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Ursula K. Le Guin

Ursula K. Le Guin published twenty-two novels, eleven volumes of short stories, four collections of essays, twelve books for children, six volumes of poetry and four of translation, and has received many awards: Hugo, Nebula, National Book Award, PEN-Malamud, etc. Her recent publications include the novel Lavinia, an essay collection, Cheek by Jowl, and The Wild Girls. She lived in Portland, Oregon.

She was known for her treatment of gender (The Left Hand of Darkness, The Matter of Seggri), political systems (The Telling, The Dispossessed) and difference/otherness in any other form. Her interest in non-Western philosophies was reflected in works such as "Solitude" and The Telling but even more interesting are her imagined societies, often mixing traits extracted from her profound knowledge of anthropology acquired from growing up with her father, the famous anthropologist, Alfred Kroeber. The Hainish Cycle reflects the anthropologist's experience of immersing themselves in new strange cultures since most of their main characters and narrators (Le Guin favoured the first-person narration) are envoys from a humanitarian organization, the Ekumen, sent to investigate or ally themselves with the people of a different world and learn their ways.


“For it seemed to me, and I think to him, that it was from that sexual tension between us, admitted now and understood but not assuaged, that the great and sudden assurance of friendship between us rose: a friendship so much needed by us both in our exile, and already so well proved in the days and nights of our better journey, that it might as well be called, now as later, love. But it was from the difference between us, not from the affinities and likenesses, but from the difference, that that love came: and it was itself the bridge, the only bridge, across what divided us. For us to meet sexually would be for us to meet once more as aliens. We had touched, in the only way we could touch. We left it at that. I do not know if we were right.”
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“You cannot take what you have not given, and you must give yourself. You cannot buy the Revolution. You cannot make the Revolution. You can only be the Revolution. It is in your spirit, or it is nowhere.”
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“I tried to think about what he had asked me to do, to step so far beyond myself. I found it difficult to think about. It was as if it hung over me, this huge choice I must make, this future I could not imagine.”
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“As a man's real power grows and his knowledge widens, ever the way he can follow grows narrower: until at last he chooses nothing,but does only and wholly what he must do...”
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“If it is a human thing to do to put something you want, because it's useful, edible, or beautiful, into a bag, or a basket, or a bit of rolled bark or leaf, or a net woven of your own hair, or what have you, and then take it home with you, home being another, larger kind of pouch or bag, a container for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred, and then the next day you probably do much the same again—if to do that is human, if that's what it takes, then I am a human being after all. Fully, freely, gladly, for the first time....[T]he proper, fitting shape of the novel might be that of a sack, a bag. A book holds words. Words hold things. They bear meanings. A novel is a medicine bundle, holding things in a particular, powerful relation to one another and to us."—"The Carrier Bag Theory of Fiction”
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“The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.”
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“Children know perfectly well that unicorns aren’t real, but they also know that books about unicorns, if they are good books, are true books.”
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“Truth is a matter of the imagination.”
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“I doubt that the imagination can be suppressed. If you truly eradicated it in a child, he would grow up to be an eggplant.”
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“Light is the left hand of darknessand darkness the right hand of light.Two are one, life and death, lyingtogether like lovers in kemmer,like hands joined together,like the end and the way.”
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“Nobody who says, ‘I told you so’ has ever been, or will ever be, a hero.”
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“What is an anarchist? One who, choosing, accepts the responsibility of choice.”
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“It is good to have an end to journey toward; but it is the journey that matters, in the end.”
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“Even the best weapon is an unhappy tool, hateful to living things. So the follower of the Way stays away from it. Weapons are unhappy tools, not chosen by thoughtful people, to be used only when there is no choice, and with a calm, still mind, without enjoyment. To enjoy using weapons is to enjoy killing people, and to enjoy killing people is to lose your share in the common good. It is right that the murder of many people be mourned and lamented. It is right that a victor in war be received with funeral ceremonies.”
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“What good is power when you're too wise to use it?”
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“The book itself is a curious artifact, not showy in its technology but complex and extremely efficient: a really neat little device, compact, often very pleasant to look at and handle, that can last decades, even centuries. It doesn't have to be plugged in, activated, or performed by a machine; all it needs is light, a human eye, and a human mind. It is not one of a kind, and it is not ephemeral. It lasts. It is reliable. If a book told you something when you were fifteen, it will tell it to you again when you're fifty, though you may understand it so differently that it seems you're reading a whole new book."(Staying Awake: Notes on the alleged decline of reading, Harper's Magazine, February 2008)”
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“Living in a world that is valued only as gain, an ever-expanding world-as-frontier that has no worth of its own, no fullness of its own, you live in danger of losing your own worth to yourself. That's when you begin to listen to the voices from the other side, and to ask questions of failure and the dark.”
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“A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.”
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“When you light a candle, you also cast a shadow.”
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“Belief is the wound that knowledge heals.”
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“I do not care what comes after; I have seen the dragons on the wind of morning.”
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“Only in silence the word,Only in dark the light,Only in dying life:Bright the hawk's flightOn the empty sky.—The Creation of Éa”
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“Love doesn't just sit there, like a stone, it has to be made, like bread; remade all the time, made new.”
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“My soul is ten thousand miles wide and extremely invisibly deep. It is the same size as the sea, and you cannot, you cannot cram it into beer cans and fingernails and stake it out in lots and own it. It will drown you all and never even notice.”
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