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Ursula K. Le Guin

Ursula K. Le Guin published twenty-two novels, eleven volumes of short stories, four collections of essays, twelve books for children, six volumes of poetry and four of translation, and has received many awards: Hugo, Nebula, National Book Award, PEN-Malamud, etc. Her recent publications include the novel Lavinia, an essay collection, Cheek by Jowl, and The Wild Girls. She lived in Portland, Oregon.

She was known for her treatment of gender (The Left Hand of Darkness, The Matter of Seggri), political systems (The Telling, The Dispossessed) and difference/otherness in any other form. Her interest in non-Western philosophies was reflected in works such as "Solitude" and The Telling but even more interesting are her imagined societies, often mixing traits extracted from her profound knowledge of anthropology acquired from growing up with her father, the famous anthropologist, Alfred Kroeber. The Hainish Cycle reflects the anthropologist's experience of immersing themselves in new strange cultures since most of their main characters and narrators (Le Guin favoured the first-person narration) are envoys from a humanitarian organization, the Ekumen, sent to investigate or ally themselves with the people of a different world and learn their ways.


“The natural, proper, fitting shape of the novel might be that of a sack, a bag. A book holds words. Words hold things. They bear meanings. A novel is a medicine bundle, holding things in a particular, powerful relation to one another and to us.”
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“If one believes that words are acts, as I do, then one must hold writers responsible for what their words do.”
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“The body is an arrangement in spacetime, a patterning, a process; the mind is a process of the body, an organ, doing what organs do: organize. Order, pattern, connect. . . . an immensely flexible technology, or life strategy, which if used with skill and resourcefulness presents each of us with that most fascinating of all serials, The Story of My Life.”
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“I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived. I believe that all the best faculties of a mature human being exist in the child. . . . that one of the most deeply human, and humane, of these faculties is the power of imagination.”
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“The use of imaginative fiction is to deepen your understanding of your world, and your fellow men, and your own feelings, and your destiny.”
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“The art of one's own time tends to be formidable . . . because we have to learn how and where to take hold of it, what response is being asked of us, before we can get involved. It's truly new, and therefore truly a bit frightening.”
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“While we read a novel, we are insane—bonkers. We believe in the existence of people who aren't there, we hear their voices... Sanity returns (in most cases) when the book is closed.”
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“A forest ecology is a delicate one. If the forest perishes, its fauna may go with it. The Athshean word for world is also the word for forest.”
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“For we each of us deserve everything, every luxury that was ever piled in the tombs of the dead kings, and we each of us deserve nothing, not a mouthful of bread in hunger. Have we not eaten while another starved? Will you punish us for that? Will you reward us for the virtue of starving while others ate? No man earns punishment, no man earns reward. Free your mind of the idea of deserving, the idea of earning, and you will begin to be able to think.”
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“Gvarab was old enough that she often wandered and maundered. Attendance at her lectures was small and uneven. She soon picked out the thin boy with big ears as her one constant auditor. She began to lecture for him. The light, steady, intelligent eyes met hers, steadied her, woke her, she flashed to brilliance, regained the vision lost. She soared, and the other students in the room looked up confused or startled, even scared if they had the wits to be scared. Gvarab saw a much larger universe than most people were capable of seeing, and it made them blink. The light-eyed boy watched her steadily. In his face she saw her joy. What she offered, what she had offered for a whole lifetime, what no one had ever shared with her, he shared. He was her brother, across the gulf of fifty years, and her redemption.”
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“So he worked.He lost weight; he walked light on the earth. Lack of physical labor, lack of variety of occupation, lack of social and sexual intercourse, none of these appeared to him as lacks, but as freedom. He was the free man: he could do what he wanted to do when he wanted to do it for as long as he wanted to do it. And he did. He worked. He work/played.”
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“Since he was very young he had known that in certain ways he was unlike anyone else he knew. For a child the consciousness of such difference is very painful, since, having done nothing yet and being incapable of doing anything, he cannot justify it. The reliable and affectionate presence of adults who are also, in their own way, different, is the only reassurance such a child can have; and Shevek had not had it. His father had indeed been utterly reliable and affectionate. Whatever Shevek was and whatever he did, Palat approved and was loyal. But Palat had not had this curse of difference. He was like the others, like all the others to whom community came so easy. He loved Shevek, but he could not show him what freedom is, that recognition of each person's solitude which alone transcends it.”
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“It is no secret. All power is one in source and end, I think. Years and distances, stars and candles, water and wind and wizardry, the craft in a man's hand and the wisdom in a tree's root: they all arise together. My name, and yours, and the true name of the sun, or a spring of water, or an unborn child, all are syllables of the great word that is very slowly spoken by the shining of the stars. There is no other power. No other name.”
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“This story is not all mine, nor told by me alone. Indeed, I am not sure whose story it is; you can judge better. But it is all one, and if at moments the facts seem to alter with an altered voice, why then you can choose the fact you like best; yet none of them is false, and it is all one story. ”
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“To see that your life is a story while you're in the middle of living it may be a help to living it well.”
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“We scarcely know how much of our pleasure and interest in life comes to us through our eyes until we have to do without them; and part of that pleasure is that the eyes can choose where to look. But the ears can't choose where to listen.”
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“Sometimes you must go against the wheel's turn.”
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“True voyage is return.”
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“The Owl thinks slowly, but the Owl thinks long.”
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“I write with all my heart”
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“I believe that all novels, ... deal with character, and that it is to express character – not to preach doctrines, sing songs, or celebrate the glories of the British Empire, that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved ... The great novelists have brought us to see whatever they wish us to see through some character. Otherwise they would not be novelists, but poet, historians, or pamphleteers.”
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“You cannot buy the revolution. You cannot make the revolution. You can only be the revolution. It is in your spirit, or it is nowhere.”
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“The unknown," said Faxe's soft voice in the forest, "the unforetold, the unproven, that is what life is based on. Ignorance is the ground of thought. Unproof is the ground of action. If it were proven that there is no God there would be no religion. No Handdara, no Yomesh, no hearthgods, nothing. But also if it were proven that there is a God, there would be no religion. ... Tell me, Genry, what is known? What is sure, unpredictable, inevitable -- the one certain thing you know concerning your future, and mine?"That we shall die."Yes, There's really only one question that can be answered, Genry, and we already know the answer. ... The only thing that makes life possible is permanent, intolerable uncertainty: not knowing what comes next.”
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“Excess is excrement, ... Excrement retained in the body is a poison.”
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“Bütün duvarlar gibi iki anlamlı, iki yüzlüydü. Neyin içeride, neyin dışarıda olduğu, duvarın hangi yanından baktığınıza bağlıydı.”
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“Living, being in the world, was a much greater and stranger thing than she had ever dreamed.”
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“From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees.”
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“It is very hard for evil to take hold of the unconsenting soul.”
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“Not even need and love can defeat fate...”
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“When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.”
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“It had never occured to me that thinking and music are so much alike. In fact, you can say music is another way of thinking or maybe thinking is another kind of music. ”
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“And though I came to forget or regret all I have ever done, yet I would remember that once I saw the dragons aloft on the wind at sunset above the western isles; and I would be content.”
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“The law of evolution is that the strongest survives!' 'Yes, and the strongest, in the existence of any social species, are those who are most social. In human terms, most ethical...There is no strength to be gained from hurting one another. Only weakness.”
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“But it doesn't take a thousand men to open a door, my lord.""It might to keep it open.”
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“And day to day, life's a hard job, you get tired, you lose the pattern. You need distance, interval. The way to see how beautiful the earth is, is to see it as the moon. The way to see how beautiful life is, is from the vantage point of death.”
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“There are souls, he thought, whose umbilicus has never been cut. They never got weaned from the universe. They do not understand death as an enemy; they look forward to rotting and turning into humus.”
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“And I speak of spiritual suffering! Of people seeing their talent, their work, their lives wasted. Of good minds submitting to stupid ones. Of strength and courage strangled by envy, greed for power, fear of change. Change is freedom, change is life”
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“But it is one thing to read about dragons and another to meet them.”
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“They have nothing to give. They have no power of making. All their power is to darken and destroy. They cannot leave this place; they are this place; and it should be left to them. They should not be denied nor forgotten, but neither should they be worshiped. The Earth is beautiful, and bright, and kindly, but that is not all. The Earth is also terrible, and dark, and cruel. The rabbit shrieks dying in the green meadows. The mountains clench their great hands full of hidden fire. There are sharks in the sea, and there is cruelty in men’s eyes. And where men worship these things and abase themselves before them, there evil breeds; there places are made in the world where darkness gathers, places given over wholly to the Ones whom we call Nameless, the ancient and holy Powers of the Earth before the Light, the powers of the dark, of ruin, of madness… I think they drove your priestess Kossil mad a long time ago; I think she has prowled these caverns as she prowls the labyrinth of her own self, and now she cannot see the daylight any more. She tells you that the Nameless Ones are dead; only a lost soul, lost to truth, could believe that. They exist. But they are not your Masters. They never were. You are free, Tenar. You were taught to be a slave, but you have broken free.”
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“The machine conceals the machinations.”
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“Everything gives way before the recurring torment and festivity of passion.”
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“At the pit's bottom is no anger.”
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“and none could cry Murder, but only Justice done.”
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“As for ideology, the Hell with it.All of it.”
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“I am living in a nightmare, from which from time to time I wake in sleep.”
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“As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, the size and temper of your soul.”
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“To oppose something is to maintain it... You must go somewhere else; you must have another goal; then you walk a different road.”
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“As a kitten does what all other kittens do, so a child wants to do what other children do, with a wanting that is as powerful as it is mindless. Since we human beings have to learn what we do, we have to start out that way, but human mindfulness begins where that wish to be the same leaves off.”
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“People who deny the existence of dragons are often eaten by dragons. From within.”
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“I use a whole lot of half-assed semicolons; there was one of them just now; that was a semicolon after 'semicolons,' and another one after 'now.”
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