“The Weaver is a really godlike power. It's not even a blind idiot god, a sort of Lovecraft thing, it's just a purely capricious god. It's an intelligence you can't understand, so you can't trust it."-Amazon.com interview”

“The problem with most genre fantasy is that it's not nearly fantastic enough. It's escapist, but it can't escape.”

“Imagine if one of them were turned. Imagine if one could be bought.''But they're chosen just so's they can't be bought...''History...' Jacobs spoke with terse authority. Brought Ori to a hush. 'Is all full. And dripping. With the corpses. Of them who trusted the incorruptible.”

“Because it is the triumph of a lack of planning –both for good and bad. It's chaos –and whether you say that with a gasp of despair or glee or both is up to you. Whereas Paris (certainly in the centre) is the success of a single overarching monomaniacal topographic vision, London is a chaotic patchwork of history, architecture, style, as disorganised as any dream, and like any dream possessing an underlying logic, but one that we can't quite make sense of, though we know it's there. A shoved-together city cobbled from centuries of distinct aesthetics disrespectfully clotted in a magnificent triumph of architectural philistinism. A city of jingoist sculptures, concrete caryatids, ugly ugly ugly financial bombast, reconfiguration. A city full of parks and gardens, which have always been magic places, one of the greenest cities in the world, though it's a very dirty shade of green –and what sort of grimy dryads does London throw up? You tell me.”

“Gods it's well done, she thought, bowing her head, acknowledging consummate work. She felt skeins of cause, effect, effort, and interaction tying around her. She felt things all coming together, pushing her into this place, at this time, having done this thing.”

“Dane discarded his speargun with visible relief. As a paladin of the Church of God Kraken, he had few options. Like many groups devoid of real power and realpolitik, the church was actually constrained by its aesthetics. Its operatives could not have guns, simply, because guns were not squiddy enough.It was a common moan. Drunk new soldiers of the Cathedral of the Bees might whine: “It’s not that I don’t think sting-tipped blowpipes aren’t cool, it’s just…” “I’ve gotten rally good with the steam-cudgel,” a disaffected Pistonpunk might ask her elders “but wouldn’t it be useful to…?” Oh for a carbine, devout assassins pined.”

“Your job is to get villains. Right? You'll have to know what to do. If you don't know, you have to find out. If you can't find out you bloody well make it up and then you make it so.”