“A memory came to me. One time, in middle school, a famous author came to talk to our class and give a writing workshop. One of the things she told us about writing a novel was that the story should be about what the main character wants. Dorothy wants to go home to Kansas. George Milton wants a farm of his own. Amelia Sedley wants to marry her darling George and live happily ever after. The end of the story, according to the famous author, is when the character either gests what he wants or realizes he’s never going to get it. Or sometimes, she said, like Scarlett O’Hara in Gone With the Wind, realizes she doesn’t actually want what she thought she wanted all along. pg. 324 of Bewitching”

“You need a place just a click over middle range. Don’t want to go all-out first time, but you don’t want to run on the cheap either. You want atmosphere, but not stuffy. A nice established place.”“Bob, you’re going to give me an ulcer.”“This is all ammunition, Cart. All ammo. You want to be able to order a nice bottle of wine. Oh, and after dinner, if she says how she doesn’t want dessert, you suggest she pick one and you’ll split it. Women love that. Sharing dessert’s sexy. Do not go on and on about your job over dinner. Certain death. Get her to talk about hers, and what she likes to do. Then—”“Should I be writing this down?”

“He lingered at the door, and said, 'The Lion wants courage, the Tin Man a heart, and the Scarecrow brains. Dorothy wants to go home. What do you want?'...She couldn't say forgiveness, not to Liir. She started to say 'a soldier,' to make fun of his mooning affections over the guys in uniform. But realizing even as she said it that he would be hurt, she caught herself halfway, and in the end what came out of her mouth surprised them both.She said, 'A soul-'He blinked at her.”

“I want to go home.' The moment the smell hit her, the words came into her head. She didn't know exactly what home it was she wanted to go to, certainly not the one she'd just left. But why didn't she want to go back there? And where did she want to go? She felt lost.”

“Irene and my aunt want from me what Miss Emma wants from Jefferson,' I said. 'I don't know if Miss Emma ever had anybody in her past that she could be proud of. Possibly - maybe not. But she wants that now, and she wants it from him. Irene and my aunt want it from me. Miss Emma knows that the state of Louisiana is about to take his life, but before that happens she wants something to remember him by. Irene and my aunt know that one day I will leave them, but they are not about to let me go without a fight. It's the same thing, the very same thing. Miss Emma needs a memory. Do you want she told me when I sat on the bed? That Reverend Ambrose and I should get along, and together - together - we should try and reach Jefferson. Why not the soul? No, she wants memories, memories of him standing like a man.”

“I think," Ella said, "that what a woman does or doesn't do should be up to the woman, and she should make up her own mind and not change it when the wind starts to blow. I think a woman should be who she is, not what others expect her to be. And if she wants to go to a dance looking for a man, she should go and not feel like she has to explain herself. And if she want to have her own farm, she should do that and not feel like she has to explain that, either. And…I think you should be quiet now.”