“Then she told him to look in the bedroom and Aureliano Segundo saw the mule. Its skin was clinging to its bones like that of its mistress, but it was just as alive and resolute as she. Petra Cotes had fed it with her wrath, and when there was no more hay or corn or roots, she had given it shelter in her own bedroom and fed it on the percale sheets, the Persian rugs, the plush bedspreads, the velvet drapes, and the canopy embroidered with gold thread and silk tassels on the episcopal bed.”
In this quote from Gabriel Garcia Marquez's novel, we see the character of Petra Cotes, a strong and determined woman who has taken care of a mule with the same resilience she possesses. The imagery of the mule's skin clinging to its bones like Petra's own skin suggests their shared suffering and endurance. Petra's wrath, symbolically represented by her material possessions, has sustained the mule even when there was no food left. This powerful image highlights Petra's loyalty and dedication to caring for the mule, despite the extreme circumstances. It also serves as a metaphor for the larger themes of resilience and survival in the novel.
In Gabriel Garcia Marquez's novel, "One Hundred Years of Solitude," Petra Cotes' mule serves as a powerful symbol of resilience and determination. Despite being deprived of traditional nourishment, the mule thrives on the sheer force of Petra's anger and determination. This tale reminds us of the lasting impact of emotions and the unexpected sources of strength that can sustain us in difficult times.
In Gabriel Garcia Marquez's novel, "One Hundred Years of Solitude," Petra Cotes demonstrates her fierce and determined nature by caring for her mule in unusual ways. Despite the scarcity of food, she manages to keep the animal alive by feeding it luxurious items from her own bedroom. This unique and memorable scene showcases Petra's resourcefulness and devotion to her animals.
This passage from Gabriel Garcia Marquez's novel raises questions about the power dynamics between humans and animals, as well as the lengths to which individuals will go to care for their loved ones, even if it means sacrificing their own comfort and possessions. Consider the following questions as you reflect on this passage:
“...the only souvenir she kept of Aureliano Segundo was a pair of patent leather boots, which, according to what he himself had said, were the ones he wanted to wear in his coffin. She kept them wrapped in cloth in the bottom of a trunk and made ready to feed on memories, waiting without despair. "He has to come sooner or later," she told herself, "even if it's just to put on those boots.”
“He dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her. Petra Cotes, for her part, loved him more and more as she felt his love increasing, and that was how in the ripeness of autumn she began to believe once more in the youthful superstition that poverty was the servitude of love. Both looked back then on the wild revelry, the gaudy wealth, and the unbridled fornication as an annoyance and they lamented that it had cost them so much of their lives to find the paradise of shared solitude. Madly in love after so many years of sterile complicity, they enjoyed the miracle of living each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out people they kept on blooming like little children and playing together like dogs.”
“Around the time they were preparing Jose Arcadio for the seminary she had already made a detailed recapitulation of life in the house since the founding of Macondo and had completely changed the opinion that she had always had of its descendants. She realized that Colonel Aureliano Buendia had not lost his love for the family because he had been hardened by the war, as she had thought before, but that he had never loved anyone... Amaranta, however, whose hardness of heart frightened her, whose concentrated bitterness made her bitter, suddenly became clear to her in the final analysis as the most tender woman who had ever existed, and she understood with pitying clarity that the unjust tortures to which she had submitted Pietro Crespi had not been dictated by a desire for vengeance, as everyone had thought, nor had the slow martyrdom with which she had frustrated the life of Colonel Gerineldo Marquez been determined by the gall of her bitterness, as everyone had thought, but that both actions had been a mortal struggle between a measureless love and an invincible cowardice, and that the irrational fear that Amaranta had always had of her own tormented heart had triumphed in the end. It was during that time that Ursula began to speak Rebeca's name, bringing back the memory of her with an old love that was exalted by tardy repentance and a sudden admiration, coming to understand that only she, Rebeca , the one who had never fed of her milk but only of the earth of the land and the whiteness of the walls... Rebeca, the one with an impatient heart, the one with a fierce womb, was the only one who had the unbridled courage that Ursula had wanted for her line.”
“She could not avoid a profound feeling of rancor toward her husband for having left her alone in the middle of the ocean. Everything of his made her cry: his pajamas under the pillow, his slippers that had always looked to her like an invalid’s, the memory of his image in the back of the mirror as he undressed while she combed her hair before bed, the odor of his skin, which was to linger on hers for a long time after his death. She would stop in the middle of whatever she was doing and slap herself on the forehead because she suddenly remembered something she had forgotten to tell him. At every moment countless ordinary questions would come to mind that he alone could answer for her. Once he had told her something that she could not imagine: that amputees suffer pains, cramps, itches, in the leg that is no longer there. That is how she felt without him, feeling his presence where he no longer was.”
“Halfway through one August day, while she was embroidering with her friends, she heard someone coming to the door. She didn't have to look to see who it was. "He was fat and was beginning to lose his hair, and he already needed glasses to see things close by," she told me. "But it was him, God damn it, it was him!”
“Aureliano Segundo was deep in the reading of a book. Although it had no cover and the title did not appear anywhere, the boy enjoyed the story of a woman who sat at a table and ate nothing but kernels of rice, which she picked up with a pin, and the story of the fisherman who borrowed a weight for his net from a neighbor and when he gave him a fish in payment later it had a diamond in its stomach, and the one about the lamp that fulfilled wishes and about flying carpets. Surprised, he asked Ursula if all that was true and she answered him that it was, that many years ago the gypsies had brought magic lamps and flying mats to Macondo."What's happening," she sighed, "is that the world is slowly coming to an end and those things don't come here any more.”