“Wherever in this city, screens flickerwith pornography, with science-fiction vampires,victimized hirelings bending to the lash,we also have to walk . . . if simply as we walkthrough the rainsoaked garbage, the tabloid crueltiesof our own neighborhoods.We need to grasp our lives inseperablefrom those rancid dreams, that blurt of metal, those disgraces,and the red begonia perilously flashingfrom a tenement sill six stories high,or the long-legged young girls playing ballin the junior highschool playground.No one has imagined us. We want to live like trees,sycamores blazing through the sulfuric air,dappled with scars, still exuberantly budding,our animal passion rooted in the city.”

“No one has imagined us. We want to live like trees,sycamores blazing through the sulfuric air,dappled with scars, still exuberantly budding,our animal passion rooted in the city.”

“the phantom of the man-who-would-understand,the lost brother, the twin ---for him did we leave our mothers,deny our sisters, over and over?did we invent him, conjure himover the charring log,nights, late, in the snowbound cabindid we dream or scry his facein the liquid embers,the man-who-would-dare-to-know-us?It was never the rapist:it was the brother, lost,the comrade/twin whose palmwould bear a lifeline like our own:decisive, arrowy,forked-lightning of insatiate desireIt was never the crude pestle, the blindramrod we were after:merely a fellow-creaturewith natural resources equal to our own.”

“Women have been driven mad, “gaslighted”, for centuries by the refutation of our experience and our instincts in a culture which validates only male experience. The truth of our bodies and our minds has been mystified to us. We therefore have primary obligation to each other: not to undermine each other’s sense of reality for the sake of expediency; not to gaslight each other.”

“Responsibility to yourself means refusing to let others do your thinking, talking, and naming for you...it means that you do not treat your body as a commodity with which to purchase superficial intimacy or economic security; for our bodies to be treated as objects, our minds are in mortal danger. It means insisting that those to whom you give your friendship and love are able to respect your mind. It means being able to say, with Charlotte Bronte's Jane Eyre: "I have an inward treasure born with me, which can keep me alive if all the extraneous delights should be withheld or offered only at a price I cannot afford to give.Responsibility to yourself means that you don't fall for shallow and easy solutions--predigested books and ideas...marrying early as an escape from real decisions, getting pregnant as an evasion of already existing problems. It means that you refuse to sell your talents and aspirations short...and this, in turn, means resisting the forces in society which say that women should be nice, play safe, have low professional expectations, drown in love and forget about work, live through others, and stay in the places assigned to us. It means that we insist on a life of meaningful work, insist that work be as meaningful as love and friendship in our lives. It means, therefore, the courage to be "different"...The difference between a life lived actively, and a life of passive drifting and dispersal of energies, is an immense difference. Once we begin to feel committed to our lives, responsible to ourselves, we can never again be satisfied with the old, passive way.”

“Some rooftop, water-tank looming, street-racket strangely quelledand other known and unknown there, long sweet summer eveningon the tarred roof:leaned back your head to the nightvault swarming with starsthe Pleiades broken loose, not seven but thousandsevery known constellation flinging out fiery threadsand you could distinguish all-cobwebs, tendrils, anatomies of starscoherently hammocked, blueblack avenues between…It was New York, the dream-sitethe lost city the city of dreadful light…wewent striding the avenues in our fiery hairin our bodies young and ordinary riding the subways readingor pressed against other bodiesfeeling in them the maps of Brooklyn Queens Manhattan…”

“The longer I live the more I mistrusttheatricality, the false glamour castby performance, the more I know its poverty besidethe truths we are salvaging fromthe splitting-open of our lives.-from "Transcendental Etude”