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Suzanne Collins

Since 1991, Suzanne Collins has been busy writing for children’s television. She has worked on the staffs of several Nickelodeon shows, including the Emmy-nominated hit Clarissa Explains it All and The Mystery Files of Shelby Woo. For preschool viewers, she penned multiple stories for the Emmy-nominated Little Bear and Oswald. She also co-wrote the critically acclaimed Rankin/Bass Christmas special, Santa, Baby! Most recently she was the Head Writer for Scholastic Entertainment’s Clifford’s Puppy Days.

While working on a Kids WB show called Generation O! she met children’s author James Proimos, who talked her into giving children’s books a try.

Thinking one day about Alice in Wonderland, she was struck by how pastoral the setting must seem to kids who, like her own, lived in urban surroundings. In New York City, you’re much more likely to fall down a manhole than a rabbit hole and, if you do, you’re not going to find a tea party. What you might find...? Well, that’s the story of Gregor the Overlander, the first book in her five-part series, The Underland Chronicles. Suzanne also has a rhyming picture book illustrated by Mike Lester entitled When Charlie McButton Lost Power.

She currently lives in Connecticut with her family and a pair of feral kittens they adopted from their backyard.

The books she is most successful for in teenage eyes are The Hunger Games, Catching Fire and Mockingjay. These books have won several awards, including the GA Peach Award.


“When I ask Plutarch about his absence, he just shakes his head and says, "He couldnt face it.""Haymitch? Not able to face something? Wanted a day off, more likely," I say."I think his actual words were 'I couldn't face it without a bottle,'" says Plutarch.”
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“Maybe I'll be like the man in the Hanging Tree still waiting for an answer.' Gale who I have never seen cry has tears in his eyes. To keep them from spilling over. I reach forward and press my lips against his. We taste of heat, ashes and misery.”
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“Enobaria smiles at Johanna. 'Don't look so smug,' says Johanna. 'We'll kill you anyway.”
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“Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob.”
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“I think of the snarling, cruel exchange back on the hovercraft. The bitterness that followed. But all I say is "I can't believe you didn't rescue Peeta.""I know," he replies.There's a sense of incompleteness. And not because he hasn't apologized. But because we were a team. We had a deal to keep Peeta safe. A drunken, unrealistic deal made in the dark of night, but a deal just the same. And in my heart of hearts, I know we both failed."Now you say it," I tell him."I can't believe you let him out of your sight that night," says Haymitch.”
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“Finally, the intercom crackles and Hatmitch's acerbic laugh fills the studio. He contains himself just long enough to say, 'And that, my friends, is how a revolution dies.”
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“I still stand by what I said. Do you want me to lie about it?' he asks.'No, I want you to rethink it and come up with the right opinion,' I tell him.”
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“All of the creatures were staring fixedly at Boots. She was standing on the back of her loyal cockroach friend, Temp, smack in the middle of the octagon, singing "The Itsy-Bisty Spider" at the top of her lungs. The green spider, to whom the song principially was directed, seemed to be cringing. Boots was somewhat off-key, but Gregor was pretty sure it was the loudness that was making the arachnid hunch down and contract. "She has been going on like this for hours," whispered Nerissa. "Days more like it," said Ripred in disgust."Next I will sing one for you!" announced Boots, pointing at the bat, who actually flinched.”
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“Never," said Gregor. "I'll never get rid of you, no matter how hard I try." It was no longer an effort to say the words. "I love you.""I love you, too," said Luxa.After that there was nothing left to say.”
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“Underground. Which I hate. Like mines and tunnels and 13. Underground, where I dread dying, which is stupid because even if I die aboveground, the next thing they'll do is bury me underground anyway.”
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“I had to do that. At least once.”
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“In theory, sure, Gregor could still go home. Pack up his three-year-old sister, Boots, get his mom out of the hospital, where she was recovering from the plague, and have his bat, Ares, fly them back up to the laudry room of their appartment building in New York City. Ares, his bond, who saved his life numerous times and who had had nothing but suffering since he had met Gregor. He tried to imagine the parting. "Well, Ares, it's been great. I'm heading home now. I know by leaving I'm completely dooming to annihilation everbody who's helped me down here, but I'm really not up for this whole war thing anymore. So, fly you high, you know?" Like that would ever happen.”
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“Remember that even in war there is a time for restraint. A time to hold back your sword.”
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“Sorry excuses for hunters and friends. Both of us.”
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“I pound on the glass, screaming my head off. Everyone ignores me except for some Capitol attendant who appears behind me and offers me a beverage.”
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“Maybe the other tributes are out there beating one another senseless. Which would be fine.- Katniss -”
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“I will never give up if you never give in.”
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“Four people wheel out a huge wedding cake from a side room. Most of the guests back up, making way for this rarity, this dazzling creation with blue-green, white-tipped icing waves swimming with fish and sailboats, seals and sea flowers. But I push my way through the crowd to confirm what I knew at first sight. As surely as the embroidery stitches in Annie's gown were done by Cinna's hand, the frosted flowers on the cake were done by Peeta's.”
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“They erase my face with a layer of pale makeup and draw my features back out.”
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“It's only now that he's been corrupted that I can fully appreciate the real Peeta. Even more than I would've if he'd died. The kindness, the steadiness, the warmth that had an unexpected heat behind it. Outside of Prim, my mother and Gale, how many people in the world love me unconditionally? I think in my case, the answer may be none. Sometimes, when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena. To make myself put a name to the thing I've lost. But what's the use? It's gone. He's gone. Whatever existed between us is gone. All that's left is my promise to kill Snow. I tell myself this ten times a day.”
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“I knew it. In this way, Peeta's not hard to predict. While I was wallowing around on the floor of that cellar, thinking only of myself, he was here, thinking of me. Shame isn't a strong enough word for what I feel.”
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“All I can think of is the emaciated bodies of children on our kitchen table as my mother prescribes what the parent's can't give. More food.”
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“I look at Peeta and he gives me a sad smile. I hear Haymitch's voice. "You could do a lot worse." At this moment, it's impossible to imagine how I could do any better. The gift...it is perfect. So when I rise up on my tiptoe to kiss him, it doesn't seem forced at all.”
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“I mourn my old life here. We barely scraped by, but I knew where I fit in, I knew what my place was in the tightly interwoven fabric that was our life. I wish I could go back to it because, in retrospect, it seems so secure compared to now, when I am so rich and famous and so hated by the authorities in the capitol.”
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“No one really needs me," he says, and there's no self pity in his voice. It's true his family doesn't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do," I say. "I need you." he looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, i stop his lips with a kiss.”
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“She's not here," I tell him. Buttercup hisses again. "She's not here. You can hiss all you like. You won't find Prim." At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. "Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead, you stupid cat. She's dead.”
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“Whatever it takes to break you.”
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“While I was waiting...I ate your lunch.”
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“Frankly, our ancestors don't seem much to brag about. I mean, look at the state they left us in, with the wars, the broken planet. Clearly, they didn't care about what would happen to the people who came after them.”
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“It's impossible to be the Mockingjay. Impossible to complete even this one sentence. Because now I know that everything I say will be directly taken out on Peeta. Result in his torture. But not his death, no, nothing so merciful as that. Snow will ensure that his life is much more worse than death."Cut," I hear Cressida say quietly."What's wrong with her?" Plutarch says under his breath."She's figured out how Snow's using Peeta," says Finnick.There's something like a collective sigh of regret from that semicircle of people spread out before me. Because I know this now. Because there will never be a way for me to not know this again. Because, beyond the military disadvantage losing a entails, I am broken.Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob."I can't do this anymore," I say."I know," he says.”
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“Then I know Prim is right, that Snow cannot afford to waste Peeta's life, especially now, while the Mockingjay causes so much havoc. He's killed Cinna already. Destroyed my home. My family, Gale, and even Haymitch are out of his reach. Peeta's all he has left. "So, what do you think they'll do to him?" I ask. Prim sound about a thousand years old when she speaks."Whatever it takes to break you.”
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“Now we're in that sweet period where everyone agrees that our recent horrors should never be repeated. But collective thinking is usually short-lived. We're fickle, stupid beings with poor memories and a great gift for self-destruction.”
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“All around the dining hall, you can feel the rejuvenating effect that a good meal can bring on. The way it can make people kinder, funnier, more optimistic, and remind them it's not a mistake to go on living. It's better than any medicine.”
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“That was the one thing I had going for me. Taking care of your family.”
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“Oh, be quiet, Fo-Fo.”
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“As we curve around into the loop of the City Circle, I can see that a couple of other stylists have tried to steal Cinna and Portia's idea of illuminating their tributes. The electric-light-studded outfits from District 3, where they make electronics, at least make sense. But what are the livestock keepers from Distric 10, who are dressed as cows, doing with flaming belts? Broiling themselves? Pathetic.”
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“Roses. Wolf mutts. Tributes. Frosted Dolphins. Friends. Mockingjays. Stylists. Me. Everything screams in my dreams tonight.”
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“I'm going to be the Mockingjay.”
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“Oh, that I do know...Katniss will pick whoever she thinks she can't survive without.”
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“Courage only counts when you can count.”
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“That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.”
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“Are you, are you coming to the tree? Wear a necklace of rope, side by side with me. Strange things did happen here. No stranger would let it be if we met up At midnight in the hanging tree.”
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“Want a sugar cube?" he asks in his old seductive voice.”
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“Sometimes when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena.”
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“A furious Peeta hammers Haymitch with the atrocity he could become party to, but I can feel Haymitch watching me. This is the moment, then. When we find out exactly just how alike we are, and how much he truly understands me."I'm with the Mockingjay," he says.”
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“An ability to look into the confusing mess of life and see things for what they are.”
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“He frosted under heavy guard.”
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“But I don't know what to him about the aftermath of killing a person. About how they never leave you.”
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“Now he's [Cinna] arranging things around my living room: Clothing, fabrics, and sketchbooks with designs he's drawn. I pick one up and examine one of the dresses I supposedly created. You know, I think I show a lot of promise," I say.Get dressed, you worthless thing.”
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“Because I can count on my fingers the number of sunsets I have left, and I don't want to miss any of them.”
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