Yevgeny Zamyatin

“Dicen que hay unas flores que sólo se abren y florecen cada cien años. Y ¿por qué no han de haber otras que florezcan una vez cada mil e incluso cada diez mil años? Quizá no lo hayamos sabido por la simple razón de que este «una vez cada mil años» acontece precisamente hoy.”

“Then how can there be a final revolution? There is no final one; revolutions are infinite.”

“If [modern artists] hadn’t lobbied for endless subsidies, they would have starved or been forced to go to work long ago. Because the ordinary bloke will not voluntarily pay for ‘art’ that leaves him unmoved.”

“What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturabtion … whereas creative art is more like intercourse, in which the artist must seduce -- render emotional -- his audience, each time.”

“Here I saw, with my own eyes, that laughter was the most terrible weapon: you can kill anything with laughter - even murder itself.”

“Happiness without freedom, or freedom without happiness. There was no third alternative.”

“Shutting my eyes, I dreamed in formulas.”

“So here I am in step with everyone now, and yet I'm still separate from everyone. I am still trembling all over from the agitation I endured, like a bridge after an ancient train has rumbled over it. I am aware of myself. And, of course, the only things that are aware of themselves and conscious of their individuality are irritated eyes, cut fingers, sore teeth. A healthy eye, finger, tooth might as well not even be there. Isn't it clear that individual consciousness is just sickness?”

“I ask you: what have people – from the very cradle- prayed for dreamed about and agonized over They wanted someone anyone to tell them once and for all what happiness is – and then to attach them to this happiness with a chain…”

“Her smile was a bite, and I was its target.”

“Everyone has to go mad, it's essential fir everyone to go mad - as soon as possible! It's essential - I know.”

“But why is it that within me "I don't want to" and "I want to" stand side by side? That is the chief horror of the matter; I continue to long for that happy death of yesterday. The horror of it is that even now, when I have integrated the logical function, when it becomes evident that that function contains death hidden within it, still I long for it with my lips, my arms, my heart, with every millimeter....”

“In the widely open cup of the armchair was I-330. I, on the floor, embracing her limbs, my head on her lap. We were silent. Everything was silent. Only the pulse was audible. Like a crystal I was dissolving in her, in I-330. I felt most distinctly how the polished facets which limited me in space were slowly thawing, melting away. I was dissolving in her lap, in her, and I became at once smaller and larger, and larger, unembraceable. For she was not she but the whole universe. For a second I and that armchair near the bed, transfixed with joy, we were one.”

“I am aware of myself. And, of course, the only things that are aware of themselves and conscious of their individuality are irritated eyes, cut fingers, sore teeth. A healthy eye, finger, tooth might as well not even be there. Isn't it clear that individual consciousness is just sickness?”

“I've come to read and hear many unlikely things about the times when people lived in freedom, i.e., the unorganized savage state. But the most unlikely thing, it seems to me, is this: how could the olden day governmental power - primitive though it was - have allowed people to live without anything like our Table, without the scheduled walks, without the precise regulation of mealtimes, getting up and going to bed whenever it occurred to them? Various historians even say that, apparently, in those times, light burned in the streets all night long, and all night long, people rode and walked the streets. This I just cannot comprehend in any way. Their faculties of reason may not have been developed, but they must have understood more broadly that living like that amounted to mass murder - literally - only it was committed slowly, day after day. The State (humaneness) forbade killing to death any one person but didn't forbid the half-killing of millions. To kill a man, that is, to decrease the sum of a human life span by fifty years - this was criminal. But decreasing the sum of many humans' lives by fifty million years - this was not criminal. Isn't that funny?”

“The knife is the most durable, immortal, the most genius thing that man created. The knife was the guillotine; the knife is the universal means of solving all knots; and along the blade of a knife lies the path of paradox - the single most worthy path of the fearless mind.”

“If human foolishness had been as carefully nurtured and cultivated as intelligence has been for centuries, perhaps it would have turned into something extremely precious.”

“We have long become overgrown with calluses; we no longer hear people being killed. ("X")”

“Latchkey! I mean . . . I want to talk to you . . .' He fell silent, glancing behind him and shifting from foot to foot, his waterproof trousers rattling like the bulls' bladders that boys use to learn swimming. Sterlingov angrily spat out his cigarette. 'Well? What about?' 'A . . . about a secret matter ,' Alyoshka whispered. Dozens of ears floated around them in the dust waves; the whisper was heard, and it ran on like a spark along a gunpowder wick. Alyoshka's secret message, the mysterious special clothing, the deacon's catastrophe-all this was too much. The atmosphere was charged with thousands of volts, and something was needed to discharge the electricity, to clear the air. ("X")”

“Ever since he repented of religion and shaved off his clerical beard and mustache, he has had the constant feeling that he has taken off his trousers, and that his nose protrudes altogether indecently and must at all cost be covered. It's sheer torment! With one hand over his nose, the deacon knocks again and again. No one responds. And yet Martha is home; the gate is locked from within. And that means - what? It means that she is with someone else... The deacon punctuates the scene inwardly with the three dots we have graphically depicted just above, and, tripping over them at every second step, he proceeds to Rosa Luxemburg Street. ("X")”

“This particular May morning begins with the appearance of a procession on the corner of Pancake and Rosa Luxemburg Streets. The procession is evidently religious: it consists of eight clerical personages, well known to the entire town. But instead of censers, the clerical personages are swinging brooms, which transfers the entire action from the plane of religion to the plane of revolution. These personages are now simply unproductive elements of society performing their labor duty for the benefit of the people. Instead of prayers, golden clouds of dust rise to the heavens. ("X")”

“The lilac branches are bowed under the weight of the flowers: blooming is hard, and the most important thing is - to bloom. (“A Story About The Most Important Thing”)”

“The moon, our own, earthly moon is bitterly lonely, because it is alone in the sky, always alone, and there is no one to turn to, no one to turn to it. All it can do is ache across the weightless airy ice, across thousands of versts, toward those who are equally lonely on earth, and listen to the endless howling of dogs. (“A Story About The Most Important Thing”)”

“But clouds bellied out in the sultry heat, the sky cracked open with a crimson gash, spewed flame-and the ancient forest began to smoke. By morning there was a mass of booming, fiery tongues, a hissing, crashing, howling all around, half the sky black with smoke, and the bloodied sun just barely visible. And what can little men do with their spades, ditches, and pails? The forest is no more, it was devoured by fire: stumps and ash. Perhaps illimitable fields will be plowed here one day, perhaps some new, unheard-of wheat will ripen here and men from Arkansas with shaven faces will weigh in their palms the heavy golden grain. Or perhaps a city will grow up-alive with ringing sound and motion, all stone and crystal and iron-and winged men will come here flying over seas and mountains from all ends of the world. But never again the forest, never again the blue winter silence and the golden silence of summer. And only the tellers of tales will speak in many-colored patterned words about what had been, about wolves and bears and stately green-coated century-old grandfathers, about old Russia; they will speak about all this to us who have seen it with our own eyes ten years - a hundred years! - ago, and to those others, the winged ones, who will come in a hundred years to listen and to marvel at it all as at a fairy tale. ("In Old Russia")”

“More wine for me, pour me some more!" "You smart girl, I knew you're a smart girl, just teasing...” Faces turn red, the dark earth blood is rising. They wink at Pelka, wink at the host: "He knows his goods!" The women feel the buttons constricting them - they undo one, another, a third. By twos the guests go outside to get some air. "Well, my dear guests, are you soaked to the gills? Eh? And now-to dance! Get lively!" The table and the chairs vanish. The middle of the room is empty. Ivan the Monk jumps out of his hole, a tambourine in his hands: "Tim-ta-a-am! Tim-ta-a-am!" “Eh-hey!" the redhead suddenly snatches the tambourine and sweeps off, tapping wildly in a circle. Eyes closed: a white sleepless sun-a white night on the meadow-white columns of smoke swaying over fires... "Eh-ah!"-to whirl herself to death, to whirl out everything, to empty herself - nothing has ever been... Heavy boots are thumping on the floor, beards fly in the wind, the frock-coat tails go flying... hey, get going, faster, faster - a hundred versts an hour! ("The North")”

“Tipsy, they tumbled early into bed - to get as much sleep as they could. So they would feel less hunger. The summer catch had been poor; there wasn't much food. They ate with care and looked sideways at the old: the old were gluttons, everybody knew it, and what was the good of feeding them? It wouldn't harm them to starve a little. The hungry dogs howled. The women rinsed the children's bellies with hot water three times a day, so they wouldn't cry so much for food. The old starved silently. ("The North")”

“But you can't plead with autumn. No. The midnight wind stalked through the woods, hooted to frighten you, swept everything away for the approaching winter, whirled the leaves. ("The North")”

“The moon hangs alien, heavy, like a lock on a door; the door is tightly shut. ("The North")”

“They do not need the sun. Who needs the sun when the eyes glow? Darkness. A woolen fog has wrapped the earth, has dropped a heavy curtain. From far away, from beyond the curtain, comes the sound of drops falling on stone. Far, far away - the autumn, people, tomorrow. ("The North")”

“The nights were long, like the braids of a pretty girl, and the days were short, like a girl's sense. ("The North")”

“White-crested waves crash on the shore. The masts sway violently, every which way. In the gray sky the gulls are circling like white flakes. Rain squalls blow past like gray slanting sails, and blue gaps open in the sky. The air brightens. A cold silvery evening. The moon is overhead, and down below, in the water; and all around it-a wide frame of old, hammered, scaly silver. Etched on the silver-silent black fishing boats, tiny black needles of masts, little black men casting invisible lines into the silver. And the only sounds are the occasional plashing of an oar, the creaking of an oarlock, the springlike leap and flip-flop of a fish. ("The North")”

“Midsummer Night was roasting hot. The shore, of red granite, glowed with the heat; the dark blood of the earth seemed to be rising from below. There was a sharp, unbearable smell of birds, of cod, of green decaying seaweed. Through the mist the huge ruddy sun loomed nearer and nearer. And in the sea, dark blood welled up to meet it - in bloated, rearing, huge white waves. Night. The mouth of the bay between two cliffs was like a window. A window shutting out curious eyes with a white shade-white woolly fog. And all that you could see was that behind it something red was happening. ("The North")”

“The moon climbed out of the ravine, blue, skinny, as if it had been fed on nothing but skimmed milk. It climbed out, and quickly slithered up and up along the finest thread-away from trouble, and on the very top it huddled, crouching on thin legs. ("The Protectress Of Sinners")”

“With his head thrust forward like a ram, Baryba pushed his way through to the front. For some reason this was necessary, he felt with all his guts that it was necessary. He clenched his iron jaws. Something bestial stirred in him, something he hungered for, some murderous instinct. To be with everybody, to howl like everybody, to hit the one that everybody else was hitting. ("A Provincial Tale")”

“N-no-o, all that excitement, it wouldn't reach us,' Timosha spoke gloomily. 'We're like the sunken city of Kitezh, living at the bottom of the lake. We do not hear a thing, and the water over us is muddy and sleepy. And on the surface, way above - why, everything's in flames, and the alarms are ringing.' (“A Provincial Tale”)”

“But if I am not a criminal, I beg to be permitted to go abroad with my wife temporarily, for at least one year, with the right to return as soon as it becomes possible in our country to serve great ideas in literature without cringing before little men, as soon as there is at least a partial change in the prevailing view concerning the role of the literary artist. (“Letter To Stalin”)”

“If circumstances should make it impossible (temporarily, I hope) for me to be a Russian writer, perhaps I shall be able, like the Pole Joseph Conrad, to become for a time an English writer... ("Letter To Stalin")”

“Literature is painting, architecture, and music.”

“What we need in literature today are vast philosophic horizons; we need the most ultimate, the most fearsome, the most fearless 'Why?' and 'What next?'("Literature, Revolution, and Entropy")”

“Life itself has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to the amalgam of reality and fantasy. ("The New Russian Prose")”

“If we have no heretics we must invent them, for heresy is essential to health and growth.”

“The most effective way of destroying art is the canonization of one given form. And one philosophy.”

“The world is kept alive only by heretics: the heretic Christ, the heretic Copernicus, the heretic Tolstoy. Our symbol of faith is heresy. (“Tomorrow”)”

“Heretics are the only [bitter] remedy against the entropy of human thought.("Literature, Revolution, and Entropy")”

“We need writers who fear nothing. ("Our Goal")”

“Gripped with bitter cold, ice-locked, Petersburg burned in delirium. One knew: out there, invisible behind the curtain of fog, the red and yellow columns, spires, and hoary gates and fences crept on tiptoe, creaking and shuffling. A fevered, impossible, icy sun hung in the fog - to the left, to the right, above, below - a dove over a house on fire. From the delirium-born, misty world, dragon men dived up into the earthly world, belched fog - heard in the misty world as words, but here becoming nothing - round white puffs of smoke. The dragon men dived up and disappeared again into the fog. And trolleys rushed screeching out of the earthly world into the unknown. ("The Dragon")”

“What is it to you if I don't want others to want for me, if I want to want myself — if I want the impossible...”

“And happiness...Well, after all, desires torment us, don't they? And, clearly, happiness is when there are no more desires, not one...What a mistake, what ridiculous prejudice it's been to have marked happiness always with a plus sign. Absolute happiness should, of course, carry a minus sign — the divine minus.”

“Darkness. The door into the neighboring room is not quite shut. A strip of light stretches through the crack in the door across the ceiling. People are walking about by lamplight. Something has happened. The strip moves faster and faster and the dark walls move further and further apart, into infinity. This room is London and there are thousands of doors. The lamps dart about and the strips dart across the ceiling. And perhaps it is all delirium...Something had happened. The black sky above London burst into fragments: white triangles, squares and lines - the silent geometric delirium of searchlights. The blinded elephant buses rushed somewhere headlong with their lights extinguished. The distinct patter along the asphalt of belated couples, like a feverish pulse, died away. Everywhere doors slammed and lights were put out. And the city lay deserted, hollow, geometric, swept clean by a sudden plague: silent domes, pyramids, circles, arches, towers, battlements.”

“The sun's champagne streamed from one body into another. And there was a couple on the green silk of the grass, covered by a raspberry umbrella. Only their feet and a little bit of lace could be seen. In the magnificent universe beneath the raspberry umbrella, with closed eyes, they drank in the sparkling madness.'Extra! Extra! Zeppelins over the North Sea at 3 o'clock.'But under the umbrella, in the raspberry universe, they were immortal. What did it matter that in another far-away universe people would be killing each other?”