“It was hard for me to believe. When recess was over I sat in class and thought about it. My mother had a hole and my father had a dong that shot juice. How could they have things like that and walk around as if everything was normal, and talk about things, and then do it and not tell anybody?”

“I didn't like anybody in that school. I think they knew that. I think that's why they disliked me. I didn't like the way they walked or looked or talked, but I didn't like my mother or father either. I still had the feeling of being surrounded by white empty space. There was always a slight nausea in my stomach.”

“Yes?’ he asked, looking at me over the sheet.‘I’m a writer temporarily down on my inspirations.’‘Oh, a writer, eh?’‘Yes.’‘Are you sure?’‘No, I’m not.’‘What do you write?’‘Short stories mostly. And I’m halfway through a novel.’‘A novel, eh?’‘Yes.’‘What’s the name of it?’‘”The Leaky Faucet of My Doom.”‘‘Oh, I like that. What’s it about?’‘Everything.’‘Everything? You mean, for instance, it’s about cancer?’‘Yes.’‘How about my wife?’‘She’s in there too.”

“we had goldfish and they circled around and aroundin the bowl on the table near the heavy drapescovering the picture window and my mother, always smiling, wanting us allto be happy, told me, “be happy, Henry!” and she was right: it’s better to be happy if youcanbut my father continued to beat her and me several times a week while raging inside his 6-foot-2 frame because he couldn’t understand what was attacking him from within. my mother, poor fish, wanting to be happy, beaten two or three times aweek, telling me to be happy: “Henry, smile!why don’t you ever smile?”and then she would smile, to show me how, and it was thesaddest smile I ever saw. one day the goldfish died, all five of them, they floated on the water, on their sides, theireyes still open,and when my father got home he threw them to the cat there on the kitchen floor and we watched as my mothersmiled.A smile to remember”

“Writing was never work for me. It had been the same for as long as I could remember: turn on the radio to a classical music station, light a cigarette or a cigar, open the bottle. The typer did the rest. All I had to do was be there. The whole process allowed me to continue when life itself offered very little, when life itself was a horror show. There was always the typer to soothe me, to talk to me, to entertain me, to save my ass. Basically that's why I wrote: to save my ass, to save my ass from the madhouse, from the streets, from myself.”

“I carry death in my left pocket. Sometimes I take it out and talk to it: "Hello, baby, how you doing? When you coming for me? I'll be ready.”

“A good writer knew when not to write. Anybody could type. Not that I was a good typist; also I couldn't spell and I didn't know grammar. But I knew when not to write. It was like fucking. You had to rest the godhead now and then.”