“It's not you it's me' she couldn't use that line. Even though it really was her and not him, everyone thought that line really meant, 'it's not me. It's definitely you.' There was still a part of her that thought perhaps she shouldn't do it at all. In Andrew she had all the raw ingredients for a perfect life. Here was a grown-up, good-looking, solvent, generous, warm-hearted man who adored her. A man who adored her even when she looked like the loch ness monsters little sister and had a terrible temper to match.It didn't take a huge leap of imagination to see Andrew standing at the top of the aisle, looking back at lou walking towards him with a grin as wide as the English channel. She could see him painting the nursery yellow; pushing a pram that contained two lovely brown haired twins (one boy, one girl); presenting her woth an eternity ring on their tenth anniversary, taking the twins to school, teaching them how to play football on long, summer holidays in Tuscany, giving the daughter away at her own wedding, cosying up to Lou on the veranda of their perfect house as their retirement stretched ahead of them- a long straight road of well-planned for, financially comfortable and perpetually sunny days. 'oh god' Lou poured herself a vodka.”

“Lou felt as though she would rather jump from her bathroom window than open the door and smile at him then, she managed it. And she even pinched his bum as the passed in the doorway. Not because she wanted him to act on the flirtatious gesture. But he deserved it. Because he was a great bloke and she knew she should be grateful to have him and perhaps, one day, if she let herself believe that someone that fantastic might really be the one for her, she'd get over it and they'd live happily ever after.”

“It didn't matter how wonderful Andrew was and how much effort he was prepared to put into their relationship. While Lou didn't feel the same way, his love was only building a tower without foundations.”

“She tries to move toward him, but the path is covered with gravel, which slows her down. Then he turns his head and sees her. He puts down his brush and comes closer, and the closer he comes, the closer he comes, the happier she is she didn't put on mascara, she doesn't want to cry but she can't help it, she can hardly see him through the welling tears. She quickly wipes her eyes. She looks at him. He's standing two steps away. She could stretch out her hand, he'd come even closer, she could touch him. He's the same, thinner, the most beautiful man in the world, with the eyes Germain Pire described to her, a very pale blue, almost gray, quiet and gentle, with something struggling in their depths, a child, a soul of agony. His voice hasn't changed.The first thing she hears him say--it's terrible--he asks her, "You can't walk?" She shakes her head. He sighs, goes back to his painting. She pushes the wheels, moves toward the shed. He looks over at her again, he smiles. "You want to see what I'm doing?" She nods her head. "I'll show you in a little bit," he says. "But not right now, it's not finished."So while she waits, she sits up straight in her scooter, she crosses her hands in her lap, she looks at him. Yes, she looks at him, she looks at him, life is long and can still carry a great deal more on its back.She looks at him.”

“All that time tying herself up in knots because she simply couldn't think of a good reason not to be with him”

“She remembered something that am old boyfriend had said to her. One that she didn't want to let go of at the time. One person can't be happy enough for the both of us”

“Tatiana had imagined her Alexander since she was a child, before she believed that someone like him was even possible. When she was a little girl, she dreamed of a fine world in which a good man walked its winding roads, perhaps somewhere in his wandering soul searching for her.”