“I would walk along the quais when I had finished work or when I was trying to think something out. It was easier to think if I was walking and doing something or seeing people doing something that they understood.”

Ernest Hemingway

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“Then I started to think in Lipp’s about when I had first been able to write a story about losing everything. It was up in Cortina d’Ampezzo when I had come back to join Hadley there after the spring skiing which I had to interrupt to go on assignment to Rhineland and the Ruhr. It was a very simple story called ‘Out of Season’ and I had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.”


“I always worked until I had something done and I always stopped when I knew what was going to happen next. That way I could be sure of going on the next day.”


“I never used to realize it, I guess. I try and play it along and just not make trouble for people. Probably I never would have had any trouble at all if I hadn't run into Brett when they shipped me to England. I suppose she only wanted what she couldn't have. Well, people were that way. To hell with people. The Catholic Church had an awfully good way of handling all that. Good advice, anyway. Not to think about it. Oh, it was swell advice. Try and take it sometime. Try and take it.”


“Please tell me what can I do. There must be something I can do”


“If the others heard me talking out loud they would think that I am crazy. But since I am not, I do not care.”


“In going where you have to go, and doing what you have to do, and seeing what you have to see, you'll dull and blunt the instrument you write with. But I would rather have it bent and dull and know I had to put it to the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well-oiled in the closet, but unused.”