“But she saw that his eyes, which were sand-colored like his face, and sandy-lashed, had found another occupation. They were fixed on Conchita Closson, who sat opposite to him; they rested on her unblinkingly, immovably, as if she had been a natural object, a landscape or a cathedral, that one had traveled far to see, and had the right to look at as long as one chose. He's drinking her up like blotting paper. I thought they were better brought up over in England!”

“He had her in his arms, her face like a wet flower at his lips, and all their vain terrors shriveling up like ghosts at sunrise.”

“She had no tolerance for scenes which were not of her own making.”

“The young man was sincerely but placidly in love. He delighted in the radiant good looks of his betrothed, in her health, her horsemanship, her grace and quickness at games, and the shy interest in books and ideas that she was beginning to develop under his guidance. She was straightforward, loyal, and brave; she had a sense of humour (chiefly proved by her laughing at his jokes); and he suspected, in the depths of her innocently-gazing soul, a glow of feeling that it would be a joy to waken. But when he had gone the brief round of her he returned discouraged by the thought that all this frankness and innocence were only an artificial product. Untrained human nature was not frank and innocent; it was full of the twists and defences of an instinctive guile. And he felt himself oppressed by this creation of factitious purity, so cunningly manufactured by a conspiracy of mothers and aunts and grandmothers and long-dead ancestresses, because it was supposed to be what he wanted, what he had a right to, in order that he might exercise his lordly pleasure in smashing it like an image made of snow.”

“She felt a stealing sense of fatigue as she walked; the sparkle had died out of her, and the taste of life was stale on her lips. She hardly knew what she had been seeking, or why the failure to find it had so blotted the light from her sky: she was only aware of a vague sense of failure, of an inner isolation deeper than the loneliness about her.”

“[Selden] had preserved a certain social detachment, a happy air of viewing the show objectively, of having points of contact outside the great gilt cage in which they were all huddled for the mob to gape at. How alluring the world outside the cage appeared to Lily, as she heard its door clang on her! In reality, as she knew, the door never clanged: it stood always open; but most of the captives were like flies in a bottle, and having once flown in, could never regain their freedom. It was Selden's distinction that he had never forgotten the way out.”

“Yes - it was happiness she still wanted, and the glimpse she had caught of it made everything else of no account. One by one she had detached herself from the baser possibilities , and she saw that nothing now remained to her but the emptiness of renunciation. "The House of Mirth”