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Salman Rushdie

The Satanic Verses

(1988), novel of Indian-born British writer Salman Rushdie led Ruholla Khomeini, the ayatollah of Iran, to demand his execution and then forced him into hiding; his other works include

Midnight's Children

(1981), which won the Booker prize, and

The Moor's Last Sigh

(1995).

Sir Ahmed Salman Rushdie, a novelist and essayist, set much of his early fiction at least partly on the Indian subcontinent. His style is often classified as magical realism, while a dominant theme of his work is the story of the many connections, disruptions and migrations between the Eastern and Western world.

His fourth novel led to some violent protests from Muslims in several countries. Faced with death threats and a fatwa (religious edict) issued by Ayatollah Ruhollah Khomeini, then Supreme Leader of Iran, which called for him to be killed, he spent nearly a decade largely underground, appearing in public only sporadically. In June 2007, he was appointed a Knight Bachelor for "services to literature", which "thrilled and humbled" him. In 2007, he began a five-year term as Distinguished Writer in Residence at Emory University.


“Life is fury, he'd thought. Fury — sexual, Oedipal, political, magical, brutal — drives us to our finest heights and coarsest depths. Out of furia comes creation, inspiration, originality, passion, but also violence, pain, pure unafraid destruction, the giving and receiving of blows from which we never recover. The Furies pursue us; Shiva dances his furious dance to create and also to destroy. But never mind about gods! Sara ranting at him represented the human spirit in its purest, least socialized form. This is what we are, what we civilize ourselves to disguise — the terrifying human animal in us, the exalted, transcendent, self-destructive, untramelled lord of creation.”
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“He did not wish to be divine. If there had never been a God, the emperor thought, it might have been easier to work out what goodness was. This business of worship, of the abnegation of self in the face of the Almighty, was a distraction, a false trail. Wherever goodness lay, it did not lie in ritual, unthinking obeisance before a deity but rather, perhaps, in the slow, clumsy, error-strewn working out of an individual or collective path.”
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“India's head ached. Insomnia was still her most attentive, cruelest lover, demanding and possessing her selfishly whenever it chose to do so. Light-heartedness was beyond her today. A man of middling quality was trying to marry her, and there was something wrong with her father's voice on the phone.”
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“In the end, you write the book that grabs you by the throat and demands to be written.”
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“I think that we live in a very timid age, and a part of our timidity arises from our unwillingness to offend people. And as a result there are whole tribes of people now who define themselves by their offendedness. I mean, who are you if you are not offended by anything? You're kind of nobody or even worse, you are a liberal. And I just think that whole business defining yourself by anger is very problematic. And then the fact that we all kind of bend over backwards not to induce that anger becomes very often also a problem and a kind of cowardice, if you like. And I think we just need to live in a more robust society in which people say things that other people don't like and the answer to that is not to throw a bomb at them, but to say "I don't like that much" and then get on with the next business.”
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“The liveliness of literature lies in its exceptionality, in being the individual, idiosyncratic vision of one human being, in which, to our delight and great surprise, we may find our own vision reflected.”
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“our lives teach us who we are”
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“How to forgive the world for its beauty, which merely disguises its ugliness; for its gentleness, which merely cloaks its cruelty; for its illusion of continuity, seamlessly, as the night follows the day, so to speak- whereas in reality life is a series of brutal raptures, falling upon your defenseless hands, like the blows of a woodman's axe?”
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“All migrants leave their pasts behind, although some try to pack it into bundles and boxes-but on the journey something seeps out of the treasured mementoes and old photographs, until even their owners fail to recognize them, because it is the fate of migrants to be stripped of history, to stand naked amidst the scorn of strangers upon whom they see rich clothing, the brocades of continuity and the eyebrows of belonging..”
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“He had picked up languages the way most sailors pick up diseases; languages were his gonorrhoea, his syphilis, his scurvy, his ague, his plague.”
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“Whores and writers, Mahound. We are the people you can't forgive.”
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“Do not start me on The Da Vinci Code ... a novel so bad that it gives bad novels a bad name."(Discussion at Woodruff Auditorium in Lawrence, KS; October 7, 2005.)”
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“Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. And never forget that writing is as close as we get to keeping a hold on the thousand and one things--childhood, certainties, cities, doubts, dreams, instants, phrases, parents, loves--that go on slipping , like sand, through our fingers.”
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“Sometimes by a woodland stream he watched the water rush over the pebbled bed, its tiny modulations of bounce and flow. A woman's body was like that. If you watched it carefully enough you could see how it moved to the rhythm of the world, the deep rhythm, the music below the music, the truth below the truth. He believed in this hidden truth the way other men believed in God or love, believed that truth was in fact always hidden, that the apparent, the overt, was invariably a kind of lie.”
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“Happy endings must come at the end of something,' the Walrus pointed out. 'If they happen in the middle of a story, or an adventure, or the like, all they do is cheer things up for awhile.”
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“I always thought storytelling was like juggling [...] You keep a lot of different tales in the air, and juggle them up and down, and if you're good you don't drop any.”
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“Nothing comes from nothing, Thieflet; no story comes from nowhere; new stories are born from old--it is the new combinations that make them new.”
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“The process of revision should be constant and endless”
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“...in words and pickles, I have immortalized my memories, although distortions are inevitable in both methods. We must live, I'm afraid, with the shadows of imperfections.”
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“optimism is a disease”
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“I fell victim to the temptation of every autobiographer, to the illusion that since the past exists only in one's memories and the words which strive vainly to encapsulate them, it is possible to create past events simply by saying they occurred.”
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“I have been only the humblest jugglers-with-facts; and that, in a country where the truth is what it is instructed to be, reality quite literally ceases to exist, so that everything becomes possible except what we are told is the case; and maybe this was the difference between my Indian childhood and Pakistani adolescence--that in the first I was beset by an infinity of alternative realities, while in the second I was adrift, disoriented, amid an equally infinite number of falsenesses, unrealities and lies.”
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“...proving once again that there was no escape from recurrence.”
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“Shah Ismail had fallen victim to the rarely used, great Uzbek anti-Shiite potato and sturgeon curse, which required quantities of potatoes and caviar which were not easy to amass, and a unity of purpose among the Sunni witches which was likewise difficult to achieve.”
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“...in autobiography, as in all literature, what actually happened is less important than what the author can manage to persuade his audience to believe”
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“India, the new myth--a collective fiction in which anything was possible, a fable rivalled only by the two other mighty fantasies: money and God.”
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“Why, alone of all the more-than-five-hundred-million, should I have to bear the burden of history?”
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“What you were is forever who you are.”
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“Religion was the glue of Pakistan, holding the halves together; just as consciousness, the awareness of oneself as a homogenous entity in time, a blend of past and present, is the glue of personality, holding together our then and our now.”
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“Wherever goodness lay, it did not lie in ritual, unthinking obeisance before a deity but rather, perhaps, in the slow clumsy, error-strewn working out of an individual or collective path.”
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“Without water we are nothing", the traveler thought. "Even an emperor, denied water, would swiftly turn to dust. Water is the real monarch and we are all its slaves.”
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“Once upon a time there was a mother who, in order to become a mother, had agreed to change her name; who set herself the task of falling in love with her husband bit-by-bit, but who could n ever manage to love one part, the part, curiously enough, which made possible her motherhood; whose feet were hobbled by verrucas and whose shoulders were stooped beneath the accumulating guilts of the world; whose husband's unlovable organ failed to recover from the effects of a freeze; and who, like her husband, finally succumbed to the mysteries of telephones, spending long minutes listening to the words of wrong-number callers . . . shortly after my tenth birthday (when I had recovered from the fever which has recently returned to plague me after an interval of nearly twenty-one years), Amina Sinai resumed her recent practice of leaving suddenly, and always immediately after a wrong number, on urgent shopping trips.”
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“We crave permission openly to become our secret selves.”
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“I had become a kind of information magpie, gathering to myself all manner of shiny scraps of fact and hokum and books and art-history and politics and music and film, and developing, too, a certain skill in manipulating and arranging these pitiful shards so that they glittered and caught the light. Fool's gold, or priceless nuggets mined from my singular childhood's rich bohemian seam? I leave it to others to decide.”
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“If a birth is the fall-out from the explosion caused by the union of two unstable elements, then perhaps a half-life is all we can expect. ”
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“I, however, was raised neither as Catholic nor as Jew. I was both, and nothing: a jewholic-anonymous, a cathjew nut, a stewpot, a mongrel cur. I was--what's the word these days?--atomised. Yessir: a real Bombay mix. ”
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“Abraham Zogoiby covered his face that night in August 1939 because he had been assailed by fear, [...] a sudden apprehension that the ugliness of life might defeat its beauty; that love did not make lovers invulnerable. Nevertheless, he thought, even if the world's beauty and love were on the edge of destruction, theirs would still be the only side to be on; defeated love would still be love, hate's victory would not make it other than it was. ”
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“we look up and we hope the stars look down, we pray that there may be stars for us to follow, stars moving across the heavens and leading us to our destiny, but it's only our vanity. We look at the galaxy and fall in love, but the universe cares less about us than we do about it, and the stars stay in their courses however much we may wish upon them to do otherwise. It's true that if you watch the sky-wheel turn for a while you'll see a meteor fall, flame and die. That's not a star worth following; it's just an unlucky rock. Our fates are here on earth. There are no guiding stars.”
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“A sigh isn't just a sigh. We inhale the world and breathe out meaning. While we can. While we can.”
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“There is a thing that lives in us, eating our food, breathing our air, looking out through our eyes, and when it comes out to play nobody is immune; possessed, we turn murderously upon one another, thing-darkness in our eyes and real weapons in our hands, neighbour against thing-ridden neighbour, thing-driven cousin against cousin, brother-thing against brother-thing, thing-child against thing-child.”
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“The inevitable triumph of illusion over reality that was the single most obvious truth about the history of the human race.”
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“Faced with the blazing magnificence of the everyday, the artist is both humbled and provoked. There are photographs now of events on an unimaginable scale [...] When we look at these images, there is, yes, legitimate wonderment at our own lengthening reach and grasp. But it would be vain indeed to praise our puny handiwork--the mastery of the Hubble wielders, the computer enhancers, the colorizers, all the true-life-fantasist counterparts of Hollywood's techno-wizards and imagineers--when the universe is putting on so utterly unanswerable a show. Before the majesty of being, what is there to do but hang our heads?”
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“My parents gave me the gift of irreligion, of growing up without bothering to ask people what gods they held dear, assuming that in fact, like my parents, they weren't interested in gods, and that this uninterest was 'normal.' You may argue that the gift was a poisoned chalice, but even if so, that's a cup from which I'd happily drink again.”
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“But love is what we want, not freedom. Who then is the unluckier man? The beloved, who is given his heart's desire and must for ever after fear its loss, or the free man, with his unlooked-for liberty, naked and alone between the captive armies of the earth?”
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“They lived in a great city, a metropolis of many narratives that converged briefly and then separated for ever, discovering their different dooms in that crowd of stories through which all of us, following our own destinies, had to push and shove to find our way through, or out. ”
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“The only people who see the whole picture,' he murmured, 'are the ones who step out of the frame.”
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“In spite of all evidence that life is discontinuous, a valley of rifts, and that random chance plays a great part in our fates, we go on believing in the continuity of things, in causation and meaning. But we live on a broken mirror, and fresh cracks appear in its surface every day. ”
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“In the home of this music, alas, religious fanatics have lately started killing the musicians. They think the music is an insult to god, who gave us voices but does not wish us to sing, who gave us free will, rai, but prefers us not to be free.”
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“A photograph is a moral decision taken in one eighth of a second. ”
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“Once you have been in an earthquake you know, even if you survive without a scratch, that like a stroke in the heart, it remains in the earth's breast, horribly potential, always promising to return, to hit you again, with an even more devastating force. ”
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