“I am burning. I have to live, I have to sing, I want to transform myself into a thousand different characters and carry their life with me onto the stage where it's so bright and so dark at the same time, just knowing there are three thousand people out there longing to be swept away by the passion that's about to flood out from scarlet curtains, to this I consecrate my body and my soul, I can give no more than all of myself, I feel my heart is a throbbing engine and my voice is the valve, like a wailing train, it has to sing or blow up, there's too much fuel, too much fire, and what am I to do with this voice if I can't let it out, it's not just singing. I am here as a speck, but I don't feel scared or about to be blown away, I feel like all New York is a warm embrace just waiting to enfold me. I am in love. But not with a person. I am passionately in love with my life.”

“My first advantage: I have everything. My second advantage: this is just another island. My third advantage: I am bigger than it all.”

“I am Me. In all the world, there is no one else exactly like me. Everything that comes out of me is authentically mine, because I alone chose it -- I own everything about me: my body, my feelings, my mouth, my voice, all my actions, whether they be to others or myself. I own my fantasies, my dreams, my hopes, my fears. I own my triumphs and successes, all my failures and mistakes. Because I own all of me, I can become intimately acquainted with me. By so doing, I can love me and be friendly with all my parts. I know there are aspects about myself that puzzle me, and other aspects that I do not know -- but as long as I am friendly and loving to myself, I can courageously and hopefully look for solutions to the puzzles and ways to find out more about me. However I look and sound, whatever I say and do, and whatever I think and feel at a given moment in time is authentically me. If later some parts of how I looked, sounded, thought, and felt turn out to be unfitting, I can discard that which is unfitting, keep the rest, and invent something new for that which I discarded. I can see, hear, feel, think, say, and do. I have the tools to survive, to be close to others, to be productive, and to make sense and order out of the world of people and things outside of me. I own me, and therefore, I can engineer me. I am me, and I am Okay.”

“I could have kisses like that for the rest of my life. Kisses that don't know who I am. Kisses that make me feel more and less than what I am. But my finger tap tap taps on my leg and reminds me that I am not who Adam thinks I am, and it makes me want to cry. It's not that I don't deserve his kiss. It's that the person I am can never really share a life, a soul, with the person he is.”

“In that moment, I wanted to cut out all my sins from my body and lay them down upon the earth before you. Like pieces of bark they are rough and dead, once clutching onto my very skin, all a part of me. You make me want to strip myself bare and lay myself out to you, I want you to see all my flaws, I want you to know I am not beautiful, yet all the while wanting you to take me anyway. I am composed of things that are dead, I am not a tree, I do not give life, I am just bark, flaws, stitched together with hope for something more. I wish for love, I wish for more.”

“Everything in New York is a photograph. All the things that are supposed to be dirty or rough or unrefined are the most beautiful things. Garbage cans at the ends of alleyways look like they've been up all night talking with each other. Doorways with peeling paint look like the wise lines around an old feller's eyes. I stop and stare but can't stay because men always think I'm selling something. Or worse, giving something away. I wish I could be invisible. Or at least I wish I didn't look like someone they want to look at. They stop being part of the picture, they get up from their chess game and come out of the frame at me, blocking my view.”

“Under a smoky streetlamp I stood face to face with my beloved and pricked my fingers against the diamond studs of her immaculate shirt front. Being tall, she slipped her hands naturally about my hips and pulled me close. And being bold, I put my mouth on hers and this time went inside and told her all the things I’d been longing to. Dark and sweet, the elixir of love is in her mouth. The more I drink, the more I remember all the things we’ve never done. I was a ghost until I touched you. Never swallowed mortal food until I tasted you, never understood the spoken word until I found your tongue. I’ve been a sleep-walker, sad somnambula, hands outstretched to strike the solid thing that could awaken me to life at last. I have only ever stood here under this lamp, against your body, I’ve missed you all my life.”