“He lay back for a little in his bed thinking about the smells of food… of the intoxicating breath of bakeries and dullness of buns… He planned dinners, of enchanting aromatic foods… endless dinners, in which one could alternate flavor with flavor from sunset to dawn without satiety, while one breathed great draughts of the bouquet of brandy.”
In this passage from "Brideshead Revisited" by Evelyn Waugh, the protagonist, Charles Ryder, is depicted as someone who finds immense pleasure and comfort in the sensations and memories associated with food. The vivid imagery of smells and flavors play a significant role in illustrating Ryder's longing for indulgence, pleasure, and luxury.
The use of sensory details such as the "intoxicating breath of bakeries" and the "bouquet of brandy" evoke a sense of opulence and decadence, highlighting Ryder's desire for extravagant and sensory-rich experiences. These descriptions not only emphasize Ryder's appreciation for the finer things in life but also hint at his yearning for a sense of fulfillment and satisfaction that transcends mere physical pleasures.
Overall, this passage serves to illuminate Ryder's character as someone who seeks comfort and pleasure in the sensory delights of food, while also hinting at deeper emotional and psychological longings that drive his desires and actions throughout the novel.
In this quote from Evelyn Waugh's novel, the protagonist is consumed by thoughts of extravagantly delicious food and the sensory experiences associated with it. In today's world, this fixation on indulgent culinary experiences is all too familiar, as people increasingly seek out unique and flavorful dishes to satisfy their cravings. The image of endless dinners filled with a variety of flavors resonates with the modern obsession with food culture and the pursuit of new and exciting tastes.
"He lay back for a little in his bed thinking about the smells of food… of the intoxicating breath of bakeries and dullness of buns… He planned dinners, of enchanting aromatic foods… endless dinners, in which one could alternate flavor with flavor from sunset to dawn without satiety, while one breathed great draughts of the bouquet of brandy."
As we read this passage from Evelyn Waugh's work, we are invited to immerse ourselves in the sensory experiences of food and drink. The vivid descriptions of smells and flavors evoke a sense of indulgence and pleasure. Reflect on the following questions to delve deeper into the themes of sensory enjoyment and excess portrayed in this passage:
“Even on that convivial evening I could feel my host emanating little magnetic waves of social uneasiness, creating, rather, a pool of general embarrassment about himself in which he floated with log-like calm.”
“Downstairs Peter Beste-Chetwynde mixed himself another brandy and soda and turned a page in Havelock Ellis, which, next to The Wind in the Willows, was his favourite book.”
“I took you out to dinner to warn you of charm. I warned you expressly and in great detail of the Flyte family. Charm is the great English blight. It does not exist outside these damp islands. It spots and kills anything it touches. It kills love; it kills art; I greatly fear, Charles, it has killed you.' [Anthony Blanche to Charles Ryder]”
“He was talking very excitedly to me," said the Vicar, "about some apparatus for warming a church in Worthing and about the Apostolic Claims of the Church of Abyssinia. I confess I could not follow him clearly. He seems deeply interested in Church matters. Are you quite sure he is right in the head? I have noticed again and again since I have been in the Church that lay interest in ecclesiastical matters is often a prelude to insanity.”
“Had he not suffered unscathed the fearful dooms of all the offended gods, of all the histories, fire, brimstone, and yawning earthquakes, plague, and pestilence? Had he not stood, like the Pompeian sentry, while the Citadels of the Plain fell to ruin about his ears?”
“Brenda descended the great staircase step by step through alternations of dusk and rainbow.”