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Umberto Eco

Umberto Eco was an Italian writer of fiction, essays, academic texts, and children's books. A professor of semiotics at the University of Bologna, Eco’s brilliant fiction is known for its playful use of language and symbols, its astonishing array of allusions and references, and clever use of puzzles and narrative inventions. His perceptive essays on modern culture are filled with a delightful sense of humor and irony, and his ideas on semiotics, interpretation, and aesthetics have established his reputation as one of academia’s foremost thinkers.


“Für die Leute, die einen zum ersten Mal besuchen, eine imposante Bibliothek entdecken und nichts Besseres zu sagen wissen als: "Haben Sie das alles gelesen?“, kenne ich mehrere Antworten. Einer meiner Freunde sagt; „Mehr, Monsieur, mehr."Ich für mein Teil habe zwei Antworten. Die erste ist: "Nein. Das sind nur die Bücher, die ich nächste Woche lesen muss. Die, die ich schon gelesen habe, sind in der Universität." Die zweite Antwort lautet: "Ich hab keins dieser Bücher gelesen. Warum würde ich sie sonst hier aufbewahren?”
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“Ще пуснеш ли вентилатора, animula vagula blandula?- Aма нали е зима?- За вас от погрешното полукълбо, миличка. Сега е юли. Имай търпение, пусни вентилатора не защото аз съм мъжът, а защото е от твоята страна.”
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“Както отявленият атеист, който вижда нощем дявола и безбожнически разсъждава така: "Той безспорно не съществува, сигурно е от храносмилането, но рогатият не го знае и си вярва в своята преобърната теология. Кое би могло на него, уверения, че съществува, да вдъхне страх?" Прекръстваш се и той, доверчив, изчезва сред серен облак.”
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“What did I really think fifteen years ago? A nonbeliever, I felt guilty in the midst of all those believers. And since it seemed to me that they were in the right, I decided to believe, as you might decide to take an aspirin: It can't hurt and you might get better.”
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“I lacked the courage to investigate the weaknesses of the wicked, because I discovered they are the same as the weaknesses of the saintly.”
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“Nothing gives a fearful man more courage than another's fear.”" -”
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“There, Master Niketas,’ Baudolino said, ‘when I was not prey to the temptations of this world, I devoted my nights to imagining other worlds. A bit with the help of wine, and a bit with that of the green honey. There is nothing better than imagining other worlds,’ he said, ‘to forget the painful one we live in. At least so I thought then. I hadn’t yet realized that, imagining other worlds, you end up changing this one.”
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“Agora selo o que não devia ser dito,no túmulo em que me torno.”
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“Mas talvez naquele momento ele não tenha sido capaz de nenhum cálculo,o grito que lhe saiu da boca era o grito de sua alma e nele e com ele descarregava anos de longos e secretos remorsos.Ou seja,após uma vida de incertezas,entusiasmos e desilusões,vilezas e traições,posto diante da inelutabilidade de sua ruína,ele decidia professar a fé de sua juventude,sem mais perguntar se era justa ou errada,mas para mostrar a si mesmo que era capaz de alguma fé.”
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“Quase inebriado,gozava então da sua presença nas coisas que via,e através delas desejava-a,satisfazendo-me à vista delas.E,no entanto,sentia uma dor,porque ao mesmo tempo sofria por uma ausência,mesmo sendo feliz com tantos fantasmas de uma presença.”
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“I did not know then what Brother William was seeking, and to tell the truth, I still do not know today, and I presume he himself did not know, moved as he was solely by the desire for truth, and by the suspicion - which I could see he always harbored - that the truth was not what was appearing to him at any given moment.”
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“Mystical additions and subtractions always come out the way you want.”
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“For such is the fate of parody: it must never fear exaggerating. If it strikes home, it will only prefigure something that others will then do without a smile--and without a blush--in steadfast virile seriousness.”
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“Mais l idéologie proclamée de Forest Lawn est la même que celle du musée Getty qui est gratuitement ouvert au public. C est l idéologie de la conservation, au Nouveau Monde, des trésors que l imprévoyance et le désintérêt du Vieux Monde sont en train de réduire a néant.Naturellement cette ideologie occulte quelque chose: le desir du profit, dans le cas du cimetiere, et, dans le cas de Getty, le fait que la colonisation affairiste du Nouveau Monde (dont fait partie aussi l empire petrolier de Paul Getty) a affaibli le le Vieux.Cest exactement les larmes de crocodile du patricien romain qui reproduisait les grandeurs de cette Grece que son pays avait rabaissee au rang de colonie.”
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“American coffee can be a pale solution served at a temperature of 100degrees centigrade in plastic thermos cups, usually obligatory in railroadstations for purposes of genocide, whereas coffee made with an Americanpercolator, such as you find in private houses or in humble luncheonettes,served with eggs and bacon, is delicious, fragrant, goes down like purespring water, and afterwards causes severe palpitations, because one cupcontains more caffeine than four espressos.”
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“Well, Diotallevi and I are planning a reform in higher education. A School of Comparative Irrelevance, where useless or impossibe courses are given. The school's aim is to turn out scholars capable of endlessly increasing the number of unnecessary subjects.”
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“I believe that what we become depends on what our fathers teach us at odd moments, when they aren't trying to teach us. We are formed by little scraps of wisdom.”
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“All poets write bad poetry. Bad poets publish them, good poets burn them.”
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“The real hero is always a hero by mistake.”
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“Aspirar a algo que no tendrás jamás, ¿es ésta la agudeza del más generoso entre los deseos?”
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“The monkish vows keep us far from that sink of vice that is the female body, but often they bring us close to other errors. Can I finally hide from myself the fact that even today my old age is still stirred by the noonday demon when my eyes, in choir, happen to linger on the beardless face of a novice, pure and fresh as a maiden's?”
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“The list could surely go on, and there is nothing more wonderful than a list, instrument of wondrous hypotyposis.”
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“Pengetahuan tidak hanya terdiri atas mengenai apa yang harus dan dapat kita lakukan, tetapi juga tahu apa yang mungkin tidak usah dilakukan(Kata Willian dalam The Name of the Rose)”
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“Pengetahuan Tuhan mewujud dalam pengetahuan manusia”
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“It's so beautiful.”
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“I think of the postmodern attitude as that of a man who loves a very cultivated woman and knows that he cannot say to her "I love you madly", because he knows that she knows (and that she knows he knows) that these words have already been written by Barbara Cartland. Still there is a solution. He can say "As Barbara Cartland would put it, I love you madly". At this point, having avoided false innocence, having said clearly it is no longer possible to talk innocently, he will nevertheless say what he wanted to say to the woman: that he loves her in an age of lost innocence.”
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“If culture did not filter, it would be inane — as inane as the formless, boundless Internet is on its own. And if we all possessed the boundless knowledge of the Web, we would be idiots! Culture is an instrument for making a hierarchical system of intellectual labor.”
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“INTERVIEWERDo you believe in God?ECOWhy does one love a certain person one day and discover the next day that the love is gone? Feelings, alas, disappear without justification, and often without a trace.INTERVIEWERIf you don’t believe in God, then why have you written at such great length about religion?ECOBecause I do believe in religion. Human beings are religious animals, and such a characteristic feature of human behavior cannot be ignored or dismissed.”
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“Sometimes I look a the Moon, and I imagine that those darker spots are caverns, cities, islands, and the places that shine are those where the sea catches the light of the sun like the glass of a mirror...I would like to tell of war and friendship among the various parts of the body, the arms that do battle with the feet, and the veins that make love with the arteries or the bones with the marrow. All the stories I would like to write persecute me when I am in my chamber, it seems as if they are all around me, the little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful'.”
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“A narrator should not supply interpretations of his work; otherwise he would have not written a novel, which is a machine for generating interpretations.”
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“Then why do you want to know?""Because learning does not consist only of knowing what we must or we can do, but also of knowing what we could do and perhaps should not do.”
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“Con Cusano si delinea l'immagine di un universo infinitamente aperto che ha il centro dappertutto e la circonferenza in nessun luogo. Dio, in quanto infinito, supera ogni limitazione e ogni opposizione. A mano a mano che si aumenta il diametro di un cerchio, diminuisce la sua curvatura, e al limite una circonferenza infinita diventa una retta infinita: in Dio si ha la coincidenza degli opposti. Se l'universo avesse un centro, sarebbe limitato da un altro universo. Ma nell'universo Dio è centro e circonferenza. La terra non può essere il centro dell'universo.”
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“We stopped to browse in the cases, and now that William - with his new glasses on his nose - could linger and read the books, at every title he discovered he let out exclamations of happiness, either because he knew the work, or because he had been seeking it for a long time, or finally because he had never heard it mentioned and was highly excited and titillated. In short, for him every book was like a fabulous animal that he was meeting in a strange land.”
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“If you want to use television to teach somebody, you must first teachthem how to use television.”
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“Thus we have on stage two men, each of whom knows nothing of what he believes the other knows, and to deceive each other reciprocally both speak in allusions, each of the two hoping (in vain) that the other holds the key to his puzzle.”
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“To survive, you must tell stories.”
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“Privado de vuestra mirada soy ciego pues no me veis, mudo pues no me hablàis, desmemoriado pues de mì no acordàis”
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“It is necessary to meditate early, and often, on the art of dying to succeed later in doing it properly just once.”
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“the first quality of an honest man is contempt for religion, which would have us afraid of the most natural thing in the world, which is death; and would have us hate the one beautiful thing destiny has given us, which is life.”
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“Love flourishes in expectation. Expectation strolls through the spacious fields of Time towards Opportunity.”
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“All the stories I would like to write persecute me. When I am in my chamber, it seems as if they are all around me, like little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful.”
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“But the purpose of a story is to teach and to please at once, and what it teaches is how to recognize the snares of the world.”
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“Any fact becomes important when it's connected to another.”
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“but I had also learned that freedom of speech means freedom from rhetoric.”
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“Show not what has been done, but what can be. How beautiful the world would be if there were a procedure for moving through labyrinths.”
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“The order that our mind imagines is like a net, or like a ladder, built to attain something. But afterward you must throw the ladder away, because you discover that, even if it was useful, it was meaningless.”
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“Yes, I know, it's not the truth, but in a great history little truths can be altered so that the greater truth emerges.”
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“And when someone suggests you believe in a proposition, you must first examine it to see whether it is acceptable, because our reason was created by God, and whatever pleases our reason can but please divine reason, of which, for that matter, we know only what we infer from the processes of our own reason by analogy and often by negation.”
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“I suspect that there is no serious scholar who doesn’t like to watch television. I’m just the only one who confesses”
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“...It would hardly be a waste of time if sometimes even the most advanced students in the cognitive sciences were to pay a visit to their ancestors. It is frequently claimed in American philosophy departments that, in order to be a philosopher, it is not necessary to revisit the history of philosophy. It is like the claim that one can become a painter without having ever seen a single work by Raphael, or a writer without having ever read the classics. Such things are theoretically possible; but the 'primitive' artist, condemned to an ignorance of the past, is always recognizable as such and rightly labeled as naïf. It is only when we consider past projects revealed as utopian or as failures that we are apprised of the dangers and possibilities for failure for our allegedly new projects. The study of the deeds of our ancestors is thus more than an atiquarian pastime, it is an immunological precaution.”
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