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Umberto Eco

Umberto Eco was an Italian writer of fiction, essays, academic texts, and children's books. A professor of semiotics at the University of Bologna, Eco’s brilliant fiction is known for its playful use of language and symbols, its astonishing array of allusions and references, and clever use of puzzles and narrative inventions. His perceptive essays on modern culture are filled with a delightful sense of humor and irony, and his ideas on semiotics, interpretation, and aesthetics have established his reputation as one of academia’s foremost thinkers.


“I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).”
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“Is it possible to say "It was a beautiful morning at the end of November" without feeling like Snoopy?”
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“I dared, for the first and last time in my life, to express a theological conclusion: "But how can a necessary being exist totally polluted with the possible? What difference is there, then, between God and primogenial chaos? Isn't affirming God's absolute omnipotence and His absolute freedom with regard to His own choices tantamount to demonstrating that God does not exist?”
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“After so many years even the fire of passion dies, and with it what was believed the light of the truth. Who of us is able to say now whether Hector or Achilles was right, Agamemnon or Priam, when they fought over the beauty of a woman who is now dust and ashes?”
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“But is the unicorn a falsehood? It's the sweetest of animals and a noble symbol. It stands for Christ and for chastity; it can be captured only by setting a virgin in the forest, so that the animal, catching her most chaste odor, will go and lay its head in her lap, offering itself as prey to the hunters' snares.""So it is said, Adso. But many tend to believe that it's a fable, an invention of the pagans.""What a disappointment," I said. "I would have liked to encounter one, crossing a wood. Otherwise what's the pleasure of crossing a wood?”
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“And this? Aldhelm of Malmesbury. Listen to this page: 'Primitus pantorum procerum poematorum pio potissimum paternoque presertim privilegio panegiricum poemataque passim prosatori sub polo promulgatas.' ... The words all begin with the same letter!""The men of my islands are all a bit mad," William said proudly.”
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“Fear prophets, Adso, and those prepared to die for the truth, for as a rule they make many others die with them, often before them, at times instead of them.”
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“A monk should surely love his books with humility, wishing their good and not the glory of his own curiosity; but what the temptation of adultery is for laymen and the yearning for riches is for secular ecclesiastics, the seduction of knowledge is for monks.”
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“To read fiction means to play a game by which we give sense to the immensity of things that happened, are happening, or will happen in the actual world. By reading narrative, we escape the anxiety that attacks us when we try to say something true about the world. This is the consoling function of narrative — the reason people tell stories, and have told stories from the beginning of time.”
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“A democratic civilization will save itself only if it makes the language of the image into a stimulus for critical reflection — not an invitation for hypnosis.”
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“Semiotics is in principle the discipline studying everything which can be used in order to lie. If something cannot be used to tell a lie, conversely it cannot be used to tell the truth: it cannot in fact be used "to tell" at all.”
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“But why do some people support [the heretics]?" "Because it serves their purposes, which concern the faith rarely, and more often the conquest of power." "Is that why the church of Rome accuses all its adversaries of heresy?" "That is why, and that is also why it recognizes as orthodoxy any heresy it can bring back under its own control or must accept because the heresy has become too strong.”
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“The faith a movement proclaims doesn't count: what counts is the hope it offers. All heresies are the banner of a reality, an exclusion. Scratch the heresy and you will find the leper. Every battle against heresy wants only this: to keep the leper as he is.”
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“For centuries, as pope and emperor tore each other apart in their quarrels over power, the excluded went on living on the fringe, like lepers, of whom true lepers are only the illustration ordained by God to make us understand this wondrous parable, so that in saying 'lepers' we would understand 'outcast, poor, simple, excluded, uprooted from the countryside, humiliated in the cities.' But we did not understand; the mystery of leprosy has continued to haunt us because we have not recognized the nature of the sign.”
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“Under torture you are as if under the dominion of those grasses that produce visions. Everything you have heard told, everything you have read returns to your mind, as if you were being transported, not toward heaven, but toward hell. Under torture you say not only what the inquisitor wants, but also what you imagine might please him, because a bond (this, truly, diabolical) is established between you and him ... These things I know, Ubertino; I also have belonged to those groups of men who believe they can produce the truth with white-hot iron. Well, let me tell you, the white heat of truth comes from another flame.”
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“In the years when I discoverd the Abbé Vallet volume, there was a widespread conviction that one should write only out of a commitment to the present, in order to change the world. Now, after ten years or more, the man of letters (restored to his loftiest dignity) can happily write out of pure love of writing.”
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“There are magic moments, involving great physical fatigue and intense motor excitement, that produce visions of people known in the past ("en me retraçant ces détails, j'en suis à me demander s'ils sont réels, ou bien si je les ai rêvés"). As I learned later from the delightful little book of the Abbé de Bucquoy, there are also visions of books as yet unwritten.”
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“The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the pressure of a body. At times it reproduces the impression a body has left in our mind: it is the print of an idea.”
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“E nevoie de un dușman ca să-i dai poporului o speranță. Cineva a spus că patriotismul e ultimul refugiu al canaliilor: cine nu are principii morale se înfășoară de obicei într-un steag, iar bastarzii fac întotdeauna apel la puritatea stirpei lor. Identitatea națională este ultima resursă a dezmoșteniților. Or, simțul identității se întemeiază pe ură, ura împotriva celui ce nu-i identic. Trebuie să cultivi ura ca patos cetățenesc. Dușmanul e prietenul popoarelor. E nevoie oricând de cineva demn de a fi urât ca să te simți justificat în propria-ți mizerie. Ura este adevărata pasiune primordială. Iubirea reprezintă o situație anormală.”
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“Each of us is sometimes a cretin, a fool, a moron, or a lunatic. A normal person is just a reasonable mix of these components, these four ideal types.”
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“A te închipui un element necesar în ordinea universului echivalează, pentru noi, oamenii cu lecturi serioase, cu ceea ce e superstiția pentru analfabeți. Nu se schimbă lumea cu ideile. Persoanele cu puține idei sunt mai puțin supuse erorii, se iau după ceea ce fac toți și nu deranjează pe nimeni, și reușesc, se îmbogățesc, ajung la poziții solide, deputați, oameni cu decorații, oameni de litere renumiți, academicieni, jurnaliști. Poți să mai fii nerod când îți faci așa de bine propriile afaceri? Prostul sunt eu, care am vrut să mă bat cu morile de vânt.”
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“Omnia mundi creaturaquasi liber et pictura nobis estin speculum.”
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“What model reader did I want as i was writing? An accomplice, to be sure, one who would play my game.”
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“This has nothing to do with realism (even if it explains also realism). A completely real world can be constructed, in which asses fly and princesses are restored to life by a kiss, but that world, purely possible and unrealistic, must exist according to structures defined at the outset (we have to know whether it is a world where a princess can be restored to life only by the kiss of a prince, or also by that of a witch, and whether the princess's kiss tranforms only frogs into princes or also, for example, armadillos).”
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“I wrote a novel because I had a yen to do it. I believe this is sufficient reason to set out to tell a story.”
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“Born as the raising to the nth power of that initial (and rational) waste that is sports recreation, sports chatter is the glorification of Waste, and therefore the maximum point of Consumption. On it and in it the consumer civilization man actually consumes himself (and every possibility of thematizing and judging the enforced consumption to which his is invited and subjected).”
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“Once upon a time there were mass media, and they were wicked, of course, and there was a guilty party. Then there were the virtuous voices that accused the criminals. And Art (ah, what luck!) offered alternatives, for those who were not prisoners to the mass media.Well, it's all over. We have to start again from the beginning, asking one another what's going on.”
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“He had prepared his death much earlier, in his imagination, unaware that his imagination, more creative than he, was planning the reality of that death.”
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“Jacopo, while I could still read, during these past months, I read dictionaries, I studied histories of words, to understand what was happening in my body. I studied like a rabbi. Have you ever reflected that the linguistic term `metathesis' is similar to the oncological term `metastasis'? What is the metathesis? Instead of `clasp' one says `claps.' Instead of `beloved' one says `bevoled.' It's the temurah. The dictionary says that metathesis means the transposition or interchange, while metastasis indicates the change and shifting. How stupid dictionaries are! The root is the same. Either it's the verb metatithemi or the verb methistemi. Metatithemi means I interpose, I shift, I transfer, I substitute, I abrogate a law, I change a meaning. And methistemi? It's the same thing: I move, I transform, I transpose, I switch cliches, I take leave of my senses. And as we sought secret meanings beyond the letter, we all took leave of our senses. And so did my cells, obediently, dutifully. That's why I'm dying, Jacopo, and you know it.”
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“I was becoming addicted, Diotallevi was becoming corrupted, Belbo was becoming converted. But all of us were slowly losing that intellectual light that allows you always to tell the similar from the identical, the metaphorical from the real.”
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“I believe that you can reach the point where there is no longer any difference between developing the habit of pretending to believe and developing the habit of believing.”
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“We'll have to consult Aglie. I doubt that even he knows all these organizations.""Want to bet? They're his daily bread. But we can put him to the test. Let's add a sect that doesn't exist. Founded recently."I recalled the curious question of De Angelis, whether I had ever heard of the Tres. And I said: "Tres.""What's that?" Belbo asked."If it's an acrostic, there has to be a subtext," Diotallevi said. "Otherwise my rabbis would not have been able to use the notarikon. Lets see... Templi Resurgentes Equites Synarchici. That suit you?"We liked the name, and put it at the bottom of the list."With all these conventicles, inventing one more was no mean trick," Diotallevi said in a sudden fit of vanity.”
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“How clear everything becomes when you look from the darkness of a dungeon.”
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“I didn't know how to define it -- hermetic skepticism? liturgical cynicism? -- this higher disbelief that led him to acknowledge the dignity of all the superstitions he scorned.”
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“But this lump does not absolve me, because I got it through heedlessness, not though courage. I run my tongue over my lip and what do I do? I write. But bad literature brings no redemption.”
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“You're innocent, Casaubon. You ran away instead of throwing stones, you got your degree, you didn't shoot anybody. Yet a few years ago I felt you, too, were blackmailing me. Nothing personal, just generational cycles. And then last year, when I saw the Pendulum, I understood everything.""Everything?""Almost everything. You see, Casaubon, even the Pendulum is a false prophet. You look at it, you think it's the only fixed point in the cosmos. but if you detach it from the ceiling of the Conservatoire and hang it in a brothel, it works just the same. And there are other pendulums: there's one in New York, in the UN building, there's one in the science museum in San Francisco, and God knows how many others. Wherever you put it, Foucault's Pendulum swings from a motionless point while the earth rotates beneath it. Every point of the universe is a fixed point: all you have to do is hang the Pendulum from it.""God is everywhere.""In a sense, yes. That's why the Pendulum disturbs me. It promises the infinite, but where to put the infinite is left to me. So it isn't enough to worship the Pendulum; you still have to make a decision, you have to find the best point for it. And yet...""And yet?""And yet... You're not taking me seriously by any chance, are you, Casaubon? No, I can rest easy; we're not the type to take things seriously.... Well, as I was saying, the feeling you have is that you've spent a lifetime hanging the Pendulum in many paces, and it's never worked, but there, in the Conservatoire, it works.... Do you think there are special places in the universe? On the ceiling of this room, for example? No, nobody would believe that. You need atmosphere. I don't know, maybe we're always looking for the right place, maybe it's within reach, but we don't recognize it. Maybe, to recognize it, we have to believe in it. Well, let's go see Signor Garamond.""To hang the Pendulum?""Ah, human folly! Now we have to be serious. If you are going to be paid, the boss must see you, touch you, sniff you, and say you'll do. Come, let the boss touch you; the boss's touch heals scrofula.”
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“We were interrupted by a girl with a strawberry birthmark on her nose; she had some papers in her hand and asked if we had signed the petition for the imprisoned Argentinean comrades. Belbo signed without reading it. "They're even worse of than I am," he said to Diotallevi, who was regarding him with a bemused expression. "He can't sign," Belbo said to the girl. "He belongs to a small Indian sect that forbids its members to write their own names. Many of them are in jail because of government persecution." The girl looked sympathetically at Diotallevi and passed the petition to me."And who are they?" I asked."What do you mean, who are they? Argentinean comrades.""But what group do they belong to?""The Tacuarus, I think.""The Tacuarus are fascists," I said. As if I knew one group from the other."Fascist pig," the girl hissed at me. She left.”
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“We'll have to see," Belbo said. He rummaged in his drawer and took out some sheets of paper. "Potio-section..." He looked at me, saw my bewilderment. "Potio-section, as everybody knows, of course, is the art of slicing soup. No, no," he said to Diotallevi. "It's not the department, it's a subject, like Mechanical Avunculogratulation or Pylocatabasis. They all under the same heading of Tetrapyloctomy.""What's tetra...?" I asked."The art of splitting hairs four ways. This is the department of useless techniques. Mechanical Avunculogratulation, for example, is how to build machines for greeting uncles. We're not sure, though, if Pylocatabasis belongs, since it's the art of being saved by a hair. Somehow that doesn't seem completely useless.""All right, gentlemen," I said, "I give up. What are you two talking about?""Well, Diotallevi and I are planning a reform in higher education. A School of Comparative Irrelevance, where useless or impossible courses are given. The school's main is to turn out scholars capable of endlessly increasing the number of unnecessary subjects.”
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“I was the type who looked at discussions of What Is Truth only with a view toward correcting the manuscript. If you were to quote "I am that I am," for example, I thought that the fundamental problem was where to put the comma, inside the quotation marks or outside.”
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“Die Menschen tun das Böse nie so vollständig und begeistert, wie wenn sie es aus religiöser Überzeugung tun.”
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“Über die deutsche Sprache: „Sie halten sich für tief, weil ihre Sprache unklar ist, ihr fehlt die clarté der französischen Sprache, sie sagt nie exakt das, was sie sollte, so dass kein Deutscher jemals weiß, was er sagen wollte – und dann verwechselt er diese Undeutlichkeit mit Tiefe. Es ist mit Deutschen wie mit Frauen, man gelangt bei ihnen nie auf den Grund”
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“A library's ideal function is to be a little bit like a bouquiniste's stall, a place for trouvailles.”
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“I returned to the courtyard and saw that the sun had grown weaker. Beautiful and clear as it had been, the morning (as the day approached the completion of its first half) was becoming damp and misty. Heavy clouds moved from the north and were invading the top of the mountain, covering it with a light brume. It seemed to be fog, and perhaps fog was also rising from the ground, but at that altitude it was difficult to distinguish the mists that rose from below and those that come down from above. It was becoming hard to discern the bulk of the more distant buildings.”
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“La desesperada soledad de las paralelas que no se encuentran jamás”
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“Le pregunté cómo se llamaba el gato y contestó que los gatos no se llaman porque no son cristianos como los perros”
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“La caca es lo más personal y reservado que tenemos. El resto pueden conocerlo todos, la expresión de tu cara, tu mirada, tus gestos (...) Los seres humanos aman el perfume de sus propios excrementos pero no el de los ajenos. En el fondo, forman parte de nuestro cuerpo”
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“De mens bedrijft het kwaad nooit zo hartstochtig en vol overgave als wanneer hij dat doet uit godsdienstige overtuiging.”
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“[...] there is one inexorable law of technology, and it is this: when revolutionary inventions become widely accessible, they cease to be accessible. Technology is inherently democratic, because it promises the same services to all; but it works only if the rich are alone using it. When the poor also adopt technology, it stops working. A train used to take two hours to go from A to B; then the motor car arrived, which could cover the same distance in one hour. For this reason cars were very expensive. But as soon as the masses could afford to buy them, the roads became jammed, and the trains started to move faster. Consider how absurd it is for the authorities constantly to urge people to use public transport, in the age of the automobile; but with public transport, by consenting not to belong to the elite, you get where you're going before members of the elite do.”
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“Your masters at Oxford have taught you to idolize reason, drying up the prophetic capacities of your heart!”
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“The cultivated person's first duty is to be always prepared to rewrite the encyclopedia.”
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