Ursula K. Le Guin

“The first thing I can remember clearly is writing the way into the secret room.”

“The airport bookstore did not sell books, only bestsellers, which Sita Dulip cannot read without risking a severe systemic reaction.”

“The Gethenians do not see one another as men or women. This is almost impossible for our imaginations to accept. After all, what is the first question we ask about a newborn baby? ....there is no division of humanity into strong and weak halves, protected/ protective. One is respected and judged only as a human being. You cannot cast a Gethnian in the role of Man or Woman, while adopting towards 'him' a corresponding role dependant on your expetations of the interactions between persons of the same or oppositve sex. It is an appalling experience for a Terran ”

“Current-borne, wave-flung, tugged hugely by the whole might of ocean, the jellyfish drifts in the tidal abyss. The light shines through it, and the dark enters it. Borne, flung, tugged from anywhere to anywhere, for in the deep sea there is no compass but nearer and farther, higher and lower, the jellyfish hangs and sways; pulses move slight and quick within it, as the vast diurnal pulses beat in the moondriven sea. Hanging, swaying, pulsing, the most vulnerable and insubstantial creature, it has for its defense the violence and power of the whole ocean, to which it has entrusted its being, its going, and its will.”

“How rich we are in knowledge, and in all that lies around us yet to learn. Billionaires, all of us.”

“I have told the story I was asked to tell. I have closed it, as so many stories close, with a joining of two people. What is one man's and one woman's love and desire, against the history of two worlds, the great revolutions of our lifetimes, the hope, the unending cruelty of our species? A little thing. But a key is a little thing, next to the door it opens. If you lose the key, the door may never be unlocked. It is in our bodies that we lose or begin our freedom, in our bodies that we accept or end our slavery. So I wrote this book for my friend, with whom I have lived and will die free.”

“There is neither source nor end, for all things are in the Center of Time. As all the stars may be reflected in a round raindrop falling in the night: so too do all the stars reflect the raindrop. There is neither darkness nor death, for all things are, in the Light of the Moment, and their end and their beginning are one.”

“I expect it will turn out that sexual intercourse is possible between Gethenian double-sexed and Hainish-norm one-sexed human beings, though such intercourse will inevitably be sterile. It remains to be proved; Estraven and I proved nothing except perhaps a rather subtler point.”

“The artist deals with what cannot be said in words.The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.”

“The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain. If you can’t lick ‘em, join ‘em. If it hurts, repeat it. But to praise despair is to condemn delight, to embrace violence is to lose hold of everything else. We have almost lost hold; we can no longer describe a happy man, nor make any celebration of joy.”

“A man does not make his destiny: he accepts it or denies it.”

“For if it's all the rest of us who are killed by the suicide, it's himself whom the murderer kills; only he has to do is over, and over, and over.”

“a book is a box of words until you open it.”

“If you can't lick'em, join'em. If it hurts, repeat it. But to praise despair is to condemn delight , to embrace violence is to lose hold of everything else.”

“We decided that it was no good asking what is the meaning of life, because life isn't an answer, life is the question, and you, yourself, are the answer.”

“My world, my Earth is a ruin. A planet spoiled by the human species. We multiplied and fought and gobbled until there was nothing left, and then we died. We controlled neither appetite nor violence; we did not adapt. We destroyed ourselves. But we destroyed the world first.”

“What is evil?" asked the younger man. The round web, with its black center, seemed to watch them both. "A web we men weave." Ged answered.”

“Our daily life in the auntring was repetitive. On the ship, later, I learned that people who live in artificially complicated situations call such a life 'simple.' I never knew anybody, anywhere I have been, who found life simple. I think a life or a time looks simple when you leave out the details, the way a planet looks smooth, from orbit.”

“Progress means nothing to presence.”

“No, I don't mean love, when I say patriotism. I mean fear. The fear of the other. And its expressions are political, not poetical: hate, rivalry, aggression.”

“I tried to speak insipidly, yet everything I said seemed to take on a double meaning.”

“Man's singularity is his divinity.”

“The life of every man is in the Center of Time, for all were seen in the seeing of Meshe, and are in his eye. We are the pupils of his Eye... Our doing is his Seeing: our being is his Knowing.”

“To oppose something is to maintain it.”

“The wise needn't ask, the fool asks in vain.”

“This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.”

“In general she had found that the main drawback in being a man was that conversations were less interesting. ”

“The individual cannot bargain with the State. The State recognizes no coinage but power: and it issues the coins itself.”

“My imagination makes me human and makes me a fool; it gives me all the world and exiles me from it.”

“A man would know the end he goes to, but he cannot know it if he does not turn, and return to his beginning, and hold that beginning in his being. If he would not be a stick whirled and whelmed in the stream, he must be the stream itself, all of it, from its spring to its sinking in the sea.”

“Yes. There's really only one question that can be answered, Genry, and we already know the answer....The only thing that makes life possible is permanent, intolerable uncertainty: not knowing what comes next.”

“Do you see how an act is not, as young men think, like a rock that one picks up and throws, and it hits or misses, and that's the end of it. When that rock is lifted, the earth is lighter; the hand that bears it heavier. When it is thrown, the circuits of the stars respond, and where it strikes or falls, the universe is changed. On every act the balance of the whole depends. The winds and seas, the powers of water and earth and light, all that these do, and all that the beasts and green things do, is well done, and rightly done. All these act within the Equilibrium. From the hurricane and the great whale's sounding to the fall of a dry leaf and the gnat's flight, all they do is done within the balance of the whole.But we, insofar as we have power over the world and over one another, we must learn to do what the leaf and the whale and the wind do of their own nature. We must learn to keep the balance. Having intelligence, we must not act in ignorance. Having choice, we must not act without responsibility.”

“In its silence, a book is a challenge: it can't lull you with surging music or deafen you with screeching laugh tracks or fire gunshots in your living room; you have to listen to it in your head. A book won't move your eyes for you the way images on a screen do. It won't move your mind unless you give it your mind, or your heart unless you put your heart in it ... To read a story well is to follow it, to act it, to feel it, to become it--everything short of writing it, in fact. Reading is not interactive with a set of rules or options, as games are; reading is actual collaboration with the writer's mind. No wonder not everyone is up to it.”

“It is a terrible thing, this kindess that human beings do not lose. Terrible, because when we are finally naked in the dark and cold, it is all we have. We who are so rich, so full of strength, we end up with that small change. We have nothing else to give. ”

“A child free from the guilt of ownership and the burden of economic competition will grow up with the will to do what needs doing and the capacity for joy in doing it. It is useless work that darkens the heart. The delight of the nursing mother, of the scholar, of the successful hunter, of the good cook, of the skilful maker, of anyone doing needed work and doing it well, - this durable joy is perhaps the deepest source of human affection and of sociality as a whole.”

“If you can see a thing whole," he said, "it seems that it's always beautiful. Planets, lives. . . . But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you loose the pattern. You need distance, interval. The way to see how beautiful earth is, is to see it from the moon. The way to see how beautiful life is, is from the vantage point of death." "That's all right for Urras. Let it stay off there and be the moon-I don't want it! But I am not going to stand up on a gravestone and look down on life and say, 'O lovely!' I want to see it whole right in the middle of it, here, now. I don't give a hoot for eternity." "It's nothing to do with eternity," said Shevek, grinning, a thin shaggy man of silver and shadow. "All you have to do to see life as a whole is to see it as mortal. I'll die, you'll die; how could we love each other otherwise? The sun's going to burn out, what else keeps it shining?" "Ah! your talk, your damned philosophy!" "Talk? It's not talk. It's not reason. It's hand's touch. I touch the wholeness, I hold it. Which is moonlight, which is Takver? How shall I fear death? When I hold it, when I hold in my hands the light-" "Don't be propertarian," Takver muttered. "Dear heart, don't cry." "I'm not crying. You are. Those are your tears." "I'm cold. The moonlight's cold." "Lie down." A great shiver went through his body as she took him in her arms. "I'm afraid, Takver," he whispered.”

“Boris Pasternak said that poetry makes itself from the relationship between the sounds and the meanings of words.”

“Whatever language we speak, before we begin a sentence we have an almost infinite choice of words to use. A, The, They, Whereas, Having, Then, To, Bison, Ignorant, Since, Winnemucca, In, It, As . . . Any word of the immense vocabulary of English may begin an English sentence. As we speak or write the sentence, each word influences the choice of the next ― its syntactical function as noun, verb, adjective, etc., its person and number if a pronoun, its tense and number as a verb, etc. ,etc. And as the sentence goes on, the choices narrow, until the last word may very likely be the only one we can use.”

“I never know the heron as it flies at first. What is the slow, wide-winged figure in the sky? Then I see it, like a word in a foreign language, like seeing one’s own name written in a strange alphabet and recognizing it, I say it: the heron.”

“To hear, one must be silent.”

“My great-aunt. . . . said nobody under 18 had any business reading Dickens. . . . She was right.”

“With a clamor of bells that set the swallows soaring, the Festival of Summer came to the city. Omelas, bright-towered by the sea. The rigging of the boats in harbor sparkled with flags. In the streets between houses with red roofs and painted walls, between old moss-grown gardens and under avenues of trees, past great parks and public buildings, processions moved. Some were decorous: old people in long stiff robes of mauve and grey, grave master workmen, quiet, merry women carrying their babies and chatting as they walked. In other streets the music beat faster, a shimmering of gong and tambourine, and the people went dancing, the procession was a dance.”

“He knew now, and the knowledge was hard, that his task had never been to undo what he had done, but to finish what he had begun.”

“But need alone is not enough to set power free: there must be knowledge.”

“In war everybody is a prisoner.”

“I never knew anybody . . . who found life simple. I think a life or a time looks simple when you leave out the details.”

“I think there is no way to write about being alone. To write is to tell something to somebody to communicate to others. . . . Solitude is noncommunication, the absence of others, the presence of a self sufficient to itself.”

“In our loss and fear we craved the acts of religion, the ceremonies that allow us to admit our helplessness, our dependence on the great forces we do not understand.”

“To learn a belief without the belief is to sing a song without the tune.”

“There are two kinds of knowledge, local and universal.”