“The actors of the era knew they were excommunicated. Entering the profession amounted to choosing Hell. And the Church discerned in them her worst enemies.”

“I loved them, according to the hallowed expression, which amounts to saying that I never loved any of them.”

“Then there was the church and the villagers on the sidewalks, the red geraniums on the graves in the cemetery, Perez fainting (he crumpled over like a rag doll), the blood-red earth spilling over Maman's casket, the white flesh of the roots mixed in with it, more people, voices, the village, waiting in front of a cafe, the incessant drone of the motor, and my joy when the bus entered the nest of lights that was Algiers and I knew I was going to go to bed and sleep for twelve hours.”

“To stay or to go, it amounted to the same thing.”

“Whereas during those months of separation time had never gone quickly enough for their liking and they were wanting to speed its flight, now that they were in sight of the town they would have liked to slow it down and hold each moment in suspense, once the breaks went on and the train was entering the station. For the sensation, confused perhaps, but none the less poingant for that, of all those days and weeks and months of life lost to their love made them vaguely feel they were entitled to some compensation; this present hour of joy should run at half the speed of those long hours of waiting.”

“Empires and churches are born under the sun of death.”

“The anachronism is the worst thing to use at the theatre.”