“Everything stops in her and sinks into silence. She drives slowly, foggy pictures painted in her mind. She has to open a window, but how will she withstand the rush of air? She can hardly breathe. She is frozen around a fragment embedded inside her. Only her heart is suddenly full of life, the only part of her that beats in excitement and goes out to Shaul, goes out limping, goes out hunchbacked, with Band-Aids stuck all over it, but goes out.”

“And the blood pulses hard, too hard, and some sweet internal assailant comes and quickly shreds the muscles of her shoulders and neck, and soon everything will fall and dissipate, nose and ears and the three gray cells she has left, and with all her strength she tries to calm down, she must stop this, but she is unable to give up these heartbeats, the forgotten precise heartbeats which reply as an echo, and she remembers his hand upon the tablets of her heart, her hand on his chest--feel it, our prisoners are corresponding. But how? She is amazed. How did I let Shaul lead me on like this? Where have I been all evening? But she knows exactly how and where, what she was listening to and what her heart went out to. Look at you, she sighs. No, really, look at you, you and your reaching heart.”

“How could she be feeling the very same streams that rushed around within him? She thought, as they overflowed and lapped inside her too. She had never felt the inside of another person this way.”

“Only now, in rhythmic waves, was she struck by her stupidity, her blindness, her estheronautiness, and, above all, her longing, the insult of the power of her longing, and she knew very well that is was these shortcomings that had made her so eager to interweave in his story the threads of her secret dreams of candor and of painful, purifying honesty; of a generous togetherness in which everything was possible. For a moment, with all that had been spun and stabbed and defiled within her, her face took on the expression of a frightened, abandoned girl who lunges out to bite, who lives unimaginably close to the skin’s surface, ready to be drawn out like a final plan of retreat.”

“She had not yet sensed the pea beneath the pile of mattresses, the pea that belonged to the little brown-skinned girl who used to make up stories to keep her soul pinned down inside her or, at times, to let it fly—stories whose most exciting element was the word “suddenly” at the beginning of every sentence and before each description: Suddenly, suddenly, her heart would leap when she whispered to herself, suddenly.”

“She breathes as if he had held her hand and helped her jump over the chasm of that scar.”

“She had not known how to tell him that his loving whispers were always in her ears, like a story she’d been told, the story of a thing she did not deserve. But he understood. He called those thoughts “the baby teeth of a snake,” and swore he would rip them out of her, and pledged to prove to her that the opposite was true. And he didn’t even have to explain to her what he meant by “the opposite”; she knew it was the opposite of her.”