“What a child does not know and does not want to know of race and colour and class, he learns soon enough as he grows to see each man flipped inexorably into some predestined groove like a penny or a sovereign in a banker's rack. Kibii, the Nandi boy, was my good friend. Arab Ruta (the same boy grown to manhood), who sits before me, is my good friend, but the handclasp will be shorter, the smile will not be so eager on his lips, and though the path is for a while the same, he will walk behind me now, when once, in the simplicity of our nonage, we walked together.”

“Laurence, not sure what to do, remained standing below the steps."And who is this?" Mrs Hamlyn asked.Patrick looked back. "His name is . . . Laurence, mistress."Mrs Hamlyn scrutinized the boy before her. "Where does he come from?" she said, finding him scrawny and dirty."He came to America on the same ship we did."Mrs Hamlyn pursed her lips. "He's very ragged. Is he from Ireland too?""England.""But a friend of yours?"Laurence and Patrick looked at each other."Is he?" Mrs Hamlyn asked again.Patrick said, "He saved my life, twice.""Did he? Then he must be a good friend indeed.”

“I smiled, though looking at William K caused me concern. He looked very ill, and he was my only mirror. We could not see ourselves so I relied on the appearance of the other boys, William K in particular, to know something of my own health. We ate the same food and were built in a similar way, so i watched him to see how thin i had become, how my eyes were growing more sunken. On this day i did not look good.”

“You remind me of a boy I used to knowSame Smile, same easy, laid-back styleAnd man, could he kissBlew my mind the very first timeHis lips touched mine.You remind me You remind me of a boy I used to like.Same eyes, strong arms, same open mindAnd man, could he danceArms around me, lost in a tranceI'd hear his heartYou remind meI'm scared of youHow did you find me?Turn and walk away'Cause you remind meYou remind me of a boy I used to loveSame laughter and tears, shared through the years And man, how he feltMade my bones more than meltHe touched my soul.You remind meI'm scared of youHow did you find me?Turn and walk away'Cause you remind me”

“If a boy became sick he walked alone; the others were afraid to catch what he had, and did not want to know him too well for he would surely die soon. We did not want his voice in our heads.”

“But, as I watch this film, I often think that the boy did not know what he was really running toward, that it was not the end zone which awaited him. Somewhere in that ten second dash the running boy turned to metaphor and the older man could see it where the boy couldn not. He would be good at running, always good at it, and he would always run away from the things that hurt him, from the people who loved him, and from the friends empowered to save him. But where do we run when there are no crowds, no lights, no end zones? Where does a man run? the coach said, studying the films of himself as a boy. Where can a man run when he has lost the excuse of games? Where can a man run or where can he hide when he looks behind him and sees that he is only pursued by himself?”