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Suzanne Collins

Since 1991, Suzanne Collins has been busy writing for children’s television. She has worked on the staffs of several Nickelodeon shows, including the Emmy-nominated hit Clarissa Explains it All and The Mystery Files of Shelby Woo. For preschool viewers, she penned multiple stories for the Emmy-nominated Little Bear and Oswald. She also co-wrote the critically acclaimed Rankin/Bass Christmas special, Santa, Baby! Most recently she was the Head Writer for Scholastic Entertainment’s Clifford’s Puppy Days.

While working on a Kids WB show called Generation O! she met children’s author James Proimos, who talked her into giving children’s books a try.

Thinking one day about Alice in Wonderland, she was struck by how pastoral the setting must seem to kids who, like her own, lived in urban surroundings. In New York City, you’re much more likely to fall down a manhole than a rabbit hole and, if you do, you’re not going to find a tea party. What you might find...? Well, that’s the story of Gregor the Overlander, the first book in her five-part series, The Underland Chronicles. Suzanne also has a rhyming picture book illustrated by Mike Lester entitled When Charlie McButton Lost Power.

She currently lives in Connecticut with her family and a pair of feral kittens they adopted from their backyard.

The books she is most successful for in teenage eyes are The Hunger Games, Catching Fire and Mockingjay. These books have won several awards, including the GA Peach Award.


“You would think after all the hours I’d spent with Gale– watching him talk and laugh and frown– that I would know all there was to know about his lips. But I hadn’t imagined how warm they would feel pressed against my own. Or how those hands [...] could entrap me… I vaguely remember my fingers, curled tightly closed, resting on his chest.”
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“and there's this piercing sort of pain where my heart is. Maybe I'm even having a heart attack, but it doesn't seem worth mentioning.”
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“my muscles are rigid with the tension of holding myself together. the pain over my heart returns, and from it i imagine tiny fissures spreading out into my body. through my torso, down my arms and legs, over my face, leaving it crisscrossed with cracks.”
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“I don't know what it is with Finnick and bread, but he seems obsessed with handling it.”
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“Maybe everyone is just trying to protect me by lying to me. I don't care. I'm sick of people lying to me for my own good.”
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“My mother just wanted me to forget it. So, of course, every word was immediately, irrevocably branded into my brain.”
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“hey. I just wanted to make sure you got home," I say. "Katniss, I live three houses away from you," he says.”
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“We could do it, you know," Gale says quietly."What?" I ask."Leave the district. Run off. Live in the woods. You and I, we could make it," says Gale.I don't know how to respond. This idea is so preposterous.”
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“No one will forget me. Not my look, not my name. Katniss. The girl who was on fire.”
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“Do you want me to lie about it?"..."No I want you to rethink it and come up with the right opinion.”
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“The beauty of this idea is that my decision to keep Peeta alive at the expense of my own life is itself an act of defiance. A refusal to play the Hunger Games by the Capitol's rules. My private agenda dovetails completely with my public one. And if I really could save Peeta... in terms of a revolution, this would be ideal. Because I will be more valuable dead. They can turn me into some kind of martyr for the cause and paint my face on banners, and it will do more to rally people than anything I could do if I was living. But Peeta would be more valuable alive, and tragic, because he will be able to turn his pain into words that will transform people.”
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“And right when your song ended I knew - just like your mother - I was a goner," Peeta says. "Then for the next eleven years, I tried to work up the nerve to talk to you.”
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“Because...because...she came here with me.”
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“I know he was desperate. That makes people do all kinds of crazy things.”
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“What do you think?" I whisper to Peeta. "About the fire?" "I'll rip off your cape if you'll rip off mine," he says through gritted teeth.”
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“I go back to my room and lie under the covers, trying not to think of Gale and thinking of nothing else.”
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“Just remember, stealing's punishable by death”
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“We have to joke about it because the alternative is to be scared”
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“Peeta looks at the glass again and puts it together. "You mean this will make me puke?" My prep team laughs hysterically. "Of course, so you can keep eating," says Octavia. "I've been in there twice already. Everyone does it, or else how would you have any fun at a feast?”
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“But I feel as if I did know Rue, and she'll always be with me. Everything beautiful brings her to mind. I see her in the yellow flowers that grow in the Meadow by my house. I see her in the Mockingjays that sing in the trees. But most of all, I see her in my sister, Prim.”
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“This perplexing, good natured boy who can spin out lies so convincingly to be hopelessly in love with me ... and I admit it there are moments when he makes me believe it myself.”
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“We're supposed to be making up this stuff, playing at being in love, not actually being in love.”
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“Listen up. You're in trouble. Word is the Capitol's furious about you showing them up in the arena. The one thing they can't stand is being laughed at and they're the joke of Panem”
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“His face and arms are so artfully disguised as to be invisible. I kneel beside him. “I guess all those hours decorating cakes paid off.” Peeta smiles. “Yes, frosting. The final defense of the dying.”
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“So, here’s what you do. You win, you go home. She can’t turn you down then, eh?” says Caesar encouragingly. “I don’t think it’s going to work out. Winning…won’t help in my case,” says Peeta. “Why ever not?” says Caesar, mystified. Peeta blushes beet red and stammers out. “Because…because…she came here with me.”
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“I noticed the plants growing around me. Tall with leaves like arrowheads. Blossoms with three white petals. I knelt down in the water, my fingers digging into the soft mud, and I pulled up handfuls of the roots. Small, bluish tubers that don’t look like much but boiled or baked are as good as any potato. “Katniss,” I said aloud. It’s the plant I was named for. And I heard my father’s voice joking, “As long as you can find yourself, you’ll never starve.”
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“I stand there unmoving while they take part in the boldest form of dissent they can manage. Silence.”
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“How about you, Mockingjay? You feel totally safe?” “Oh, yeah. Right up until I got shot,” I say.”
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“We hand the meat over to Greasy Sae in the kitchen. She likes District 13 well enough, even though she thinks the cooks are somewhat lacking in imagination. But a woman who came up with a palatable wild dog and rhubarb stew is bound to feel as if her hands are tied here.”
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“I curl up, make myself smaller, try to disappear entirely. Wrapped in silence, I slide my bracelet that reads 'mentally disoriented' around and around my wrist.”
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“The arenas are historic sites, preserved after the Games. Popular destinations for Capitol residents to visit, to vacation. Go for a month, rewatch the Games, tour the catacombs, visit the sites where the deaths took place. You can even take part in reenactments.They say the food is excellent”
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“I volunteer!" I gasp. "I volunteer as tribute!”
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“Tu sei la ghiandaia imitratrice, Katniss. Finché sei viva, vive anche la rivoluzione.”
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“Potresti vivere cento vite e ancora non lo meriteresti, lo sai?”
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“Vorrei poter fermare il tempo e vivere così per sempre"Di solito questi riferimenti al suo imperituro amore nei miei confronti mi fanno sentire in colpa e a disagio. Ma mi sento così tranquilla e rilassata e al di là di qualsiasi preoccupazione per un futuro che comunque non avrò che mi lascio sfuggire due semplici parole: "Va bene"Sento il sorriso nella sua voce. "Allora sei d'accordo?""Sono d'accordo" dico io.”
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“A hysterical young woman with flowing brown hair is also called from 4, but she's quickly replaced by a volunteer, an eighty-year-old woman who needs a cane to walk to the stage.”
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“We each get fifteen minutes before the Gamemakers to amaze them with our skills, but I don't know what any of us might have to show them. There's a lot of kidding about it at lunch. What we might do. Sing, dance, strip, tell jokes. Mags, who i can understand a little better now, decides she's just going to take a nap.”
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“Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead." I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. "She's dead, you stupid cat. She's dead.”
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“It costs a lot more than your life. To murder innocent people? It costs everything you are.”
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“We star-crossed lovers of District 12, who suffered so much and enjoyed so little the rewards of our victory, do not seek our fans' favor, grace them with our smiles, or catch their kisses. We are unforgiving. And I love it. Getting to be myself at last.”
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“Look, if you wanted to be babied you should have asked Peeta.”
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“Birds are settling down for the night, singing lullabies to their young.”
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“But I have to confess, I'm glad you two had at least a few months of happiness together."I'm not glad," says Peeta. "I wish we had waited until the whole thing was done officially."This takes even Caesar aback. "Surely even a brief time is better than no time?"Maybe I'd think that, too, Caesar," says Peeta bitterly, "If it weren't for the baby.”
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“Katniss, there is no District Twelve...”
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“As we ride the elevator Gale finally says “You're still angry.”“And you're still not sorry,” I reply."I will stand by what I said. Do you want me to lie about it?” he asks.“No, I want you to rethink it and come up with the right opinion,” I tell him.”
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“I no longer feel allegiance to these monsters called human beings, despise being one myself. I think that Peeta was onto something about us destroying one another and letting some decent species take over. Because something is significantly wrong with a creature that sacrifices its children’s lives to settle its differences. You can spin it any way you like. Snow thought the Hunger Games were an efficient means of control. Coin thought the parachutes would expedite the war. But in the end, who does it benefit? No one. The truth is, it benefits no one to live in a world where these things happen.”
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“Don't want that, do they?” She throws back her head and shouts, “Whole country in rebellion? Wouldn't want anything like that!”
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“Something flickers across his bloodshot eyes. Pain.”
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“Not if we blow it up," Gale says brusquely. His intent, his full intent, becomes clear. Gale has no interest in preserving the lives of those in the Nut. No interest in caging the pray for later use.This is one of his death traps.”
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“Fire beats roses again.”
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