“All day within the dreamy house,The doors upon their hinges creaked;The blue fly sang in the pane; the mouseBehind the mouldering wainscot shrieked,Or from the crevice peered about.Old faces glimmered through the doors,Old footsteps trod the upper floors,Old voices called her from without. . . .”

“I let the front door slam shut behind me and the fly screen rattle. It was as if each door was kicking me out of the old life I'd lived in that house. I was being thrown out into the world, new. The broken, leaning gate creaked open, let me out, and I gently placed it shut. I was gone, and from down the street, maybe fifty yards away, I looked back for a second at the house where I lived. It wasn't the same any more. It never would be. I kept walking.”

“It was the way the autumn day looked into the high windows as it waned; the way the red light, breaking at the close from under a low sombre sky, reached out in a long shaft and played over old wainscots, old tapestry, old gold, old colour.”

“Certain empty houses that seemed to stare like the faces of people suffering from terrible mental illness. An empty barn on the outskirts of town, the hayloft door swinging open and closed on rusty hinges, first disclosing darkness, then hiding it, then disclosing it again.”

“How on earth could he not see it? It stood on the wooden floor behind him, in the corner just inside the door, where the light from the hallway poorly fell: an old-fashioned alarm clock with three blunt stumps for legs and a bell like a Prussian helmet. Its face, a faithful little moon, was turned up to her, its hands were spread to plead innocence, and its inner mechanism emitted without ceasing the rapid ribbon of blows called the passing of time.”

“Creativity is the Blue Heron within us waiting to fly; through her imagination, all things become possible.”