“Sometimes, the Angel [of Music] leans over the cradle... and that is how there are little prodigies who play the fiddle at six better than men of fifty, which, you must admit is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And sometimes, he does not come at all, because the children have a wicked heart or a bad conscience.”

“They played at hearts as other children might play at ball; only, as it was really their two hearts that they flung to and fro, they had to be very, very handy to catch them, each time, without hurting them.”

“Little Lotte thought of everything and nothing. Her hair was as golden as the sun's rays, and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her red shoes and her fiddle, but loved most of all, when she went to sleep, to hear the Angel of Music.”

“He stared dully at the desolate, cold road and the pale, dead night. Nothing was colder or more dead than his heart. He had loved an angel and now he despised a woman.”

“The shadow had followed behind them, clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky.”

“Possibly, I too shall take the train at that station one day, and go and seek around thy lakes, O Norway, O silent Scandinavia... Possibly, someday, I shall hear the lonely echoes of the North repeat the singing of her who knew the Angel of Music...”

“Erik: Are you very tired?Christine: Oh, tonight I gave you my soul, and I am dead.Erik: Your soul is a beautiful thing, child. No emperor received so fair a gift. The angels wept to-night.”