Salman Rushdie photo

Salman Rushdie

The Satanic Verses

(1988), novel of Indian-born British writer Salman Rushdie led Ruholla Khomeini, the ayatollah of Iran, to demand his execution and then forced him into hiding; his other works include

Midnight's Children

(1981), which won the Booker prize, and

The Moor's Last Sigh

(1995).

Sir Ahmed Salman Rushdie, a novelist and essayist, set much of his early fiction at least partly on the Indian subcontinent. His style is often classified as magical realism, while a dominant theme of his work is the story of the many connections, disruptions and migrations between the Eastern and Western world.

His fourth novel led to some violent protests from Muslims in several countries. Faced with death threats and a fatwa (religious edict) issued by Ayatollah Ruhollah Khomeini, then Supreme Leader of Iran, which called for him to be killed, he spent nearly a decade largely underground, appearing in public only sporadically. In June 2007, he was appointed a Knight Bachelor for "services to literature", which "thrilled and humbled" him. In 2007, he began a five-year term as Distinguished Writer in Residence at Emory University.


“History could claw upward as well as down. The powerful could be deafened by the cries of the poor.”
Salman Rushdie
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“Travel was pointless. It removed you from the place in which you had a meaning, and to which you gave meaning in return by dedicating your life to it, and it spirited you away into fairylands where you were, and looked, frankly absurd.”
Salman Rushdie
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“What's the use of stories that aren't even true?”
Salman Rushdie
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“Where there is no belief, there is no blasphemy.”
Salman Rushdie
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“I admit it: above all things, I fear absurdity.”
Salman Rushdie
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“A book is a product of a pact with the Devil that inverts the Faustian contract, he'd told Allie. Dr Faustus sacrificed eternity in return for two dozen years of power; the writer agrees to the ruination of his life, and gains (but only if he's lucky) maybe not eternity, but posterity, at least. Either way (this was Jumpy's point) it's the Devil who wins.”
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“A man who sets out to make himself up is taking on the Creator's role, according to one way of seeing things; he's unnatural, a blasphemer, an abomination of abominations. From another angle, you could see pathos in him, heroism in his struggle, in his willingness to risk: not all mutants survive. Or, consider him socio-politically: most migrants learn, and can become disguises. Our own false descriptions to counter the falsehoods invented about us, concealing for reasons of security our secret selves.”
Salman Rushdie
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“perhaps, if one wishes to remain an individual in the midst of the teeming multitudes, one must make oneself grotesque.”
Salman Rushdie
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“...because it is the privilige and the curse of midnight's children to be both masters and victims of their times, to forsake privacy and be sucked into the annihilating whirlpool of the multitudes, and to be unable to live or die in peace.”
Salman Rushdie
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“Scraps of memory: this is not how a climax should be written. A climax should surge towards its Himalayan peak; but I am left with shreds, and must jerk towards my crisis like a puppet with broken strings. This is not what I had planned; but perhaps the story you finish is never the one you begin.”
Salman Rushdie
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“How do you defeat terrorism? Don’t be terrorized.”
Salman Rushdie
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“A people that has remained convinced of its greatness and invulnerability, that has chosen to believe such a myth in the face of all the evidence, is a people in the grip of a kind of sleep, or madness. ”
Salman Rushdie
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“An iceberg is water striving to be land; a mountain, especially a Himalaya, especially Everest, is land's attempt to metamorphose into sky; it is grounded in flight, the earth mutated--nearly--into air, and become, in the true sense, exalted. Long before she ever encountered the mountain, Allie was aware of its brooding presence in her soul.”
Salman Rushdie
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“He told her: he fell from the sky and lived. She took a deep breath and believed him, because of her father's faith in the myriad and contradictory possibilities of life, and because, too, of what the mountain had taught her. "Okay," she said, exhaling. "I'll buy it. Just don't tell my mother, all right?" The universe was a place of wonders, and only habituation, the anaesthesia of the everyday, dulled our sight. She had read, a couple of days back, that as part of their natural processes of combustion, the stars in the skies crushed carbon into diamonds. The idea of the stars raining diamonds into the void: that sounded like a miracle, too. If that could happen, so could this. Babies fell out of zillionth-floor windows and bounced. There was a scene about that in François Truffaut's movie L'Argent du Poche...She focused her thoughts. "Sometimes," she decided to say, "wonderful things happen to me, too.”
Salman Rushdie
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“Something was badly amiss with the spiritual life of the planet...Too many demons inside people claiming to believe in God.”
Salman Rushdie
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“From the beginning men used God to justify the unjustifiable.”
Salman Rushdie
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“What kind of Christmas present would Jesus ask Santa for?”
Salman Rushdie
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“A book is not completed till it's read.”
Salman Rushdie
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“If Woody Allen were a Muslim, he'd be dead by now.”
Salman Rushdie
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“Sometimes, people trying to commit suicide manage it in a manner that leaves them breathless with astonishment.”
Salman Rushdie
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“The city of Jahilia is built entirely of sand, its structures formed of the desert whence it rises. It is a sight to wonder at: walled, four-gated, the whole of it a miracle worked by its citizens, who have learned the trick of transforming the fine white dune-sand of those forsaken parts, - the very stuff of inconstancy, - the quintessence of unsettlement, shifting, treachery, lack-of-form, - and have turned it, by alchemy, into the fabric of their newly invented permanence.”
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“O my vanity I am an arrogant man, is this weakness, is it just a dream of power? Must I betray myself for a seat on the council? Is this sensible and wise or is it hollow and self-loving? I don’t even know if the Grandee is sincere. Does he know? Perhaps not even he. I am weak and he’s strong, the offer gives him many ways of ruining me. But I, too, have much to gain. The souls of the city, of the world, surely they are worth three angels? Is Allah so unbending that he will not embrace three more to save the human race?”
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“If you want pay, then just be gay.”
Salman Rushdie
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“Exile is a dream of a glorious return. Exile is a vision of revolution: Elba, not St Helena. It is an endless paradox: looking forward by always looking back. The exile is a ball hurled high into the air. ”
Salman Rushdie
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“Please," Professor Solanka asked. "Just tell me.""That's the worst part," Dubdub said. "There's nothing to tell. No direct or proximate cause. You wake up one day and you aren't a part of your life. You know this. Your life doesn't belong to you. Your body is not, I don't know how to make you this the force of this, yours. there's just life, living itself. You don't have it. You don't have anything to do with it. That's all. It doesn't sound like much, but believe me. It's like when you hypnotize someone and persuade them there's a big pile of mattresses outside their window. They no longer see a reason not to jump.”
Salman Rushdie
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“Who what am I? My answer: I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I’ve gone which would not have happened if I had not come. Nor am I particularly exceptional in this matter; each ‘I’, every one of the now-six-hundred-million-plus of us, contains a similar multitude. I repeat for the last time: to understand me, you’ll have to swallow the world.”
Salman Rushdie
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“My love for Dan Brown knows no bounds. It literally has no mass.”
Salman Rushdie
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“Music, love, death. Certainly a triangle of sorts; maybe even an eternal one."The only people who can see the whole picture," he murmured, "are the ones who step out of the frame." (The ground beneath her feet.)”
Salman Rushdie
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“Masks beneath masks until suddenly the bare bloodless skull.”
Salman Rushdie
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“What's real and what's true aren't necessarily the same.”
Salman Rushdie
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“A little bit of one story joins onto an idea from another, and hey presto, . . . not old tales but new ones. Nothing comes from nothing.”
Salman Rushdie
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“Our human tragedy is that we are unable to comprehend our experience, it slips through our fingers, we can't hold on to it, and the more time passes, the harder it gets...My father said that the natural world gave us explanations to compensate for the meanings we could not grasp. The slant of the cold sunlight on a winter pine, the music of water, an oar cutting the lake and the flight of birds, the mountains' nobility , the silence of the silence. We are given life but must accept that it is unattainable and rejoice in what can be held in the eye, the memory, the mind.”
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“Everest silences you...when you come down, nothing seems worth saying, nothing at all. You find the nothingness wrapping you up, like a sound. Non-being. You can't keep it up, of course. the world rushes in soon enough. What shuts you up is, I think, the sight you've had of perfection: why speak if you can't manage perfect thoughts, perfect sentences? It feels like a betrayal of what you've been through. But it fades; you accept that certain compromises, closures, are required if you're to continue.”
Salman Rushdie
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“For a long while I have believed – this is perhaps my version of Sir Darius Xerxes Cama’s belief in a fourth function of outsideness – that in every generation there are a few souls, call them lucky or cursed, who are simply born not belonging, who come into the world semi-detached, if you like, without strong affiliation to family or location or nation or race; that there may even be millions, billions of such souls, as many non-belongers as belongers, perhaps; that, in sum, the phenomenon may be as “natural” a manifestation of human nature as its opposite, but one that has been mostly frustrated, throughout human history, by lack of opportunity. And not only by that: for those who value stability, who fear transience, uncertainly, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers’ seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the non-belongers, the different ones, the outlaws, the freaks.What we forbid ourselves we pay good money to watch, in a playhouse or a movie theater, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveler, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.”
Salman Rushdie
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“I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I'm gone which would not have happened if I had not come.”
Salman Rushdie
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“Most of what matters in our lives takes place in our absence.”
Salman Rushdie
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“After a winter's gestation in its eggshell of ice, the valley had beaked its way out into the open, moist and yellow.”
Salman Rushdie
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“She's no flibberti-gibberti mamzell, but a whir-stir-get-lost-sir bundla dynamite!”
Salman Rushdie
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“Freedom is not a tea party, India. Freedom is a war. ”
Salman Rushdie
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“I grew up kissing books and bread,”
Salman Rushdie
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“To be born again,' sang Gibreal Farishta tumbling from the heaveans, 'first you have to die. Ho ji! Ho ji! To land upon the bosomy earth, first one needs to fly Tat-taa! Takatun! How to ever smile again, if first you won't cry? How to win the darling's love mister, without a sigh?”
Salman Rushdie
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“faith without doubt is addiction”
Salman Rushdie
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“Being God's postman is no fun, yar.Butbutbut: God isn't in this picture. God knows whose postman I've been.”
Salman Rushdie
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“Perhaps the story you finish is never the one you begin.”
Salman Rushdie
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“Unhappy endings might seem more realistic than happy ones, but reality often contained a streak of fantasy that realism lacked.”
Salman Rushdie
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“We strive for heights bit our natures betray us, Chamcha thought; clowns in search of crowns. The bitterness overcame him”
Salman Rushdie
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“The actor's life offers, on a daily basis, the simulacrum of love; a mask can be satisfied, or at least consoled, by the echo of what it seeks.”
Salman Rushdie
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“Why obliterate the exceptional merely in order to make the outstanding look finer than it was?”
Salman Rushdie
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“Fury...sexual, Oedipal, political, magical, brutal....drives us to our finest heights and coarsest depths”
Salman Rushdie
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“We all owe death a life.”
Salman Rushdie
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