“I've always thought I could use my brain and my heart to jockey everyone around to the good. But life is not jockeyable. When you try, you make people infinitely crazier than they already were, including or especially yourself.”

“And I felt like my heart had been so thoroughly and irreparably broken that there could be no real joy again, that at best there might eventually be a little contentment. Everyone wanted me to get help and rejoin life, pick up the pieces and move on, and I tried to, I wanted to, but I just had to lie in the mud with my arms wrapped around myself, eyes closed, grieving, until I didn’t have to anymore.”

“I had to grip myself by the wrist not to pitch one good idea after another at them. . . . I writhed with the effort to stay silent. . . . Since Jax's birth my ideas about what would be best for everyone usually got in the way. Life is already an obstacle course, and when you're adding your own impediments (thinking they're helping), you really crazy it up. You make it harder to even just cross the room. You should not bring more items and hurdles to the obstacle course.”

“You can either set brick as a laborer or as an artist. You can make the work a chore, or you can have a good time. You can do it the way you used to clear the dinner dishes when you were thirteen, or you can do it as a Japanese person would perform a tea ceremony, with a level of concentration and care in which you can lose yourself, and so in which you can find yourself.”

“Disaster usually happens for me when everything I have counted on has stopped working, including all my best skills, intentions, and good ideas.”

“I prayed for my heart to soften, to forgive her, and love her for what she did give me--life, great values, a lot of tennis lessons, and the best she could do. Unfortunately, the best she could do was terrible, thee the Minister of Silly Walks trying to raise an extremely sensitive young girl, and my heart remained hardened toward her. [p. 46]”

“I've spent my whole life trying to get over having had Nikki for a mother, and I have to say that from day one after she died, I liked having a dead mother much more than having an impossible one. [p. 47]”