“A memory came to me. One time, in middle school, a famous author came to talk to our class and give a writing workshop. One of the things she told us about writing a novel was that the story should be about what the main character wants. Dorothy wants to go home to Kansas. George Milton wants a farm of his own. Amelia Sedley wants to marry her darling George and live happily ever after. The end of the story, according to the famous author, is when the character either gests what he wants or realizes he’s never going to get it. Or sometimes, she said, like Scarlett O’Hara in Gone With the Wind, realizes she doesn’t actually want what she thought she wanted all along. pg. 324 of Bewitching”

“In stories like Cinderella and Beauty and the Beast, they always say the heroine is 'as good as she is beautiful.' I wondered if people just wanted that to be true, wanted the beautiful to be good. I wondered if they wanted the ugly to be bad because then they wouldn't have to feel bad for them.”

“I remember how Talia got me to talk about the gardening thing. I’ve never told anyone else about that, but with this girl, I sort of feel like I can be myself without worrying about looking uncool. After all, she doesn’t even know what “cool” is.”

“She wanted to leave. I loved her too much to make her stay.”

“You need a place just a click over middle range. Don’t want to go all-out first time, but you don’t want to run on the cheap either. You want atmosphere, but not stuffy. A nice established place.”“Bob, you’re going to give me an ulcer.”“This is all ammunition, Cart. All ammo. You want to be able to order a nice bottle of wine. Oh, and after dinner, if she says how she doesn’t want dessert, you suggest she pick one and you’ll split it. Women love that. Sharing dessert’s sexy. Do not go on and on about your job over dinner. Certain death. Get her to talk about hers, and what she likes to do. Then—”“Should I be writing this down?”

“She leans against me, head against my shoulders, and in that second, I know, against the lights and the bright and the heat and the gray, I really want to kiss her.”

“He lingered at the door, and said, 'The Lion wants courage, the Tin Man a heart, and the Scarecrow brains. Dorothy wants to go home. What do you want?'...She couldn't say forgiveness, not to Liir. She started to say 'a soldier,' to make fun of his mooning affections over the guys in uniform. But realizing even as she said it that he would be hurt, she caught herself halfway, and in the end what came out of her mouth surprised them both.She said, 'A soul-'He blinked at her.”