“But I have discovered something about modest people. They're just waiting for the call. Then they are the first over the wall and into the temple.”

“My first advantage: I have everything. My second advantage: this is just another island. My third advantage: I am bigger than it all.”

“I am burning. I have to live, I have to sing, I want to transform myself into a thousand different characters and carry their life with me onto the stage where it's so bright and so dark at the same time, just knowing there are three thousand people out there longing to be swept away by the passion that's about to flood out from scarlet curtains, to this I consecrate my body and my soul, I can give no more than all of myself, I feel my heart is a throbbing engine and my voice is the valve, like a wailing train, it has to sing or blow up, there's too much fuel, too much fire, and what am I to do with this voice if I can't let it out, it's not just singing. I am here as a speck, but I don't feel scared or about to be blown away, I feel like all New York is a warm embrace just waiting to enfold me. I am in love. But not with a person. I am passionately in love with my life.”

“Having experienced her own disappearance, she is conscious of how important it is for people to be seen, so when she looks at them --even the blind one--she also looks for them, just in case they too have got lost and need finding.”

“She's no lady. Her songs are all unbelievably unhappy or lewd. It's called Blues. She sings about sore feet, sexual relations, baked goods, killing your lover, being broke, men called Daddy, women who dress like men, working, praying for rain. Jail and trains. Whiskey and morphine. She tells stories between verses and everyone in the place shouts out how true it all is.”

“For once, Frances is stripped of irony. She is in the presence of something bigger--namely Herself. Or at least the self implied by her new body. This is how the Blessed Virgin visits us. She inhabits our own flesh and makes love out of it. Nothing is ironic in the moment of first love. And Frances is in love. With her body, and what it is bringing forth.”

“Everything in New York is a photograph. All the things that are supposed to be dirty or rough or unrefined are the most beautiful things. Garbage cans at the ends of alleyways look like they've been up all night talking with each other. Doorways with peeling paint look like the wise lines around an old feller's eyes. I stop and stare but can't stay because men always think I'm selling something. Or worse, giving something away. I wish I could be invisible. Or at least I wish I didn't look like someone they want to look at. They stop being part of the picture, they get up from their chess game and come out of the frame at me, blocking my view.”