“My vantage point must have been somewhere between our little house and the steamer jetty. The sea was exceptionally calm. Lit up by a sun that you could have taken down and put in your knapsack. Everything: Mooring rings on the harbor wall, piles of timber, the arches of the houses, caiques, windows – all of them were faithful, in the way we describe a dog being faithful.”

“We are wolves, which are wild dogs, and this is our place in the city. We are small and our house is small on our small urban street. We can see the city and the train line and it's beautiful in its own dangerous way. Dangerous because it's shared and taken and fought for.That's the best way I can put it, and thinking about it, when I walk past the tiny houses on our street, I wonder about the stories inside them. I wonder hard, because houses must have walls and rooftops for a reason. My only query is the windows. Why do they have windows? Is it to let a glimpse of the world in? Or for us to see out?”

“What has happened to create this doubt is that a problem (such as a deep conflict or a bad experience) has been allowed to usurp God's place and become the controlling principle of life. Instead of viewing the problem from the vantage point of faith, the doubter views faith from the vantage point of the problem. Instead of faith sizing up the problem, the situation ends with the problem scaling down faith. The world of faith is upside down, and in the topsy-turvy reality of doubt, a problem has become god and God has become a problem.”

“He lived in chambers that had once belonged to his deceased partner. They were a gloomy suite of rooms, in a lowering pile of building up a yard, where it had so little business to be, that one could scarcely help fancying it must have run there when it was a young house, playing at hide-and-seek with other houses, and forgotten the way out again.”

“I pictured a low timber house with a shingled roof, caulked against storms, with blazing log fires inside and the walls lined with all the best books, somewhere to live when the rest of the world blew up.”

“The houses have been condemned on Memory LaneI’m tired of this struggle that leaves everything the sameI’ve tried so hard to make it workthat I’m dying insideWell, you can take my pastBut you can’t have my tomorrowPromises that remain promises are useless and they’re cheapI wish I could put a price on words so I could make them keepI put so much faith in youI lost all my faith in meWell, you can take my pastBut you can’t have my tomorrowI’m giving up on giving upI can’t leave it all to prayer‘Cause the first step in getting betteris knowing what’s not thereYou said you’d make it betterand that just makes it worseWell, you can take my pastBut you can’t have my tomorrowYes, I want my life to lastSo you can’t have my tomorrowNo, you can’t have my tomorrow”