“His own voice was older than he was. Ancient, unearthed from some mystical subterranean place...The voice seemed to make his whole body ache. Maybe it made him bleed inside. I wondered if it hurt, if it burned in his throat.”

“His voice sounded like molten metal. As if he had something thick at the back of his throat and it was making him sound deeper and richer than he actually was.”

“Frostpine made a face. Lifting the cup, he dumped its contents down his throat. “Auugghh!” he yelled, his voice stronger than it had been since his return from the harbor. "Are you trying to kill me, woman?""If I mean to kill someone, I do it," Rosethorn told him. "I don't try.”

“It is also true that memory sometimes comes to him as a voice. It is a voice that speaks inside him, and it is not necessarily his own. It speaks to him in the way a voice might tell stories to a child, and yet at times this voice makes fun of him, or calls him to attention, or curses him in no uncertain terms. At times it willfully distorts the story it is telling him, changing the facts to suit its whims, catering to the interests of drama rather than truth. Then he must speak to it in his own voice and tell it to stop, thus returning it to the silence it came from. At other times it sings to him. At still other times it whispers. And then there are the times it merely hums, or babbles, or cries out in pain. And even when it says nothing, he knows it is still there, and in the silence of this voice that says nothing, he waits for it to speak.”

“The way he spoke about Catherine made Theresa hurt for him more than she would have imagined. It wasn't just his voice, but the look on his face before he described her - as if torn between the beauty of his memories and the pain of remembering.”

“The voice of a rebeck echoed from somewhere behind him. The music echoed and echoed until it entered his head, still echoing. It suffused his body and he felt himself to be large, very large, not a child at all. And his skin was not his own.”