“...meanwhile, throughout this orchestrated space, harmonious hundreds of people were milling, window shopping, pushing strollers, and holding soda cans in round keep-' em-cool sleeves, while their abundant children, in large sneakers, straggled along or spir­ited about -and a piped-in rendition of Let It Be, performed by a high-cholesterol string ensemble, made the whole thing look like affectless, Nijinskian choreography...”

“I grieve to think that closeness requires some measure of distance as its preserver, if only as a safety measure, because it certainly seems as if connection, in a deeper sense, introduces a specter of estrangement; for to come into contact with someone is to change her—there is that certainty; it reminds me of a game that Robin told me about told me about one day after school, as we were walking down Annatta Road certainly twenty years ago: find a word, a familiar word, on a page, and then stare at it for a while, just let your eyes linger upon it; and soon enough, sometimes after no more than a few seconds, the word comes to look misspelled, or badly transcribed, or as if there are other things wrong with it; so I tried it once, with the most familiar word there is: love, first verb in the Latin primer, the word known to all men; and after no more than five seconds I could swear that it wasn't the same word I had always known: it looked odd, misshapen, and as if it had all kinds of different pronunciations, except the one I had always believed was correct, and had always used; and so there was dissonance...”

“and it goes, the music just goes, without faltering, without hesitation, not depleted through repetition, but enriched; and as it goes- without faltering, without hesitation- the rapid-rushing piece instantly becomes the soundtrack to what I am looking at, regardless of what it may be: the varied tilts of oldsters' hats, wind-gusts corduroying the park's grass, the sparkling of pram wheels, children stepping onto the water fountain's access ledge and hunchbacking behind their button-pushing hand and jutting lips;”

“in fact, while I was sitting there, listening to all the voices painting the quiet living room, the situation reminded me, somewhat, of a movie I once saw; it was called Rashomon, and at the end of it, for some reason, I cried; I remember that I didn't want the movie to end, to resolve itself in any way at all; I wanted the movie just to keep going, to keep coming up with more versions of its story, to keep producing more characters so they could add their takes on the tale; so I was really upset when the film felt the need to come to a conclusion and the lights came up; I remember walking home holding my fist to my mouth, to keep my crying from lathering out;”

“...but now, though, because I have still not gotten there, I feel as if distance- as if distance itself-has developed a density, a viscosity, and that I am pushing against it, that I am fighting distance's density; so I press the pedal, and the car surges, and I attempt to push to the terminus of distance, and when this does not happen and I am still not there I feel as if the tenacity of time will smother me- that I will be smothered by the atrocity of distance, by the painful failure of simultaneity; and I struggle to keep the gas pedal within civilized limits, and I go astride cars and around cars, and I am doused in the unthought thought: Please let me get to him quickly;”

“...and the smells, you know, the smells- I mean, if only our customers knew; they haven't got a clue about the greatness of these things when they buy them the next morning; you see, when the muffins come down the conveyor belt, and they're thrown from their pockets in the rack pans as the belt turns down-well, this paddlewheel action, if you're standing right there, flings this absolutely amazing hot aroma right into your face-from the Oat Brans, from the Banana-Rhubarbs, especially from the Double Double Chocolates; and then the muffins themselves are so warm and nice-shaped, like these great little trumpet mutes of cake like texture, and you're feeling this kind of glistening inside your cheeks, this liquidy glowing, and you're thinking that these muffins would, you know, just fit so well right in your fist, where you could take them and shove them sugar-warm right into your face-just fill up your mouth and chew and chomp, densely, sweet-texturedly, liquidly ... ; and then, you know, while you're sweet-chomping, it would be like you could smell them with your entire mouth, with your entire sinuses, with your pores...; but all this is gone by the time the muffins are distributed to the delis and diners in the morning, all dead and cold and dry; in fact, no one out there even has the beginning of a clue how good this shit is;”

“...for I have read about oceanic feelings, but I know about dying of thirst in the middle of the ocean... and I have heard about the thousand points of light, but I have seen that they provide no warmth, no canopying glow ...”