“I’ve had so many influences and sources of inspiration as an illustrator that it is impossible to name just one. I loved Aubrey Beardsley when I was a student, and then Edmund Dulac and other Golden Age illustrators made a big impact, as well as Victorian painters like Richard Dadd and Edward Burne-Jones. My long-term heroes though are Albretch Durer, Brueghel, Hieronymous Bosch, Jan Van Eyck, Leonardo, Botticelli, Rembrandt, Turner and Degas. What most of them have in common is brilliant draughtsmanship and a strong linear or graphic quality. Most are also printmakers. The one I keep going back to and who fascinates me the most is JMW Turner, the greatest watercolourist.”

“Charlie, you’re one of the most gifted people I’ve ever known. And I don’t mean in terms of my other students. I mean in terms of anyone I’ve ever met.”

“When I started to draw, most of my influences were from other painters and illustrators, so I was drawing landscape at second hand, really. The trees were Rackham trees, or trees that I had seen in paintings rather than from my own observation...and I started to feel this was a real lack in my work. Everything was too generalised, and not based on real experience. Then in 1975, after having worked for some years in London as a book cover illustrator mainly, I came down to Devon and stayed with some friends up on the moor. In the course of this one weekend, wandering around the moor, finding rivers and ancient woods, I realised that everything that I would ever want to draw was actually here. There was so much richness in the texture and forms of these fantastic trees...and I decided in the course of that weekend to come and live here. I looked at a couple of houses, found one, and made an offer on it, all in that one weekend!”

“It's good for me to see so many other people who are not me. That there are so many others. I feel affection for them. Most of them are doing the best they can. I am also doing the best I can.”

“But most of these women -- the famous and the obscure -- had one thing in common: they did not think of themselves as heroes. They followed their consciences, saw something that needed to be done, and they did it. And all of them helped win a war, even though many of them paid the ultimate price for their contribution. But their sacrifice was not in vain, especially if their courage continues to inspire others to fight injustice and evil wherever they find it.--From Women Heroes of WWII”

“He had come abroad to enjoy the Flemish painters and all others; but what fair-tressed saint of Van Eyck or Memling was so interesting a figure as Madame de Mauves?”