“For all of them told happenings like narrations, chronological and careful, as if the ear of the world listened and wished to know surely.”

“The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order, a timetable not necessarily--perhaps not possibly--chronological. The time as we know it subjectively is often the chronology that stories and novels follow: it is the continuous thread of revelation.”

“Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.”

“Even as we grew up, my mother could not help imposing herself between her children and whatever it was they might take it in mind to reach out for in the world. For she would get it for them, if it was good enough for them--she would have to be very sure--and give it to them, at whatever cost to herself: valiance was in her very fibre. She stood always prepared in herself to challenge the world in our place. She did indeed tend to make the world look dangerous, and so it had been to her. A way had to be found around her love sometimes, without challenging that, and at the same time cherishing it in its unassailable strength. Each of us children did, sooner or later, in part at least, solve this in a different, respectful, complicated way.”

“The novelist works neither to correct nor to condone, not at all to comfort, but to make what's told alive.”

“Children, like animals use all their senses to discover the world. Then artists come along and discover it the same way...Or now and then we'll hear from an artisit who's never lost it.”

“We do need to bring to our writing, over and over again, all the abundance we possess. To be able, to be ready, to enter into the minds and hearts of our own people, all of them, to comprehend them (us) and then to make characters and plots in stories that in honesty and with honesty reveal them (ourselves) to us, in whatever situation we live through in our own times: this is the continuing job, and it's no harder now than it ever was, I suppose. Every writer, like everybody else, thinks he's living through the crisis of the ages. To write honestly and with all our powers is the least we can do, and the most”