be solitary, for solitude is difficult; that something is difficult must be a reason the more for us to do it.”
Rainer Maria Rilke
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“Always the wish that you may find patience enough in yourself to endure, and simplicity enough to believe; that you may acquire more and more confidence in that which is difficult, and in your solitude among others.”
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“Extinguish my eyes, I'll go on seeing you.Seal my ears, I'll go on hearing you.And without feet I can make my way to you,without a mouth I can swear your name.Break off my arms, I'll take hold of youwith my heart as with a hand.Stop my heart, and my brain will start to beat.And if you consume my brain with fire,I'll feel you burn in every drop of my blood.”
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“We have no reason to mistrust our world, for it is not against us. Has it terrors, they are our terrors; has it abysses, those abysses belong to us; are dangers at hand, we must try to love them… How should we be able to forget those ancient myths about dragons that at the least moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave.”
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“Have patience with everything that remains unsolved in your heart. ...live in the question.”
Rainer Maria Rilke
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“Works of art are of an infinite solitude, and no means of approach is so useless as criticism. Only love can touch and hold them and be fair to them.”
Rainer Maria Rilke
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“but those tasks that have been entrusted to us are difficult; almost everything serious is difficult; and everything is serious.”
Rainer Maria Rilke
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“Ist dir Trinken bitter, werde Wein.”
Rainer Maria Rilke
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“Everything terrible is something that needs our love.”
Rainer Maria Rilke
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“I am a house gutted by fire where only the guilty sometimes sleep before the punishment that devours them hounds them out in the open. ”
Rainer Maria Rilke
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“And when suddenlythe god stopped her and, with anguish in his cry,uttered the words: ‘He has turned round’ –she comprehended nothing and said softly: ‘Who?”
Rainer Maria Rilke
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“This, above all, ask yourself in the stillest hour of the night: must I write? Delve deep into yourself. And if this should be affirmative, if you may meet this question witha strong and simple 'I must' then build your lfie according to this necessity; your life even into its most indifferent and slightest hour must be a sign of this urge and a testimony to it.”
Rainer Maria Rilke
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“We make our way through Everything like thread passing through fabric, giving shape to images that we ourselves do not know.”
Rainer Maria Rilke
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“You darkness, that I come from,I love you more than all the firesthat fence in the world,for the fire makesa circle of light for everyone,and then no one outside learns of you.But the darkness pulls in everything:shapes and fires, animals and myself,how easily it gathers them! -powers and people -and it is possible a great energyis moving near me.I have faith in nights.”
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“This is the creature there has never been.They never knew it, and yet, none the less,they loved the way it moved, its suppleness,its neck, its very gaze, mild and serene.Not there, because they loved it, it behavedas though it were. They always left some space.And in that clear unpeopled space they savedit lightly reared its head, with scarce a traceof not being there. They fed it, not with corn,but only with the possibilityof being. And that was able to confersuch strength, its brow put forth a horn. One horn.Whitely it stole up to a maid - to bewithin the silver mirror and in her.”
Rainer Maria Rilke
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“How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.So you must not be frightened if a sadness rises up before you larger than any you have ever seen; if a restiveness, like light and cloudshadows, passes over your hands and over all you do. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why do you want to shut out of your life any uneasiness, any miseries, or any depressions? For after all, you do not know what work these conditions are doing inside you.”
Rainer Maria Rilke
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“Destiny itself is like a wonderful wide tapestry in which every thread is guided by an unspeakable tender hand, placed beside another thread and held and carried by a hundred others.”
Rainer Maria Rilke
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“Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose......Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds – wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.”
Rainer Maria Rilke
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“Surely all art is the result of one's having been in danger, of having gone through an experience all the way to the end, where no one can go any further.”
Rainer Maria Rilke
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“So you mustn't be frightened, dear Mr. Kappus, if a sadness rises in front of you, larger than any you have ever seen; if an anxiety - like light and cloud-shadows, moves over your hands and everything you do. You must realize that something is happening to you, that life has not forgotten you, that it holds you in the palm of its hand and will not let you fall.”
Rainer Maria Rilke
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“FALLING STARS: Do you remember still the falling starsthat like swift horses through the heavens racedand suddenly leaped across the hurdlesof our wishes -- do you recall? And wedid make so many! For there were countless numbersof stars: each time we looked above we wereastounded by the swiftness of their daring play,while in our hearts we felt safe and securewatching these brilliant bodies disintegrate,knowing somehow we had survived their fall.”
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“Vielleicht, daß ich durch schwere Berge gehein harten Adern, wie ein Erz allein;und bin so tief, daß ich kein Ende seheund keine Ferne: alles wurde Näheund alle Nähe wurde Stein.Ich bin ja kein Wissender im Wehe,—so macht mich dieses große Dunkel klein;bist Du es aber: mach dich schwer, brich ein:daß deine ganze Hand an mir gescheheund ich an dir mit meinem ganzen Schrein.It's possible I'm moving through the hard veinsof heavy mountains, like the ore does, alone;I'm already so deep inside, I see no end in sight,and no distance: everything is getting nearand everything getting near is turning to stone.I still can't see very far yet into suffering,—so this vast darkness makes me small;are you the one: make yourself powerful, break in:so that your whole being may happen to me,and to you may happen, my whole cry. ”
Rainer Maria Rilke
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“Someday you will name me, then gently place those burning holy roses in my hair.[Songs of Longing]”
Rainer Maria Rilke
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“You, Beloved, who are all the gardens I have ever gazed at, longing. An open window in a country house-- , and you almost stepped out, pensive, to meet me. Streets that I chanced upon,-- you had just walked down them and vanished. And sometimes, in a shop, the mirrors were still dizzy with your presence and, startled, gave back my too-sudden image. Who knows? Perhaps the same bird echoed through both of us yesterday, separate, in the evening...”
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“His vision, from the constantly passing bars,has grown so weary that it cannot holdanything else. It seems to him there area thousand bars, and behind the bars, no world.As he paces in cramped circles, over and over,the movement of his powerful soft stridesis like a ritual dance around a centerin which a mighty will stands paralyzed.Only at times, the curtain of the pupilslifts, quietly. An image enters in,rushes down through the tense, arrested muscles,plunges into the heart and is gone.”
Rainer Maria Rilke
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“As if no one had ever tried before, try to say what you see and feel and love and lose.”
Rainer Maria Rilke
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“Earth, my dearest, oh believe me, you no longer need your springtimes to win me over...Unspeakably, I have belonged to you, from the flush.”
Rainer Maria Rilke
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“I want to be with those who know secret things or else alone.”
Rainer Maria Rilke
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“And when you realize that their activities are shabby, that their vocations are petrified and no longer connected with life, why not then continue to look upon it all as a child would, as if you were looking at something unfamiliar, out of the depths of your own solitude, which is itself work and status and vocation? Why should you want to give up a child’s wise not-understanding in exchange for a defensiveness and scorn, since not-understanding is, after all, a way of being alone, whereas defensiveness and scorn are participation in precisely what, by these means, you want to separate yourself from.”
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“Avoid providing material for the drama that is always stretched tight between parents and children; it uses up much of the children’s strength and wastes the love of the elders, which acts and warms even if it doesn’t comprehend. Don’t ask for advice from them and don’t expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is strength and blessing so large that you can travel as far as you wish without having to step outside it.”
Rainer Maria Rilke
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“And your doubt can become a good quality if you train it. It must become knowing, it must become criticism. Ask it, whenever it wants to spoil something for you, why something is ugly, demand proofs from it, test it, and you will find it perhaps bewildered and embarrased, perhaps also protesting. But don't give in, insist on arguments, and act in this way, attentive and persistent, every single time, and the day will come when, instead of being a destroyer, it will become one of your best workers--perhaps the most intelligent of all the ones that are building your life.”
Rainer Maria Rilke
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“Don't be too quick to draw conclusions from what happens to you; simply let it happen. Otherwise it will be too easy for you to look with blame... at your past, which naturally has a share with everything that now meets you.”
Rainer Maria Rilke
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“Why do you want to shut out of your life any uneasiness, any misery, any depression, since after all you don't know what work these conditions are doing inside you? Why do you want to persecute yourself with the question of where all this is coming from and where it is going? Since you know, after all, that you are in the midst of transitions and you wished for nothing so much as to change. If there is anything unhealthy in your reactions, just bear in mind that sickness is the means by which an organism frees itself from what is alien; so one must simply help it to be sick, to have its whole sickness and to break out with it, since that is the way it gets better.”
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“She who reconciles the ill-matched threadsOf her life, and weaves them gratefullyInto a single cloth – It’s she who drives the loudmouths from the hallAnd clears it for a different celebration.”
Rainer Maria Rilke
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“A person isn't who they are during the last conversation you had with them - they're who they've been throughout your whole relationship.”
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